The Metamorphosis Research paper Franz Kafka, in his novel The Metamorphosis, explores two conflicting ideas through his protagonist Gregor: unity and isolation. Gregor’s transformation created a whole life of distress for him, but on the other hand also formed a deeper and better relationship for the rest of the family. Gregor’s transformation to a Vermin created a new life of separation and isolation for him. Before Gregor’s transformation he already felt isolated and stressed out because he was the only one working and he didn’t have that good of a relationship within his family. Kafka states “Constantly seeing new faces, no relationships that last or get more intimate.” Gregor is a traveling salesman who sees new people …show more content…
Locking up his room in his own house suggests that he feels his home to be just as unhomely as a hotel. Norman Hollan states “Gregor’s repulsive appearance means he has to remain in his room, a prisoner, completely isolated.” This is true because he is not willing to leave his room because of what he is and so is basically a prisoner within his own home. Goldfarb also states “Gregor’s transformation is not an escape from his past loneliness but an intensification of it.” Gregor’s whole life has been basically devoted to paying off family debt, worrying about wasting an hour of his employer’s time and spending very little time developing his life. Gregor is not only isolated from his family but also neglected as well. First, As stated before Gregor was never really loved in his family his father was had a negative influence on him. “With a hostile expression his father clenched his fist, as if to drive Gregor back into his room” Mr. Samsa almost barely comes out a compassionate character here. His reaction to Gregor's condition is aggression, rather than patience or sympathy. Second, His father even attacks him multiple times. The second time he was attacked by his father it was a serious enough wound to be life threatening. Gregor is unable to prevent this injury and obtain any sort of remedy; the family doesn’t seem to care at all, and he is at their mercy. Next,
society. Kafka shows his fear of rejection. He tries to meet others but fails constantly because of his own perceptions of society and thier thoughts of him. He displays that he is, struggling, “if possible more fiercely,” (Kafka, 7) to get out of bed and get out into the world where society is, as he perceives, treating him so poorly. Gregor exhibits these emotions by being stuck in bed or staying in his room, by choice, until his death. The motif comes through for the reader in this quote when Gregor is stuck in bed because he is a bug and Kafka thinks he himself is a bug. This is how Kafka sees himself vs. society. He does not realize that their is always someone to bring him in and accept him. All he knows is family and so he thinks that is what society is. He shows the irony of the situation, in the novella, is the fact that he could easily leave and find new accepting people but his view of society is narrow. Gregor wants his family to accept and praise him while Kafka wants society to praise and accept him. He wants to show the damages society has done to him in the same way that Gregor reminds, his father that “Gregor was part of the family” (Kafka 38). Kafka wanted to remind even society that he is a person and needed acceptance like everyone else. This explains to the reader that family has a large influence on the people that are a part of it. It also shows them to accept others for who they are and help them instead of ridiculing or ignoring them. He becomes antisocial and turns away at the sight of others or the thought of having to see others all because of his appearance. appearance becomes another factor in why he does not want society to see him as he is. He might not want society to see him because he believes things will only get worse after he saw the reaction his family had toward him. Even his sister, who he still paints in a
Throughout the story there is a metamorphosis that is taking place in his home. He has traded places with the family and is now living the life they had previously embelished in. His father begins to work along with his sister and his mother must now work and do the cooking and cleaning. Gregor on the other hand does nothing but daydream, crawl, and nap through his days. One ironic statement from his sister “He must go, if this were Gregor he would have realized long ago human beings can’t live with such a creature, he’d have gone away one his own accord. This creature persecutes us, drives away our lodgers, obviously wants the whole apartment to himself, and would have us all sleep in the gutter.” How selfish of her, had he not taken care of them and he was not the only one working
Both of these instances show that Gregor’s father has completely given up on his son to the extent that he would seriously injure him just to get this ugly creature out of his sight. By Gregor’s father never trying to help him from the beginning it shows that he has completely given up on, and ultimately betrayed, him.
Gregor’s role in his family characterizes him as an altruistic individual whose nature made him ignorant to his family’s manipulation. Gregor endures most of his hardships without complaint and puts the needs of his family firmly above his own. Upon realizing his transformation at the beginning of the novella, his first thoughts were not of alarm but of great concern about being late to work because it is his only means of taking care of his family (Kafka 6). After his father’s business failed, Gregor “work[ed] with special ardor” (27) doing laborious work as a traveling salesman, not only to “pay off [his] parents’ debt”(4), but to also spend what little money he has to give Grete the opportunity to perform violin professionally (26). With all these responsibilities, it’s inevitable for Gregor to be under great stress, which can infer that Gregor’s transformation is a result of his willful desire to escape the pressures his overburdened life. Gregor struggled between remaining a steadfast provider or following his desire for independence, however, his metamorphosis freed him from a job he detests. Now that it is impossible for Gregor to work, Mr.Samsa reveals that “he possessed more money than Gregor knew about” (#). This is a significant event where Kafka uses the motif of betrayal to emphasize the corruption in familial infrastructure represented through Gregor’s sacrifice and interaction with his family, as well as to socially comment about how people in society use
Grete undergoes a change in perspective to such a degree that by the end of the novella it is she who declares, “we must get rid of it” (84). This change in perspective shows how Kafka believes that members of society often stop sympathizing with the isolated group when it becomes inconvenient for them to continue doing so. Gregor’s mother reacts in an initial manner somewhere between the father and sister since when first seeing him she “went two steps toward Gregor and collapsed right in the middle of her skirts” (23). These conflicting desires continue through the novella, such as when Mr. Samsa tries to kill Gregor, “she begged him to spare Gregor’s life” (65) but at the same time she is repulsed by him. This illustrates how she wants to help him and tries to think of him the same way she did before his transformation, yet is unable to. This resembles the idealists in society who theoretically support the alienated person but often succumb to social pressures when they are forced to face the problem. These three reactions to Gregor’s transformation as a result of the initiation of his isolation by the manager demonstrate the spectrum of reactions. From the immediate acceptance of the hierarchy represented by Mr. Samsa, to the true compassion of Grete and the idealism of Mrs. Samsa, Kafka shows how a wide variety of reactions is expected from society, and how people often change their opinions.
One of the most prominent themes present in Franz Kafka’s The Metamorphosis is isolation. Gregor, transformed into a vermin, becomes extremely isolated by both his family and society. Gregor’s family, job, and apartment contribute to this sense of isolation significantly, both in a literal and figurative sense. The sense of isolation that Gregor feels as a result of his metamorphosis, however, is not unique; in fact, isolation is common in every aspect of society as a whole. Gregor’s transformation, therefore, is an allegory for the inherently isolating and alienating nature of the human condition.
Change is unavoidable and inevitably in every moment of our lives. In every second of our lives, changes appear and disappear, impacting our lives. Humans perceive change differently and it reveals the true nature of our heart. It is due to the dissension of change between humans that determines the differences in our individual perceptions. In the novel, “ Metamorphosis” by Franz Kafka, the word change is taken to a entirely absurd degree as the main protagonist, Gregor Samsa is illogically transformed into a bug. Although Gregor’s thoughts still shown traces of his human self, Gregor’s family is unable to cope with his hideous form and isolates him from their world. Once perceived as the breadwinner of the family, Gregor is now seen
Many views of existentialism are exposed in Kafka's Metamorphosis. One of these main views is alienation or estrangement which is demonstrated by Gregor's relationship with his family, his social life, and the way he lives his life after the metamorphosis. Namely, it suggests that man is reduced to an insect by the modern world and his family; human nature is completely self absorbed. Kafka reflects a belief that the more generous and selfless one is, the worse one is treated. This view is in direct conflict with the way things should be; man, specifically Gregor should be treated in accordance to his actions. Gregor should be greatly beloved by his family regardless of his state. This idea is displayed in three separate themes. First,
Gregor's biggest problem after his metamorphosis is being deprived of human contact. Slowly, he starts losing his sense of humanity due to his loss of contact. He even refers to it as 'imprisonment.' "The first enjoyable thing that Gregor had the chance to listen to since his imprisonment." (Pgs. 34-35) However, there are references throughout the novella that make the reader think he may have felt this way even before his transformation. "I have to deal with the... constantly changing human relationships which never come from the heart." (Pg. 4) This shows that Gregor never felt connected to people, hence feeling isolated from the rest of the world. He didn't have a girlfriend, or any friends for that matter. Even though he might be really
‘Gregor? Are you alright? Do you need anything?’‘Gregor, open the door, I beg you.’ Gregor had no intention of opening the door, but congratulated himself on his precaution, acquired from traveling, of locking all doors during the night, even at home.’”(page 7) Gregor not opening the door and answering his family face to face because he didn’t want to worry them, shows the reader the lack of communication the family has with one another. This also represents how isolated Gregor is with society because his main purpose is to be a good son and make money for his family. With this expectation, he goes to work every day and has no time to make friends. Therefore, Gregor fantasizes quitting his job once he is done paying off his father's debt.“If I didn’t hold back for my parents’ sake, I would’ve quit ages ago. I would’ve gone to the boss and told him just what I think from the bottom of my heart. He would’ve fallen right off his desk! How weird it is to sit up at the desk and talk down to the employee from way up there.’‘Once I’ve got together the money to pay off the parents’ debt to him—that should take another five or six years—I’ll do it for sure. Then I’ll make the big break.’” (page 5)
Gregor's life as an insect, or vermin, as he described himself, is a metaphor for feelings of alienation and isolation that existed long before his transformation. Gregor’s loss of humanity in the eyes of his family condemns Gregor into what he describes as an “imprisonment” that restricts him from any of the comforts and securities of human interaction.
But as we learn over the course of the story, this feeling of estrangement actually preceded his transformation. Shortly after waking and discovering that he has become a bug, for example, Gregor reflects on his life as a traveling salesman, noting how superficial and transitory his relationships have become as a result of his constant traveling. Later, Gregor recalls how his initial pride at being able to support his family faded once his parents began to expect that support, and how he felt emotionally distant from them as a result. There is also no mention in the story of any close friends or intimate relationships outside his family. In fact, the alienation caused by Gregor’s metamorphosis can be viewed as an extension of the alienation he already felt as a
Instead of his family worrying about his health and what is wrong with Gregor, like a normal family should do, they only care that he gets out of bed and works. His family and the Chief Clerk also are another reason why the Metamorphosis has such a nightmarish quality. “Now he also saw him - he was the nearest to the door - his hand pressed against his open mouth and slowly retreating as if driven by a steady and invisible force. Gregor's mother, her hair still disheveled from bed despite the chief clerk's being there, looked at his father. Then she unfolded her arms, took two steps forward towards Gregor and sank down onto the floor into her skirts that spread themselves out around her as her head disappeared down onto her breast. His father looked hostile, and clenched his fists as if wanting to knock Gregor back into his room. Then he looked uncertainly round the living room, covered his eyes with his hands and wept so that his powerful chest shook.” (Paragraph 26). Once Gregor was seen his family reacted in several different
Now homebound Gregor is now able to be apart of family conversations. Metamorphosis shows Gregor yearning for human contact from his family, but it also shows his family eagerly alienating him from their life. With continuous alienation, Gregor loss interest in his family and no longer desires to have contact with them. Kafka shows families that are experiencing a financial crisis; a loss, unemployment, abuse or an illness can cause a breakdown in communication as a whole. Once Gregor is unable to communicate, he becomes an observer of the world around him. His insect form symbolizes the emptiness, insignificant and an outcast, which he was at work and at home.
At the beginning of Franz Kafka’s The Metamorphosis, Gregor becomes a giant beetle, loses his abilities as a human, such as his ability to communicate and work. Gregor’s transformation explores the theme of alienation. Through the attitude of people around him and himself, Gregor shows he is isolated from his body, his mind and his social relationships: he neither connects to society nor his family. Through Gregor’s tragic experience, Kafka is fighting against alienation. He also criticizes the numbness and apathy in family relationship for creating hopelessness and loneliness.