Free-Thinking Women in Mariama Ba´s So Long a Letter

“Women and Gender in Islam” by Leila Ahmed was published in 1992, at a time when research on Arab women was a young, newly emerging field of study. Leila Ahmed is an Egyptian American writer and feminist. Her text “Women and Gender in Islam” targets proclaimed feminists, both western and non-western, as the intended audience. The text is involved with the discourse of gender, the discourses of women, the discourses of feminist, and colonial and post-colonial discourses.

Ibn Battuta’s 1331 journey to West Africa provides a contrast of two worlds: Battuta’s pre-modern Islamic culture conflicting with African societies’ interpretation of Muslim beliefs and tribal traditions. He is especially critical of the various roles of women he observes—thus, allowing us insight into his own judgments formed by his culture and society.

"The Discourse of the Veil" Ahmed examines Amin’s recommendations regarding women and formed part of his thesis and how/why he believed that unveiling was key to the social transformation, which is important for unraveling the significance of the debate that his book provoked (Ahmed, 145). Ahmed discusses the origins and history as an idea of the veil which informs Western colonial discourse and 20th century-Arabic debate have several implications. The first implication is the evident connection between the issue of culture of women, as well as between the cultures of other men and the oppression of women, which was created by Western discourse. The idea that improving the status of women resulting in abandoning native customs was

Writing Women's Worlds is some stories on the Bedouin Egyptian people. In this book, thwe writer Lia Adu-Lughod's stories differ from the conventional ones. While reading, we discover the customs and values of the Bedouin people.

In the book “Monique and the Mango Rains,” by Kris Holloway, a woman from United States, was influenced by a young woman named Monique Dembele during her time serving as a volunteer Peace Corps in Mali, West Africa in 1989-1991. Monique, a young Malian woman, became a midwife in a country where healthcare was almost non-existence. In this autobiographical account tells the story of Monique from the view of the Author as she gets to know her and the city. They became friends and mention how she was able to witness and assist Monique delivered numerous births throughout the village. The author mentions that during her time in Mali her biggest concern was healthcare and fighting for women’s rights. This is also an example of how males using their gender role to control the woman in their lives.

Persepolis: The Story of a Childhood by Marjane Satrapi is a graphic novel that provides insight into a young girl living in Iran during the hardship of war. Persepolis takes place during the childhood of Marjane Satrapi. It gives a background of the Islamic Revolution and the war in Iran. Satrapi attempts to guide herself in a corrupted world filled with propaganda. She tries to develop her own morality concerning religion, politics, and humanity. Satrapi was blessed enough to have high class status and parents who had an open mindset about the world around them. Thanks to her slightly alternative lifestyle, she is able to reconstruct gender norms that society has set by depicting the different ways women resist them. “Do Muslim Women Really Need Saving? Anthropological Reflections on Cultural Relativism and Its Others” by Lila Abu-Lughod is an essay detailing the misconceptions surrounding the veil. Through this essay we can see how colonial feminism, the form of feminism in which western women push for a western way of living on their third world counterparts, has shined a negative light on cultures all around the world - particularly Islamic women. The essay shows how women who don’t conform to American societal structures are labeled as women who urgently require saving. Through this essay one can develop a thorough understanding of the veil itself and the many representations it holds to different entities. Although in Persepolis: The Story of a Childhood Satrapi

Among violence against women and gender inequality, death is a constant factor that runs through the whole story this culture is surrounded by it every day and even when there is drought death is expected, but infant mortality is a constant battle. There are multiple occasions where infants die, mainly because of what they are being fed and how they are treated. It is understood that Monique’s baby’s health is declining throughout the story. The main cause of children

Ihara Saikaku’s Life of a Sensuous Woman written in the 17th century and Mary Woolstonecraft’s A Vindication of the Rights of Woman written in the 18th century are powerful literary works that advocated feminism during the time when women were oppressed members of our societies. These two works have a century old age difference and the authors of both works have made a distinctive attempt to shed a light towards the issues that nobody considered significant during that time. Despite these differences between the two texts, they both skillfully manage to present revolutionary ways women can liberate themselves from oppression laden upon them by the society since the beginning of humanity.

The Romance of resistance is an article which is written by Lila Abu-Lughod in regard with the different forms of resistance among the Bedouin women and the traditional structure of power among the Bedouin Community in the Egypt's Western Desert. She arrived in late 1970 to begin a fieldwork, and she discovered different forms of resistance among the Bedouin women. In this Article she emphasis on how the Bedouin women resisted the decision of their fathers, uncles, and older brother, how the resisted the sexually segregation, and sexually irreverent discourse. Furthermore, it also talk about how local communities are being incorporated into modern states and integrated into a wider economy.

"Desiree's Baby" is not a mere tragic short story by which a reader may be entertained by its ironic and catastrophic ending. It is a story of a crime and brutality against women of all generations to come, depicting vividly how a woman may suffer and conceal her anguish for the sake of others. It is a story of innocence slain mercilessly by the unscrupulous power of harshness that directly governs human societies.

Youssef (as local politician) serves as a representation of the Algerian people as well as their collective struggle for independence against the French. Amna’s decision to lie to Hakim shows that her loyalty is to her nation (or future nation), above all. Her decision was one aimed to be a contribution to the resistance. This decision to act is also present in Chérifa, Youssef’s twenty-nine year old wife. Chérifa’s strong and determined character is discovered early in the novel through her refusal to bear the children of her first husband and, eventually, her separation from him. This assertion is seen, even more so, when Youssef (her second husband) faces the risk of being arrested. It is then that she realizes: “I have to act.” After the arrest of Saidi, a fellow local revolutionary, Cherifa feels obligated to find her husband and warn him of the danger that Saidi might reveal information during his interrogation that might jeopardize Youssef’s safety. In order for her to do this however, she must leave the house alone, an act that is prohibited for Muslim women. Cherifa, When faced with this difficult decision to either remain loyal to her role as Muslim woman and potentially endangering her husband, or, defying this prescribed role and reaching out to Youssef, she chooses to act. The problem, though, is that as a Muslim woman, she cannot leave the house unaccompanied. When faced with the choice of remaining

The fictional accounts of women’s experiences in Fadia Faqir’s, Pillars of Salt, illustrate issues articulated by women’s rights activists in the Middle East. Traditional roles of women and men and a mythology of femininity and masculinity are juxtaposed with the disparate realities of the characters. The damaging forces of colonial rule, war, and Westernization are also exposed.

These strong, and independent African women authors use insightful and educational language, which invites the western world to be a part of their world through the power of literature. One of the

This is a significant aspect of the course because the article examines the strengths and weaknesses of femininity through a cultural Muslim perspective and the reading is a prime example of how ideologies regarding race affect those involved. In class we have discussed the significances of social constructs and how assumptions are made on the basis of physical characteristics. In this situation, identity is related to gender as Muslim women are categorized as both good/respectful and rebellious/evil individuals because they are apart of a culture where they are both oppressed and liberated simultaneously.

She makes an important point when trying to go beyond the female (otherness), by paying careful attention to differences among women themselves, and by putting emphasize on the multiple realties that women faces, and by that trying to uncover universalist interpretations (Parpart and Marchand 1995:6). She reveals the inadequacy of binary categories by showing us how power is defined in binary terms, between the people who have (men) and the people who do not (women). This is a consequence of seeing women as a homogenous group, and contributes to the reinforcement of the binary division between men and women (Mohanty 1991:64). By assuming that women are a already constituted group with the same experiences and interests, gender is looked upon as something that can be applied cross cultures (Mohanty 1991:54), and it also produces an assumption about the “average third world woman” as poor and uneducated, in contrast to the educated, modern Western women (Mohanty 1991:56). Implicit in the binary analytic lies the assumption that the third world woman only can be liberated through western rationality. Mohanty is making an important point when emphasising the need to challenge these objectifications (Udayagiri 1995:163).