Frederic Douglas Slave Songs

The author’s diction illustrates Douglass view of the world around him and his feelings about a community created by fear and injustices. “The wretchedness of slavery” provoked Douglass to “trust no man”, which gave him the sense of feeling “perfectly helpless.” Being imprisoned in slavery for so long caused Douglass to witness the evils of man and experienced the cruelty of being alone. Even more when the “ferocious beats” showed their “greediness to swallow” it left Douglass “toil-worn and whip-scarred.” As time passed by Douglass’ desire for freedom has grown. However, when he does escape he puts himself in his own state of slavery that is run by fear. Douglass’ desires has not even freed him, but it also allowed him to live in life without

Frederick Douglass uses his personal experience to establish his credibility, and connect with his audience. To  enumerate, in chapter two, Douglass states, “I have often been utterly astonished, … , to find persons who could speak of the singing,

In the time period of slavery, many famous slave songs were produced, and most of the slave owners and others found their singing as a form of joy. In reality, singing was the slave’s form of sadness, and emotion. Slaves got through the day by singing about their hardships and troubles. Fredrick Douglass in the quote above explains that through all of his hardships, he got through it with his “sorrow songs” to pacify him and his fellow slaves to be able to complete their

In lines 33-56, Douglass’ tone shifts from the hopeful and optimistic sense of potential, to showing the overwhelming negativity slavery can have on someone.

As Douglass began to acquire a greater understanding of his condition through reading, he felt as if “the silver trump of freedom had roused [his] soul to eternal wakefulness.”20 Douglass’s use of the word silver helps express the precious nature of freedom, as well as the idea that it’s beckoning the enslaved with its gleam. Through the contrast between the purity of freedom and the corruption of slavery, Douglass’s choice of words humanizes himself because it demonstrates his attention to detail as he constructed this narrative. Likewise, he expresses that “[the slaves selected to go to the Great House Farm] would make [woods] reverberate with their wild songs, revealing at once the highest joys and the deepest sadness.”21 Douglass's usage of juxtaposition to draw attention to the vastness of emotion expressed by these songs demonstrates his own humanity, for this selection highlights Douglass's talent to capture the emotional peaks and troughs that are endured by

In the expert from Narrative Of The Life Of Frederick Douglass, the speaker presents through the slaves song, about the dehumanizing character of slavery and his hatred towards it. According to the narrative it states “They would sometimes sing the most pathetic sentiment in the most rapturous tone, and the most rapturous sentiment in the most pathetic tone”(line25-26). This exemplifies how that there songs had the most sadness and true meaning of slavery in the most happiest tone, And they would sing the most happiest song in a sad tone. They did this to trick their bosses so that they won’t get in trouble, to add on the speaker implies “I have sometimes thought that the mere hearing of those songs would do more to impress some minds with

Noted abolitionist Frederick Douglass, in his self titled slave narrative addresses the indescribable sadness that the slaves were experiencing, which they portrayed through song. He intensely describes the emotions that he hears within the songs of the slaves. In the passage Douglass shows how the slaves believe that they feel, versus how they really feel, and he does this this by changing the tone throughout the passage. He uses these tones to make the reader fully feel the helplessness that the slaves feel and recognize the effects that slavery had on people.

This quote also shows how the only way that slaves had to release their horrible feelings was through singing, they did not even have the ability to talk and release their feelings like normal

Even though the woods surrounding the magnificent southern plantations were often filled with the slaves’ songs, they did not sing because they were happy. They sang because of their sorrow. Douglass brings this sorrow to the mind’s eye by telling us, “If any one wishes to be impressed with the soul-killing effects of slavery, let him go to Colonel Lloyd’s plantation, and, on allowance-day, place himself in the deep pine woods, and there let him, in silence, analyze the sounds that shall pass through the chambers of his soul, -- and if he is not thus impressed, it will only be because ‘there is no flesh in his obdurate heart.’” (Douglass, 51; quoting Cowper, The Task, book 2, line 8 (1785)). Douglass really makes his point

A spiritual journey dominates these songs, but the concern for physical freedom is there as well. The most pervasive image in the spirituals is that of the chosen people for the slaves believed that they had been chosen by God just as the Israelites had. They also believed that they understood better than anyone what freedom truly meant in both a spiritual and physical sense. The Old Testament characters that the slaves referred to in their songs experienced deliverance by God. The slaves believed that the same God that had granted them spiritual freedom would someday loose the chains of slavery. The wonderful flexibility of the spirituals allowed for that double meaning of freedom. For example, Frederick Douglass claimed that the line” I am bound for Canaan” in one of the songs he frequently sang meant that he was going North, not just that he would experience the freedom of the promised land in a spiritual sense. The flexibility and multiplicity of meanings also allowed for slaves to use these sacred songs as secret communication. Some songs, such as “Steal Away to Jesus,” were used to call a secret meeting where the people could worship without the supervision of the whites. Other songs, such as “Wade in the Water” served as coded directions for runaway slaves. With the eventual emancipation of the slaves, religious music of African Americans became prominently

Douglass doesn't understand the deep and true meaning the songs have when being sung. The songs

     The power of song helped slaves through their dehumanized lives. They created unity in songs of religion and denounced the power their masters held over them. They were going to rebel in all facets of life. Slaves knew “that a happy slave is an extinct man” (p.33). The meanings of these songs can not be overstated. One who knew the importance of song was Frederick Douglass. “They told a tale of woe...they breathed the prayer and complaint of souls boiling over with the

Douglass gives detailed anecdotes of his and others experience with the institution of slavery to reveal the hidden horrors. He includes personal accounts he received while under the control of multiple different masters. He analyzes the story of his wife’s cousin’s death to provide a symbol of outrage due to the unfairness of the murderer’s freedom. He states, “The offence for which this girl was thus murdered was this: She had been set that night to mind Mrs. Hicks’s baby, and during the night she fell asleep, and the baby cried.” This anecdote, among many others, is helpful in persuading the reader to understand the severity of rule slaveholders hold above their slaves. This strategy displays the idea that slaves were seen as property and could be discarded easily.

When delving into the song and trying to grasp the meaning, it can be understood that the author really desires to be free and go back home to where he belongs and desires. The author or writer of the song does not like the idea of slavery, nor does he like being a slave himself, his perspective on the topic shows that he is not happy about the current situation and no one should because of how cruel slavery is. The author also uses certain rhetorical strategies, one of them being metaphors. They can be used to explain his sadness and other feelings he has about the topic of slavery. An example of this is,

One of the most prominent forms of music that was incorporated by slaves in their daily lives was religious music. Another one of the most influential forms of musical expression among the slaves were slave songs, and these were songs of sorrow and misery. Some slave songs were joyful and cheerful, but others were sorrowful but were all deeply expressive. These songs were used by slaves as a means of communicating their true feelings and emotions, due to the brutal and repressive society that they resided in.