Franz Kafka's Metamorphosis

People have a high amount of pressure on them in their daily lives with social, mental, and physical appearances. Kafka represents this pressure he has on himself through Gregor. This allows Kafka to vent many emotions and feelings through this novella Everyone is there own person but some take others opinions to heart to often and need to see things are not as bad as they seem. Throughout The Metamorphosis, by Franz Kafka, Kafka displays himself through Gregor, and shows his true feelings about people and society he lives in.

Walter H. Sokel’s article does well in trying to encompass many deeper meanings behind the story, The Metamorphosis, but some of them are invalid and do not accurately represent the happenings in Kafka’s work. Sokel emphasized that the reason for the metamorphosis was of Gregor's own doing more than anything else. The article tries to compile several viewpoints and ideas which is confusing and unconducive to any one motive in the novel. The basis of this articles many widespread arguments is as absurd as the story it is trying to explain. Any clarity that could have been gained was overshadowed by Sokel's own conflicting ideas. In the end the causes and results that exist in the Kafka's far flung tale are neither factual nor comprehensible, leaving it up to the reader to evaluate if they themselves are absurd to question Gregor's

In the metamorphosis by Franz Kafka, there are significant actions and transformations which make the story sad, and strange with a happy ending. Explanations that are dramatic events that intensify the excitement of all these actions. Reality and reflection play an important role in this story because the events that happened could be applied and assimilated with modern society.

“Kafka’s “Metamorphosis”: Rebellion and Punishment” is written using and expressionist point of view, with influences from Freud. Walter Sokel explains Freud’s study of “accidents” and how “Metamorphosis” displays it. Freud’s theory states that accidents “are often acts springing from motives of which the conscious mind keeps carefully unaware” (209). When Gregor scares his boss and causes him to forget his cane and hat it actually makes Gregor happy. Sokel writes that “the metamorphosis fulfills Gregor’s secret

In The Metamorphosis, Franz Kafka conveys the series of emotional and psychological repercussions of a physical transformation that befalls the protagonist, a young salesman called Gregor Samsa. As the story progresses, Gregor finds himself unfairly stigmatized, cruelly rejected because of his clear inability to financially support his family, and consequently increasingly isolated. Through extensive use of symbolism, Kafka is able to relate the surreal and absurd, seemingly arbitrary events of this short story to a general critique of society-particularly on the alienating effects that conformity generates. On a broader level, the combined themes-which include the themes of conformity, freedom, and alienation--found throughout The

The Metamorphosis by Franz Kafka is a reflection on how alienation and isolation begin and develop in a society by employing the characters in his novella as a representation of society as a whole. Using Gregor’s manager to demonstrate the initiation of isolation and alienation of a person, Gregor as the person being isolated and the inhabitants of the Samsa household as the other members of society, Kafka creates an effective model to represent the hierarchically structured effect of isolationism and alienation in society on a larger scale.

The Metamorphosis (Die Verwandlung 1912), Franz Kafka’s best known short story, is a master work of incredible psychological, sociological and existential malaise. Although his points are simple and straightforward, this richly layered and textured story is open to many interpreta-tions, making it complex, yet critical to decipher. There is an incredible amount of theories based off of what this story could possibly symbolize or represent, but it is of the autobiographical in-terpretation that is undeniably the most enlightening. This interpretation allows the reader to gen-uinely understand the tale on an intense level that would not be able to be reached, otherwise. In order to gain true insight on the autobiographical approach to The Metamorphosis, a brief examination of his life is required; his thoughts, his beliefs, the acknowledgment of the cruel circumstances of his life, especially his home life, must be made clear that the anguish of his own world is the model for the themes in his stories.

In The Metamorphosis, Kafka establishes, through his religious imagery and gospel-esque episodic narration, the character of Gregor Samsa simultaneously as a kind of inverse Messianic figure and a god-like artist, relating the two and thus turning the conventional concept of the literary hero on its ear. The structure of the novel reflects that of the Gospel of Mark in that it is narrated in individual events, and in this it is something of a Künstlerroman - that is, the real metamorphosis is over the course of the novel, rather than just at the beginning, and that change is a heightened sensitivity to the world in an artistic sense. The motif of change is a rather theological one as well: we see it in a religious sense, in the form of

  Kafka uses symbolism in his short story, Metamorphosis.  He uses this technique to make the reader try and figure out what was going on in his head.  He brought out in this story many things about his life, including his father/family, love life, and his future.  He used metaphors to show his love for people in his life.  This story is autobiographical about the forces that control Franz Kafka's life.  In this paper I will explain how Kafka relates his life to the readers through the story in Metamorphosis.

Throughout literary history, certain authors are so unique and fresh in their approach to the written word that they come to embody a genre. Franz Kafka is one such author; “Die Verwandlung” or “The Metamorphosis” is one of his works that helped coin the term “Kafkaesque.” Through this novella, Kafka addresses the timeless theme of people exploit-ing others as a means to an end. He demonstrates this point through showing that a family’s unhealthy dependence on the main character results in that character’s dependence on the family.

Franz Kafka, in his novel The Metamorphosis, explores two conflicting ideas through his protagonist Gregor: unity and isolation. Gregor’s transformation created a whole life of distress for him, but on the other hand also formed a deeper and better relationship for the rest of the family.

There exists no one true approach to examine writing; consequently, Literature continually proves to be a misunderstood art. Emerging through time, theories have been conceived due to the study of literature, but different readers believe in different theories. For instance, Franz Kafka’s short story, The Metamorphosis, may be interoperated countless ways do to its intricacy, as well as by varying literary theorists. Kafka himself and historical background may even be scrutinized, when studying The Metamorphosis. Complexity in The Metamorphosis lies throughout the entirety of the story, for the story tells the telling tale of salesman Gregor Samsa and his time as a gigantic insect (Kafka). Despite their differences, Biographical Criticism, Historical Criticism, Psychoanalysis, and Marxism all provide methods by which to analyze Kafka’s The Metamorphosis.

Psychoanalysis was started and influenced by Sigmund Freud. The object of psychological literary theory is to analyze the phycology of the author or the characters in the book. Applying psychological analysis to the Metamorphosis will require a critique to identify vital Freudian concepts such as; consciousness, unconsciousness, Oedipus complex and phallic symbol.

Kafka’s Metamorphosis suggests to his readers to take a glimpse inside a dysfunctional atmosphere triggered from a painful childhood, to see how influential each member of the family contributes to the dynamics, but also to learn how to make light of the situation with acceptance. Kafka is reflecting on his own relationship with his family in Metamorphosis. He sees himself in Gregor, or is he him.

The deeper meaning of “The Metamorphosis”, by Frank Kafka, can be interpreted in many ways depending on critical theory is used to examine it. From a feminist criticism, one can observe how Gregor’s dominance as a male diminishes after he becomes a bug as his sister’s strength and role in the family grows stronger. From a biographical criticism, one can compare and contrast the traits of Gregor and the people around him with that of Kafka’s own life and his relationships. However, the focus of this essay will be applying a psychoanalytical criticism to the characters in “The Metamorphosis”, using the studies of Sigmund Freud to approach