Essay on Franz Kafka's The Trial

This phenomenon was replicated at the University of Michigan’s SMTD performance of The Resistible Rise of Arturo Ui, written by Bertolt Brecht. This play told the story of the rise of gangster Arturo Ui and the corruption of the cauliflower business in order to satirize the rise of Hitler. Despite this being a play, rather than a musical, the use of Copland’s “planes of listening” still apply. Theater-goers can still view the work with different approaches- either purely surface level, meaning-driven, or technical, like the “planes of listening Copland describes.

In Kafka’s “The Metamorphosis”, the character Gregor transforms from a man into a bug, specifically a cockroach. Although Gregor physically changes, he does not change as a person. Gregor merely accepts his new condition as a bug and his family’s continuous abuse and hostility. Gregor’s acceptance of his new bug form is representative of his passive personality before and after his transformation. Gregor’s passivity, in response to the hostile world around him, causes his eventual downfall. Therefore, Kafka uses the character Gregor to exemplify how a passive attitude can cause one’s demise.

In the metamorphosis by Franz Kafka, there are significant actions and transformations which make the story sad, and strange with a happy ending. Explanations that are dramatic events that intensify the excitement of all these actions. Reality and reflection play an important role in this story because the events that happened could be applied and assimilated with modern society.

Capital Punishment is an issue that has been argued over from the dinner table in

This article by Walter H. Sokel claims that the metamorphosis Gregor goes through gives him the chance to be rebellious. Sokel highlights that after Gregor is changed into a cockroach he also changes mentally, which affects his actions.

How Brecht achieves producing this state of consciousness is more subtle and elegant than the previous technique of having actors walk out with blatant placards to remind the audience that they are watching a play. One of the marks of Brecht’s epic theater is his alienation effect, or “a representation which allows [the audience] to recognize its subject, but at the same time makes it seem unfamiliar” (Brecht 1948, 8).

Today’s society is run by and thrives off capitalism, ruled by our government. Many things are kept surreptitious from us. The government feeds us lies to silence us and to force us conform to society’s customs, this is evident in the novel ‘The Trial.’ It depicts the way in which society is ruled by an autocratic hierarchy, which is kept secret from the working class. This is a metaphor for the Marxist ideology of the bourgeoisie exploiting the proletariat in a capitalist society. ‘The Trial’ by Franz Kafka was published in 1945 and follows the injustice of the main character Josef, who is arrested by two wardens, and prosecuted on unnamed charges. "Without having done anything wrong he was arrested one fine morning." The nature of his crime is kept confined from him and the reader. Throughout the novel, Josef struggles ineffectively against an oppressive and autocratic court system, only to be abruptly executed, at the end of the novel. This essay will be exploring Josef’s character and the ways in which ‘The Trial’ is written in a Marxist perspective in depth, analysing how Josef struggles against the oppressive court system, adamant not to compromise his beliefs to conform to and suit society’s norms.

In his novel The Metamorphosis, Franz Kafka describes his own life through the life of his protagonist Gregor Samsa.  Careful study of Franz Kafka's life shows that Kafka's family, workplace, and reaction to the adversity in his family and workplace are just like those of Gregor.  So we might ask why Gregor was transformed into a bug since Kafka obviously never turned into a bug.  The absurd image illustrates how Gregor lacks self-respect and feels like he's a bug in the eyes of his family and society.  Franz Kafka was unhappy and never found his place in life, either.  Therefore, he might have felt just like Gregor, like a bug.  Furthermore the novel describes Kafka's expectations of his own future and he was partially

"Nowadays the plays' meaning is usually blurred by the fact that the actor plays to the audiences hearts. The figures portrayed are foisted on the audience and are falsified in the process. Contrary to present custom they ought to be presented quite coldly, classically and objectively. For they are not matter for empathy; they are there to be understood and politely added

In Franz Kafka’s short story “In the Penal Colony”, the use of metaphors helps the reader to see that a machine or system cannot perfectly determine a human’s innocence or guiltiness; a machine can only determine what is just based off of commands from a human, who is subject to imperfect morality. One metaphor in particular shows the reader that guiltiness should be determined by a group of diverse individuals to combat the homogeneity in a system, whether that homogeneity is present in a one person system or a system that is comprised of like-minded people with similar backgrounds and or experiences. In addition, the guilty should be given a fair chance to defend themselves in order to combat human biases that might muddle facts. “In the

Ed Concannon is a distinguished and deceitful lawyer defending the hospital and doctors Towler and Marks. There would be no one to stand in his way of another victory; he pays off witnesses and hired Laura Fischer, who sought out Frank romantically to get insight into his strategies. Laura fell hard for Frank and her deceitful actions became more than she could handle. She let Ed Concannon know and he said to her:

In The Metamorphosis, Kafka establishes, through his religious imagery and gospel-esque episodic narration, the character of Gregor Samsa simultaneously as a kind of inverse Messianic figure and a god-like artist, relating the two and thus turning the conventional concept of the literary hero on its ear. The structure of the novel reflects that of the Gospel of Mark in that it is narrated in individual events, and in this it is something of a Künstlerroman - that is, the real metamorphosis is over the course of the novel, rather than just at the beginning, and that change is a heightened sensitivity to the world in an artistic sense. The motif of change is a rather theological one as well: we see it in a religious sense, in the form of

The above example illustrates not only how the theatrical performance affects the audience, but also how the audience influences its dynamics, development and the characters within it. The actors feel a certain level of acceptance from the viewer, who demands a certain way of depicting the character. Theatre is not just entertainment, itís something much more than that ñ itís education. Theatre should always represent things, rather than

“Before the Law” by Franz Kafka is about a man who seeks to accomplish a goal, but ultimately fails due to his fear of authority. The doorkeeper explains to the man that “it is possible, but not at present” to get through the door (Kafka 185). From the very beginning, it is stated that entry is not impossible, just difficult. The man “decides that he had better wait for permission to enter after all”, upon examining the description of the doorkeeper’s appearance “in his fur coat, with his large, pointed nose and his long, skinny, black Tartar beard” (Kafka 185). It is apparent that the man is fearful of the doorkeeper and seems to be afraid of what might happen if he tries to go through the door without permission.

Franz Kafka, born on July 3, 1883 in Bohemia, in the city of Prague, has been recognized as one of the greatest writers of the twentieth century. His works have been called "cloudy, mysterious, inexplicable" (Oates ix). Most people hear the term Kafkan or Kafkaesque and think of dark, fantastic tales with almost no basis in our known reality. But what of Kafka's sense of humor? I personally laughed out loud several times while reading Kafka's Amerika. Were these snippets of humor part of Kafka's plan or mere accidents?