Franz Kafka's The Metamorphosis

In Franz Kafka 's Metamorphosis, Grete changes from a child into an adult while also trying to do the opposite with her own family. Gregor’s metamorphosis leaves her family without anybody money to pay for their needs. Consequently, Grete replaces Gregor and begins to cook and clean for her family and go to work. These jobs allow Grete to become more experienced and to mature. Similarly, Grete shows displays these changes by dressing more provocatively and becoming more interested in romance. However, during Grete’s own metamorphosis, she realizes the burden that is (or was) her brother and proves to her family that he is no longer human. Since she wants to keep her family the same as it was before Gregor’s metamorphosis, Grete convinces her parents of this absence of Gregor’s real personality and tries to get rid of him. Thus, Grete’s goal is to keep her family the same as it is before Gregor’s metamorphosis, and to accomplish this, Grete simultaneously goes through her own metamorphosis into an adult woman as a result of the many jobs she takes to keep her family in the same situation as before.

What is betrayal actually? How do we visualize it? In what particular ways do we see it? A wide range of literature has been dedicated to the phenomenon of betrayal demonstrated in different ways. In the course of this essay two works of literature will be analyzed having regard to the issue of betrayal revealed therein. The work of art to be analyzed first will be The Metamorphosis by Franz Kafka. The Metamorphosis is a surreal story by Franz Kafka surrounding the tale of Gregor Samsa, who wakes up one day, reborn into a large insect. He wants to live a normal life, unfortunately, this is impossible because he cannot even get out of bed. Gregor transformation into an insect is a vivid metaphor for the alienation of humans from around the world. After losing a human form, the hero was beyond human existence. He is automatically deprived of the right to be a part of society.

“Canada is the homeland of equality, justice and tolerance”-Kim Campbell. During the year 1982 and 2016 many things had occurred in Canada, to name a few the Canada creating its own constitution, $1 coin being named the loonie, Winter Olympics open in Calgary, and Canadian Human Rights Act to prohibit discrimination against gays. During 1982 and 2016 three things shaped Canada to what it is today and that is the Confederation Bridge, the North American Free Trade Agreement, and the Constitution Act.

Kafka describes the tedious, murky and muggy environment that foreshadows the decomposition and fall of Gregor’s life. When Gregor opens his eyes, he finds himself changed into a grotesque vermin or an enormous insect, an insignificant creature. Gregor does not scream. He does not panic at least not until he worries about going to work, that a gigantic insect doesn’t need to bother showing up for work doesn’t cross his mind. It seems as though Gregor accepts his fate so willingly. With this striking opening, Kafka sets his mystifying psychological fantasy in motion. Kafka’s diaries and letters point out that he considered “Gregor’s fate no worse, or better, than that of any person.” The prior life of a traveling salesman vs. the one-room Gregor occupies, as an insect are both lives of solitude. Kafka wrote that “the cares we have to struggle with every day” are emotional anguish. Kafka lived a sad life. He was persistently haunted by the oppressive image of his father. This could be clearly seen in Gregor’s attempts to get out of the bed. But, since his door was locked, he would need to call for help, which he does not favor. This shows Kafka’s fear of his father. He would rather lay on the bed forever than call his father to help him. Kafka’s fear estimated here as Gregor’s fear

The story initially involves Gregor’s physical appearance and his conscious awareness that he has become an insect. “When Gregor Samsa awoke one morning from troubled dreams, he found himself changed into a monstrous cockroach in his bed” (505). Quite in denial, he does not appear to be very bothered by his transformation, and sees it as any other disturbance to his sleep, “what if I went back to sleep for a while, and forgot about all this nonsense?” (505). As the story progresses, Gregor seems focused on ordinary concerns like missing the early morning train, losing his meaningless and unfulfilling job as a traveling salesman, or his family’s unstable financial situation. His life is completely consumed with work and his family’s needs. Undergoing more physical changes, Gregor’s normal human voice turns into that of a bug, which makes it difficult for him to communicate with his family or his manager, who says, “that was the voice of an animal” (511). His words were no longer comprehensible. Once he was able to open his bedroom door, revealing himself as an insect to the others did not ensue ideally. Gregor’s mother, father, sister, and manager all stood shocked, and ran away in horror at the sight. Ironically, one of the first things that Gregor sees outside the bedroom is a photograph of himself from his period in the army as a lieutenant, “his hand on his sabre, smiling confidently, the posture and uniform

Franz Kafka’s The Metamorphosis (1914) is about the transformation of Gregor Samsa into a giant insect. His life has been miserable due to the fact that he works to meet the standard necessities of the family after his father has lost his business. Kafka implies that Gregor’s transformation is simply a manifestation of what he was already experiencing. It is a punishment for Gregor not having attempted to engage with others. Kafka’s main theme is alienation and he explores it passionately through Gregor’s introverted life before his transformation, the metamorphosis of the family’s treatment towards Gregor after he turned into an insect, and Gregor’s behaviour after his drastic change.

The novella The Metamorphosis by Franz Kafka was first published in 1915. This novella shows the degree of loyalty a family has to even their own family members; this case being Gregor Samsa, his mother, his father, and his sister Grete Samsa. Upon reading the novella, it becomes evident that Gregor’s care for his family is pure and genuine, which, throughout the short story, leaves a small feeling of melancholy due to the fact that the family never really returned that same gesture. Gregor works solely to support the Samsa family through their debts and his sister’s future through a job that he keeps due to his obligation as the money-maker of the family. Support, in both factors of the word, should be a

Selfishness is omnipresent in the context of Franz Kafka’s The Metamorphosis. Throughout the story, the Samsa family struggle to balance their own lives and the sympathy for Gregor, the only son, as his transformation from human to cockroach leaves a burden on the family and results in the loss of Gregor’s humanity. Despite the fact that Gregor had been the sole income of the family, the loss of humanity from becoming a cockroach was overwhelming to the family, resulting in selfish tendencies. Kafka displays how humans are unintentionally selfish, especially when the inability to sympathize diminishes through the family’s relationships.

Through the use of characterization Gregor’s motives, thoughts, and actions can be analyzed further defining his mysterious transformation. Once completely aware of his metamorphosis, Gregor does not seem to concern himself with the change. He is immediately worried about how his boss will react to his tardiness. Gregor shows no care for his own personal needs, showing complete and utter selflessness. Kafka introduces this behavior when he awakens to find himself transformed and is immediately concerned with his duties to his

The Metamorphosis is a novella written by German author Franz Kafka which was first published in 1915. The novella tells the story of Gregor Samsa, a traveling salesman who one day awoke to discover he had transformed into an insect like monstrosity. Throughout the story, Gregor struggles with the horrible prospect of coming to terms with his situation, as well as coping with the effects of his transformation, such as the fact that his family is repelled by his new form, and that he is no longer able to provide financially for them. Through Gregor’s reaction to the effects of his transformation on his life, Kafka critiques the situation of the common man in a modern world.

In The Metamorphosis, Franz Kafka accounts the metamorphosis of Gregor’s care for his family. Initially, Gregor cares for his family out of an alternative motive, to gain acceptance, rather than a genuine love for his family. Prior to his physical metamorphosis, Gregor commits his life to care for his family’s financial needs. He willingly gives the majority of his income to his family. After Gregor’s physical metamorphosis, his care’s transformation begins. As a dung beetle, Gregor finds it impossible to care for his family. This change in his life forces him to see the many ways in which he hinders his family’s physical and mental growth. Over time, he learns how he must understand life from his family’s perspective in order to genuinely care. At the end of his life, Gregor thinks loving thoughts toward his family, even though he did not receive acceptance from his family. Although Gregor commits his life to care for his family, he unknowingly cares to gain approval until his care transforms into selfless love.

In Franz Kafka’s “The Metamorphosis,” Gregor Samsa deals with the alienation from his family stemming from both absurd and mundane circumstances. While Gregor’s transformation into a bug is the catalyst to his physical alienation, Gregor had for years been becoming more and more isolated mentally and emotionally from his family due to his displeasure at his having to work a job he hated due to his father’s failings and the lack of gratitude he received from his family for his hard work. It was not just his family who Gregor was becoming isolated from, but it was humanity in general that Gregor had been drifting apart from, as he had not mentioned having any friends or work colleagues which leads the readers to believe he had no social life

I believe that being in the course of Medical Biotechnologies will help me learn more about the things that interest me. This course ties in medicine and forensics, and I also think I will be able to apply my interest in psychology to this course. Likewise, I want to learn more about forensics and medicine to see if that is what I want to pursue in the future.

One aspect of Magical Realism Franz Kafka uses is realistic elements. The start of Gregor’s morning is similar a normal morning where “his immediate reaction was to get up quietly without being disturbed, to put on his clothes, and above all, eat his breakfast” (1113) before going to work. During this scene, Gregor still thinks like a human, however he has physically turned into a bug. A human’s normal thoughts, on a weekday, is to get up and get ready to go to

Example (6) plays on the idiom ‘in earnest’, which normally functions either as an adjective or an adverb and it means to be (/speak/act) sincere and serious. The preposition ‘in’ is omitted in order to bring forward the humorous character of the homophone ‘earnest’ in the play. The word is both an adjective, which means ‘serious or sincere’ and also a proper name, spelled Ernest. The pun is funny because Jack lies about his name being Ernest, but it turns out that his name actually is Earnest. Jack is neither serious nor sincere, but, by pure coincidence, he is unknowingly being honest. In this case, ‘the importance of being earnest’ can be read ironically as the importance of being honest, or better said the importance of not being earnest, since neither Jack nor other character in the play are really honest and serious. It can also be read as the importance of having the name Ernest. It turns out Jack’s name is actually Ernest, which means he was in earnest about his name all along.