Franz Liszt was many things in his lifetime; an author; a philanthropist; a scintillating, detail oriented, conductor; a brilliant, inventive, composer; more than a mere pianist, he was an intriguing and captivating performer; an altruistic piano teacher; and eventually a devout clergyman. His father, Adam Liszt, an extremely talented musician, gave young Liszt his earliest lessons on the piano. It wasn't long before he realized the uncanny talent his son possessed. Seeing this, he placed his own career as a musician on the back burner in order to obtain further musical education for his son, a blossoming prodigy. Soon young Liszt was studying composition with Antonio Salieri, and piano with Carl Czerny, a previous student of Beethoven. By the time he was eight, he had written his first …show more content…
He transcribed for solo piano, a selection of works by various other composers, such as Berlioz, Paganini, J.S.Bach, Beethoven, and Schubert. In fact Liszt’s music is largely divided in two main categories; his transcriptions, which easily make up almost half of his works, and his original works which he composed himself. Regardless of the originality of the music, Liszt’s performance was often so improvised and embellished that it might as well have been his own. For this reason he was criticized to lack creativity. On the contrary, his execution of improvisation and embellishments of fluttering trills, cascading runs and trickling arpeggios, proved his extensive creativity, as the pieces he improved upon were often already masterpieces in themselves. As a composer, Liszt contributed significantly to the Romantic Period with his invention of the symphonic poem, a one movement orchestration that depicts a story or artwork of some kind. Liszt also incorported thematic transformation to combine differing
Mozart was a virtuoso on the piano. A virtuoso refers to someone who is highly skilled on his or her instrument. Mozart played keyboard and violin while his sister only played the keyboard. At the early age of 3, Mozart was showing signs of being musically gifted and began composing shortly after. Both he and his sister received intense musical training which, in turn, allowed Mozart the opportunity to grow as a musician. It became certain that Wolfgang Amadeus Mozart was a child prodigy. This meant that he had a skill that was not learned. He had a natural gift for music. Their father, Leopold began teaching his children music at a young age. Because of this, both children were destined to get far in their musical careers. Over his short life, Mozart wrote several operas. His most famous operas include; The Marriage of Figaro, The Magic Flute and La Clemenza di Tito. Operas and plays that are entirely sung. Each of Mozart’s operas have a story behind it. For example, The Marriage of Figaro is a comedy about a couple trying to get married but, a series of obstacles interferes with it. Because Mozart showed a talent for music at the young age of six, his father took him and his sister to play in from of a court and they caught the attention of important individuals. This resulted in a tour.
The assassination of Austria-Hungarian’s Archuduke Franz Ferdinand is one of the biggest events leading up to World War 1, and arguably the event that started the war. He was a somewhat unpopular public figure, due to his controversial suggestions in terms of Austria-Hungary’s governing. Despite this, and the likelihood of him being targeted, he still accepted his invitation to Bosnia, an Austrian province, taking his wife Sophia to celebrate their 14th wedding anniversary.
It is an extremely difficult time for the Music Industry which began in the 1930 and
Supportive Structures Form- When an embryo forms, supportive structures develop that are crucial for proper growth. These structures support and protect these developmental embryos. Some of these structures are the umbilical cord, amniotic sac, the placenta, yolk sac, chorionic villi, and the allantois. During the third week of embryonic development after conception, chorionic villi connect to the uterine wall, which provide maximum contact with maternal blood. They sprout from chorion, are an essential element in pregnancy and a product of conception. Branches of the umbilical arteries carry embryonic blood to the villi. Although the mother’s blood is in contact with the embryo’s villi, the systems
Franz Schubert was an Austrian composer, a native of Vienna. His early musical training in piano and violin lessons came from his father, and his older brother, who were both school teachers (Brown p. 752). Later, he studied under the Viennese court composer Salieri (Brown p.753). After college he became a teacher at his father's school. He detested the teaching profession because it took time away from his compositions. His most prolific year was 1815 during which he wrote 145 songs, including the famous Erlkönig.
LTC Moore was the commander of the First Battalion of the Seventh Cavalry, that was the first to engage the enemy in a major conflict. The book does an excellent job illustrating his steadfast courage under fire, and sound use of tactics. Which can be easily argued as one of the key reasons why this engagement is called a battle and not a massacre of U.S. soldiers. Moore constantly anticipated the enemy commander's moves. He concentrated his limited man power, artillery, and air support; exactly where the enemy would attack. As stated before, Joseph Galloway is the co-writer of this book and was the only reporter on the scene during the battle. He literally begged his way onto a helicopter that was doing a return trip to drop off ammunition and other supplies. While there, he not only took some amazing combat photographs, which are illustrated in the book, but also helped tend to the wounded and even picked up a rifle to help hold the line. Moore and Galloway collaborated to write a passionate novel in gripping detail as only people who have witnessed war and their friends dying in front of them could. They have even gone through the trouble of contacting the
Once being presented with this opportunity to write this paper I found it as a wonderful opportunity to express my opinion on two different musical greats. The one that I decided to choose for the old would have to be Tchaikovsky, and for the new by far my favorite choice would be the beetles. The selection of these two specific artist was almost a no brainer for me, they embody the perfect blend of inspirational music that delivers a specific, yet powerful message, both artist belong to different genres one from a classical genre and one from a more modern form of music.Also, both these artists viewed music regardless of the genre as a form of communicating a message to the masses, in the beetles era war was occurring in the world and in terms of Tchaikovsky he was one of the best ballet composers of his
John Philip Sousa created an extremely popular band that stayed popular for almost 40 years. The John Philip Sousa’s band toured the country by train for 39 years. John Philip Sousa started the band from resigning from the Marine Corps because he wanted to do something different. But, he did not know what type of band it would be so he combined all of the popular bands at the moment and created his own band the Sousa band.
Many prominent musicians produced major works during the romantic period. Among these are Beethoven, Strause, and Bach. But the musician that I think had the most impact, was Franz Schubert. Franz Peter, born on 31 January 1797 was one of fourteen children born of Franz Theodore Schubert and Elisabeth Vietz, four of which survived. He grew up in an apartment that daily converted to a classroom in which his father taught several elementary school classes. He received a thorough basic education; his father being a good teacher, and son being a bright student. From his father Franz also learned to play the violin, and from his
According to De Portales, Liszt had a struggle in himself between the virtuoso and the composer and he knew that he had to choose. He chose to go with the composer and in 1847 his virtuoso career was over (De Portales 111-112). Another reason he made the choice was that in 1847 Liszt once again fell in love upon meeting a princess, named Carolyne Sayn- Wittgenstein, in Kiev. She gave him a large sum of money after a charity concert and he deeply desired to meet her to thank her (De Pourtales 117). They met and fell in love. In 1848, after knowing each other for a couple of months they went back to Weimar together, even though she was married to another man (De Pourtales 121-122). Liszt accepted a job at the Grand Duke of Weimar’s court and became the Kapellmeister in Weimar and also the conductor (Perenyi 238, Kamien 238). This even though it by the romantic era was more normal for musicians to be independent (“Liszt, Franz”). His reason was not because he needed money, he was the first pianist performer who could support himself by doing what he did, he wanted to start composing (Franz Liszt). He stayed at his position in Weimar from 1848 until 1861 (“Liszt, Franz”). His new orchestra one of the first in Germany (De Portales (114). He managed to make the orchestra bigger and to obtain more skilled players. He made sure to give them better pay and better pensions. The orchestra had 45 members (“Liszt, Franz”), which was a normal size for a romantic orchestra
To respond to revolutions, wars, and the Industrial Revolution of the 19th century, prominent authors such as Poe, Hugo, and Byron started employing emotional extremes in their works, while artists and composers also turned their attention to the expression of intense feelings in their paintings and music. The symphonic poem was no exception, as it was intended to effectively convey specific events and emotions to its audience. First composed by Franz Liszt in the 1850s, the symphonic poem was in fact an offshoot from another form of programme music called the programme symphony. Liszt however shortened its length requirement and condensed all of the symphonic content into one extended movement so that it was shorter and easier to perform in concerts. His Les préludes, Tasso, Prometheus, and Mephisto Waltz were a ground-breaking
Frederic Chopin was a Polish pianist and composer who integrated both the Romantic tradition and technical characteristics of the piano in an innovative and expressive way. (Oxford Music) “Chopin was the Romantic composer most closely identified with the piano” (Textbook) He combined beautiful melodies, inventive chords and harmonies, and virtuosic technique in a natural and eloquent way to create a tremendous collection of piano works throughout his lifetime. (Oxford Music) Of his many prominent works, Chopin’s collection of etudes has been one of the most revolutionary. This paper will delve into the historical and musical aspects of Chopin’s Etudes Op. 10.
Peter Tchaikovsky was a famous Composer from the 19th Century. He is known as the most famous Russian composer in history (“Pyotr Ilyich Tchaikovsky Biography”). Some historians think that he was Russia’s first truly professional composer ("Tchaikovsky Music's – Famous”). His music was performed during the late 1800s. He created many musical works throughout this time as a composer and many of these works are still listened to today.
(2) Schubert was one of the most prominent composers in the Romantic era. He was the first composer to live off only the money he got from composing. He wrote many compositions during his short lifetime, especially art songs (“OnMusic”).
In this paper, I will write on the topic of capital punishment, more specifically what to do if someone has been wrongfully executed. I will speak about what circumstances I feel should warrant a case be reopened and how to make it right, if it is determined that someone has been wrongfully put to death for a crime they did not commit. I will also discuss reparations for the families of the wrongfully executed. I will also discuss who I feel should be handling these types of cases.