Frankenstein essay 2

    Sometimes, in novels like Frankenstein, the motives of the author are unclear.  It is clear however, that one of the many themes Mary Shelley presents is the humanity of Victor Frankenstein's creation.  Although she presents evidence in both support and opposition to the creation's humanity, it is apparent that this being is indeed human.  His humanity is not only witnessed in his physical being, but in his intellectual and emotional thoughts as well.  His humanity is argued by the fact that being human does not mean coming from a specific genetic chain and having family to relate to, but to embrace many of the distinct traits that set humans apart from other animals in this

Mary Shelly's "Frankenstein" narrates a story about a scientist, Victor Frankenstein, and his creation of a monster set apart from all worldly creatures. Frankenstein's creation parallels Milton's "Paradise Lost" and God's creation of man; Victor Frankenstein is symbolic of God and the monster is symbolic of Adam. The parallel emphasizes the moral limitations of mankind through Victor Frankenstein and the disjunction and correlation with "Paradise Lost". Shelly links the two stories together through Victor's creation of the monster and his "fall" from humanity which I will focus on initially. More importantly, the main divergence of the two works lies in the representation of God in "Paradise Lost" and Victor in "Frankenstein". Both the

Mary Bysshe Shelley, the writer of Frankenstein, used lots of different Allusions to common text from the time to help readers understand relationships between Victor and his creature as well as Victor’s motivation for creating the creature. Shelley uses allusions to Paradise Lost to help the reader understand the relationship between Victor Frankenstein and his creature. Paradise Lost discusses the relationship between God and Adam as well as Satan and God and how he treats them as their creator. The relationship between the creature and Frankenstein can be described as a mix between the 2 relationships discussed in Paradise Lost. The creature sees himself as Adam because he was created in his creator’s own image and made to be a creation of man.

In the book, Frankenstein by Mary Shelley, the author illustrates similarities between both Victor and the Monster he creates. She draws parallels between the two regarding their feelings on family, nature, on exacting revenge, and how they both become isolated from society. Both are able to demonstrate extreme intelligence. As the novel progresses, Victor and the Monster become more similar to each other. Their relationship turns to one in which each is consumed with getting revenge on the other at all costs.

The characters from Frankenstein are a lot similar with the characters from this poem. The creature is similar to Milton’s Satan respecting the fact that is being every now and then a compassionate character that is rejected by his own creator. Actually, Victor quotes from Paradise Lost in order to illustrate how he is forever condemned because of his sins against the laws of nature. Victor is Satan because both are incapable to be forgiven because they do not feel true remorse in their actions. Their pride is the main emotion that holds them back from gaining

Appeals are present in the novel. Throughout the novel, there are many characters but the main important characters are victor Frankenstein, the creature. Victor Frankenstein is a scientist who knows everything about scientific field, who wants to prove that he is a great scientist. Then, tries to create life but instead created a monster. Later on the monster started killing people. The monster killed victor brother because the monster wanted someone to love him. Then, he killed victor’s wife, and left him alone with misery. Once, victor died the monster end up being alone again. Mary Shelly uses imagery, metaphor, and personification to prove that loneliness could lead to tragedy in life but in the novel it also proves that satisfaction is not found by revenge, and beauty and appearance allows more acceptance in the society.

Mary Shelley alludes to literary text, intellectual history, and her personal life in order to deliver the theme with literary style, to develop the characters’ background, and to emphasize the universality of the story. Literary texts such as Paradise Lost, The Rime of the Ancient Mariner, and the myth of Prometheus induces a sense of how commonplace the story of Frankenstein could be. Intellectual history adds to that effect by emphasizing the story with logic. Similarities to her personal life such as her childhood and marriage exemplifies her point. The external references in the novel serve to represent the Gothic and Romantic Movements and to encourage the readers to relate the situation to their own lives.

Mary Shelley’s Frankenstein, illustrates an interesting story focusing in on many different themes, but what most readers may miss, is the similarities between Victor Frankenstein and the creature he created. As the story develops, one may pick up on these similarities more and more. This is portrayed through their feelings of isolation, thirst for revenge, their bold attempt to play god, and also their hunger to obtain knowledge. These are all displayed through a series of both the actions and the words of Frankenstein and his creature.

Immediately following the loss of innocence and the gain of knowledge in the soul of the monster, he becomes analogous to Satan, God’s enemy, in Paradise Lost. “I gazed upon my victim, and my heart swelled with exultation and hellish triumph” (144), he states as William lies dead at his feet. The monster even recognizes that he is like Satan. He says, “I ought to be they Adam, but I am rather the fallen angel [Satan], whom thou drivest from joy for no misdeed” (103). Just as the monster parallels Frankenstein in his quest for knowledge, he also does so in his being as Satan. He is the personification of the devil that is inside all in the form of sin. The monster and the devil share an experience in which it is obvious that one parallels the other. In igMalice, and with rapine sweet bereav’d

In the gothic novel Frankenstein, Mary Shelley weaves an intricate web of allusions through her characters’ expedient desires for knowledge. Both the actions of Frankenstein, as well as his monster allude to John Milton’s Paradise Lost. Book eight of Milton’s story relates the tale of Satan’s temptation and Eve’s fateful hunger for knowledge. The infamous Fall of Adam and Eve introduced the knowledge of good and evil into a previously pristine world.

Throughout Frankenstein the author Mary Shelley uses the Prometheus myth to build her main character, Victor. The original title of Shelly’s book was Frankenstein; the Modern Prometheus, this, however is not the only connection to the myth from Mary Shelley; Victor Frankenstein is similar to Prometheus. With all the similarities that will be shared, Victor and Prometheus also have differences. They both share a similar fate, but for different reasons. While Prometheus’s goal is misunderstood by the gods, Victor’s fate stems from his abandonment of his goal. Both characters share similar emotions for what they have done, however they end up reacting differently.

In Mary Shelley’s novel, Frankenstein, the inter-textual connection to the bible is prominent throughout the whole novel. Shelley connected the monster to Adam, Satan, the story of Eve and Adam and the monster reading Paradise Lost. Seeing as the bible was a highly read and recommended text during the early 19th century, Shelley’s establishment of the references served to establish Frankenstein as a sort of allegory of moralist text. She begins her biblical allusions with the idea of creations, mistakes and sins.

The lack of an origin causes the monster to exhibit characteristics of Satan. While talking to Victor the Monster states, “Remember that I am thy creature; I ought to be thy Adam, but I am rather the fallen angel”(81). The monster demonstrates feelings of betrayal and abandonment as he is seen by Victor as a lesser being due to his “fallen angel”(81) status. A continuous reference to Adam demonstrates the Monsters desire to be loved by Victor for being a successful creation. However, the Monster faces reality in that he was abandoned, since Victor was “unable to endure the aspect of the being [he] had created”(44). The Monster’s expulsion from Victor’s life fuels his insecurities as he begins to “considered Satan as the fitter emblem of [his] condition”(110). Victor’s abandonment parallels to the story of Satan as he was cast out of heaven by God, similarly to how the Monster was cast out of Victor’s life. Not only, does the Monster take on the name of Satan, but also a few of the

This liberation provides new identity, shaping their mind and decisions to the point of questioning society. For many, that freedom is seen as dangerous and needs suppression because it breaks the conformity that their society needs. Through the words of Shelley, Atwood, Orwell and Zusak however the benefits become clear. In Frankenstein,The unnamed “monster” antagonist’s eloquence and mastery of language allows him to understand the depth of his constant rejection from society and the horrific manner of his creation. His newfound identity brings him the inspiration to break free from his rejection and seek ultimate revenge against the unfairness of his creator. The monster profoundly relates to the biblical text “Paradise lost” reading it as factual history which then in turn transforms his persona with relation to Satan, a “fallen angel.” Shelley’s decision to include this results in the Monster’s realization of his victimization and encourages him to challenge the manner of his creation. To the monster’s downfall, he also discovers how very little he has in this world. He questions if he is better off with the knowledge of his creation “And what was I? Of my creation and creator I was absolutely ignorant, but I knew that I possessed no money, no friends, no kind of

Due to Victor 's morality inhibiting a fruitful facade as Milton 's God, his creation of the monster inevitability fosters pandemonium not only in his own life, but wreaks havoc in those around him. Specifically, the treacherous monster killing Victor’s brother William by “[grasping] his throat to silence him, and in a moment he lay dead at [his] feet” explicates the brutal outcomes when the creator of life cannot visualize the effect his creation will have on others. Victor consumed himself with this illusion of being God, blinding himself to the monster’s capacity to turn into a violent, impassioned creature whose heart would “swell with exultation and hellish triumph”(153) at depriving another being of their life. Shelley emphasizes this violence with the savage diction of “hellish triumph” and “swell” to fully convey the spreading effect of chaos from Victor’s failed action to play God. Through the allusion to hell, Shelley also creates an image of Victor’s actions