Frankenstein Movie Comparison

The novel Frankenstein was written by Mary Shelley in 1818. This gothic romance novel tells the story of a philosopher who discovered how to create life, without the full knowledge that his actions could cause grave consequences. Universal Studios made the film version of this novel in 1931. Unfortunately, the film version of Frankenstein has more differences than similarities to the novel. In the novel, Victor’s mental obsession seems to be more severe than in the film. The character of Victor Frankenstein was portrayed in both the novel and the film as a veriphobe, or one who is afraid of the truth, in this case, the truth of his actions. He

One of the primary differences between the book and the movie was the reversal of who came up with the re-animation process. In the book, Frankenstein’s professor (Waldman) merely came up with the idea of re-animation, which stimulated Frankenstein’s intense imagination. Frankenstein came up with all the processes for re-animation, and only had the support of his wonderful professor who received all the credit of the miraculous achievement in the outlandish movie.

But there is also a plethora of differences and alterations in the movie than in the original written version. The book focuses on the many complex thoughts of the main character, Victor Frankenstein. We know exactly how he feels whenever he speaks. In the movie, we are only shown that he has dedicated his life to his experiment; we never really know his inside thoughts, though. The book shines the creature in a completely different light than the film. He is shown as an intelligent being full of of human emotions: love, hate, revenge, remorse, etc. He is very articulate and has much common sense and awareness. During his first verbal altercation with Victor he says, “Be calm! I entreat you to hear me before you give vent to your hatred on my devoted head. Have I not suffered enough, that you seek to increase my misery?” (Shelley 86). We learn what he encounters in life, what has shaped him into the “human” he was created to be, and what compels him to kill. The creature in the movie is more like an animal than anything else. He is unable to speak, communicate, or comprehend what is going on around him. He only kills because he has the brain of a murderer and he wanders aimlessly not knowing what is happening. We never see his character ever develop or change at any point; we are only shown that he is an ignorant, killing

The idea of playing God is a strong theme throughout science fiction and portrays different effects in various works. One of the first characters to accomplish this is Victor Frankenstein in Mary Shelley's Frankenstein. Another character of science fiction recognized to do this is Dr. Tyrell from Blade Runner. These men played God and created a new form of life, but for different reasons and different results.

I can compare Frankenstein to the movie I saw by Tim Burton, Frankenweenie. They are similar but instead of a human body, it was a dog and the mad scientist was a young boy named Victor Frankenstein. The young Victor Frankenstein brings his dog back to life after being hit by a car for a science fair project while the real Victor Frankenstein wanted to create a real life human. Just like the real Frankenstein monster, the dog brings trouble. In the book, the mad scientist, denies the monster but in Frankenweenie, the young boy convinces his family and friends to like his creation. Some of his classmates had known the young Victor Frankenstein creation and was intrigued to do the same experiment like his but it went out of the standards of

Frankenstein and Edward Scissorhand are both about two different creators creating their own kind of creatures, and the journey through the whole process and the life after creation. In both the novel and film we are able to compare different aspects of both the novel and film. Mary Shelley’s novel Frankenstein and Tim Burton’s film Edward Scissorhands have many similarities and differences starting from the desire of wanting to feel love, to the cause of all the violence. A few of the similarities and differences visible throughout the novel and film are: quest for knowledge, companionship, and their creators.

Frankenstein and Blade Runner both explore ideas that are universally alike, however are impacted by their form, context and values. The texts explore similar ideas about man’s place in nature and progression of society, but do so within the conventions and context of their creation. Mary Shelley’s ‘Frankenstein’ and Ridley Scott’s ‘Blade Runner’ both draw ideas from their rapidly changing periods to contextually explore and analyse mankind’s thirst for forbidden knowledge which destroys one’s morality. With the progress of man, many aspire to achieve power, and morality is devalued.

The entire story is told through the letters of Robert Walton to his sister, Margaret Saville. Walton’s letters start and end the novel, which sets up the framework for Frankenstein. Walton shares a few similarities with the characters of Victor and the monster. For instance, much like Victor’s character, Walton has an inquisitive nature and he loves to explore. In his first letter he writes, “I shall satiate my ardent curiosity with the sight of a part of the world never before visited” (Shelley 16). While Victor has a deep interest in new sciences, Walton has an interest in exploring new places. This curiosity drives both men to take their interests to the limits. Walton’s character also shares some similarities with the

Mary Shelly’s depiction of Victor Frankenstein and Shakespeare’s illustration of Othello show the similarities and difference how tragic heroes fall by their tragic flaws in different ways. Throughout the novel, both characters made a flawed mistake which led to their misfortune and tragedy. Shelly illustrates Frankenstein as a recalcitrant scientist who was fascinated by the secret of life. He creates a monster to life, and refuses to admit to anyone the horror of what he has created. In the other hand, Othello is a general trusted by many of his companions. He was manipulated by his friend Iago, who accused Othello’s wife Desdemona having an affair with Cassio. Othello kills his wife, and committed suicide after finding out Desdemona’s

The horror/ comedy film The Bride of Frankenstein Directed by James Whale, was released in April, 1935. The film is about a very lonely, misunderstood monster that was originally created by the character Henry, trying to find his place in the world. Frankenstein is constantly being rejected throughout society and in the end lashes out due to neglect and causes complete chaos.

There are many different types of literature in the world constantly being made with just as many different subjects to speak about. These subjects split off into genres which are categories of literary compositions. Genres of literature may be determined by literary technique, tone, content, or even length. God-Complex is one of such genres that separate books by likeness. A God-Complex is like severe narcissism where a character in the book takes their words as law and are very dogmatic in their views and appears in novels such as Mary Shelly’s Frankenstein, or Ilima Todd’s Remake. Despite bearing some minor differences, the similarities between Shelly’s Frankenstein, and Todd’s Remake are striking such as how people create life, having outcasts, and solving impossible problems.

Most Americans have some idea of who Frankenstein is, as a result of the many Frankenstein movies. Contrary to popular belief Mary Shelley’s Frankenstein is a scientist, not a monster. The "monster" is not the inarticulate, rage-driven criminal depicted in the 1994 film version of the novel. Shelley’s original Frankenstein was misrepresented by this Kenneth branagh film, most likely to send a different message to the movie audience than Shelley’s novel shows to its readers. The conflicting messages of technologies deserve being dependent on its creator (address by Shelley) and poetic justice, or triumph over evil (showed by the movie) is best represented by the

Mary W. Shelley’s brilliant gothic story, Frankenstein, is one that emits the prevalent theme of light versus dark, in which possesses obvious characteristics of a novel written during the romantic era. The novel tells the account of the overambitious Victor Frankenstein, who created a monster in hopes that he’d be known for crafting something human from the body parts of corpses with physical and mental advantages in society, basically playing the part of God on Earth, but through the auspices of science. Instead of creating a “normal” human, his creation ended up being a disfigured creature who he then neglects. Upon his abandonment, the monster seeks revenge on Victor after being cast away by society due to harsh physiognomy in which

“Horror and science fiction tend to present radically opposite interpretations of what may look like comparable situations.” (Kawin, 1981.) Bruce Kawin helps the reader to understand how a story in the genre of science fiction could be adapted, or bastardized if you like, into a horror. This is similar to the film adaptation of Mary Shelley’s Frankenstein. Both “Frankenstein” (1931) and “Bride of Frankenstein” (1935) portrayed characters and events differently than Shelley would have desired. Her novel had many deeper implications than the movie portrayed.

as a son. Whereas in the 1957 film he is in a box full of water, and