Franz Joseph Haydn

Joseph was born in Rohrau, Austria. He was born in 1702. He died in 1809. He was an Austrian composer. Haydn wrote in Italian. Haydn played classical music during the renaissance period. He became a principal architect of classical music. His contribution to music gave him the name “Father of the Symphony” and “Father of the String Quartets. Michael Haydn and Johann Evangelist Haydn were his brothers. Haydn was a teacher to Beethoven.

The first movement of both pieces start off in their own unique way. Haydn’s work begins stridently with a quick timpani strike accompanied by the strings, then is followed by a toned-down melody in C-minor. The second theme of Haydn’s first movement is more jovial sounding and is in C-major. After the

Both Haydn's and Beethoven's first movements are composed in sonata form, with an exposition stated in the opening that is then developed and recapitulated. The size of Haydn's opening movement is somewhat smaller than Beethoven's, whose opening exposition itself seems larger than life. Haydn's first movement is roughly six minutes long, and the length of Beethoven's first movement only exceeds Haydn's by about a minute and a half to two minutes.

Wolfgang Amadeus Mozart had endless ideas for writing piano sonatas and like his other works, his sonata style has evolved dramatically over the years. His early works have been constantly compared with other well-known composers at the time. For example, it has been suggested that Haydn’s F Major Sonata, Hob. XVI: 23 as a model for Mozart’s K. 280 in the same key.

In the second movement, the percussion section is more noticeable, especially at the beginning. This movement is also in D minor. The range of the melodic tune is dramatic. At times, I recognized the downbeat in three measures (da da da). This

The sonata begins softly but with unmistakable energy. The trill like sixteenth notes on the third beat of this motif surge the piece forward into the next bar. The two bar motif appears again, and is then varied and

The first movement Allegro ma non troppo, un poco maestoso played in sonata form beginning with a soft pianissimo which then developed into a stormy fortissimo which recapitulated throughout the movement. The second movement Scherzo: Molto vivace - Presto also features recapitulation throughout the movement, while the movement’s rapidity was facilitated by the presto tempo of the movement. The third movement Adagio molto e cantabile played in variation form by repeating the same basic melody, with minor alterations. The fourth and final movement called Presto; Allegro molto assai (Alla marcia); Andante maestoso; Allegro energico, sempre ben marcato, represents the most iconic movement of the symphony. This movement begins with a suspenseful presto then developing to reveal the iconic melody of the symphony. Soon after the National Youth Choir of Great Britain performed the chorus which gave the movement a polyphonic

Robert Schumann lived, died, and spent the majority of his long–lived, successful life in Germany; from 1810, until about 1856. He had originally studied law, but had left to become quite prominent as a composer, as well as a pianist, and was even an influential music critic of his time. He was and still is widely regarded as one of the greatest composers of the Romantic era. Schumann left the study of law, intending to pursue a career as a virtuoso pianist. He had been assured by his teacher Friedrich Wieck that he could become the finest pianist in Europe, but a hand injury ended this dream. Schumann then focused his musical energies on composing.

Three Renaissance Dances - Each dance is in a different style. No. 1 should be played with a sense of motion and a gentle feel. No. 2 encompasses two contrasting styles, transitioning from a smooth, connected common time to a dancelike triple meter. No. 3 employs bold brass colors. The beginning is in the style of a fanfare, with crisp articulation. The middle section requires a lighter touch, before the ending reprises the original style.

Then follows a scherzo with trio - Molto vivace - also in D minor. The scherzo itself is in sonata form with all parts repeated. The octave tuned drums immediately announcing the important role they play in the tonality of the movement as a whole. Then follows a hushed fugato, which serves an introductory purpose as the full force of the orchestra. Then follows a more harmonic path with the utmost vigor. The second subject in C major adds an unusual harmonic flavor. The trio has a quasi-pastoral flavor, The trio is played only once, although Beethoven fools us into believing we will here it once more at the end, like in the first movement but it abruptly ends.

Franz Joseph Haydn is one of the most recognizable names and characters of the Classical era. He is recognizes as the inventor of the string quartet, and tutored many other easily-recognizable musicians such as Ludwig van Beethoven and Amadeus Wolfgang Mozart. Haydn’s first experience with music was when he was eight, and he was recruited to sing as a choirboy at St. Stephen’s choir in Vienna. He eventually came to love the keyboard and violin, and supported himself in his early years by teaching and playing violin. His most famous pieces include: the "Rider" quartet and the Surprise, Military, Drumroll and London symphonies. The listening example: Symphony no. 94 is known as the Surprise Symphony, and is the second of the twelve London Symphonies.

Joseph Haydn was born in a small Austrian town named Rohrau. His mother was Maria Koller a cook, and his father was Mathias Haydn who was a step under the village mayor in Rohrau. His Parents were hard working people his father would be the one who did have interests similar to his Mathias enjoyed performing folk music. Haydn would also discuss memories of his family singing and being very musically inclined with one another. He was very shart and extremely talented in the Musical Arts and his parents would notice and knew he needed a change of scenery to help him attain a better career in the art. Haydn's parents would send him with

As the exposition begins the piece starts in C major. In the primary theme, there is a triplet motive that is automatically established. In addition, the dotted rhythm of m. 3 is also motivic and used through the entire movement. Mozart uses very contrasting dynamics in the first couple of measures. The piece opens at forte, but then dies down to piano in m. 3 only to return to forte in m. 5. Mozart also uses silence at the beginning of the movement to emphasize how highly articulated the movement is. As the primary theme continues to be established m.9 introduces a march like quality to stress the

The 1st movement is in sonata form. The slow introduction to this symphony is unusual in that it begins in the subdominant key - E minor, solemnly introduced by the bassoons. It modulates into B minor and the tempo increases for the principal subject. This theme is elaborated and developed, and a march-like motif forms a bridge passage leading to a climax. The strings then introduce an amorous, song-like second subject in D major. The development section enters with a bang. This section brings no startling thematic growth or transformation, but is

The second movement, Andante con moto, however has two main different interpretations that it could be analyzed as song form or sonata form. The third movement, Con moto moderato, was composed in form of minuet and trio. Finally, for the finale, which consists of the Roman saltarello and the Neapolitan tarantella dance rhythm, contains characteristics of both sonata and rondo form.