Free Whilly Research Paper

The controversial documentary Blackfish, directed by Gabriela Cowperthwaite rose to popularity four years ago in 2013, when it was released. Blackfish tells the stories of killer whales, or orcas, that were caught and kept in captivity, and the effects that arose due to their capture. The documentary focuses on Tilikum, an orca caught in 1983, who was kept in captivity in SeaWorld Orlando since his capture for 34 years. Blackfish does an excellent job in using all three rhetorical appeals, providing many real life examples and statistics, to defend their argument that orcas should never be captured or held in captivity.

Any little child is able to connect the name Shamu to the massive black and white creatures that dwell in the ocean waters, termed orcas or killer whales. However, the recent release of the film “Blackfish” has aimed to revise the common opinion of killer whales who are known by the title Shamu. As the film strikes marine life parks such as SeaWorld with apparent reasons as to why these orcas should not be in captivity, the question of “Blackfish”’s validity arises. How truthful can a film be that was created to persuade its viewers to ceases visiting attractions such as the killer whale shows? Since the release of “Blackfish,” animal rights activist, writers, and amusement park aficionados have been expressing their speculations on the “Blackfish”

The idea that orcas are wild and unpredictable in their behaviour is shown through the documentary Blackfish directed by Gabriela Cowperthwaite through the visual conventions of celebrity figure and expert opinion to produce this idea. This idea is important because throughout the documentary we are told Orca’s held in captivity become aggressive and lash out because they are unpredictable and we see these examples of their

One of the most effective strategies that the director amplifies in the film is pathos. Pathos is shown by phone calls that have been made to dispatch when attacks occurred, actual footage from attacks and baby orcas crying when they were separated from their mothers. This allows the audience to see and hear all of the incidents regarding the killer whales and be able to feel more connected. When the director uses pathos the appeal is to have the sympathy directed for the killer whales. A claim that ties in with all of this is in the documentary when they are saying killer whales are normally peaceful in the wild, and they only attack while in captivity. Detailed facts about how the whales are to an extent, tortured and become agitated with no outlet support this reasoning, since there are documented reports and footage of this as well.

Captivity Kills The documentary Blackfish reveals the horrifying story of the capture and torture of orca whales at the well-known amusement park, SeaWorld. Blackfish revealed the heartless treatment of the orca whales to the public eye. Tilikum, a featured whale in the documentary, was taken from his family at a young age and forced to live in a small concrete pool for most of his life. His experiences revealed a large part of the problem of placing whales in confinement.

Documentaries are a form of genre in the film industry that aims to discuss a certain topic in the world, often trying to prove a point or persuade the audience towards a particular cause. The cove (2009), directed by Louie Psihoyos, is about the annual dolphin slaughter in Tai Ji that happens every year in Japan. It shows the ventures of the activist Ric O’ Barry who tries his hardest to expose the injustice within the industry. Blackfish (2013), directed by Gabriela Cowpertha is about the captivity of Orca Whales in public wild life parks such as Sea World. Very much like The Cove, Blackfish attempts to expose a certain dark side of what seems to be a harmless company and show the world that captivity can be dangerous for whales and even

The claim further argues that said stress can be directly blamed for the violent outbursts of the orcas against the training staff. When whales are taken away from their families in the wild waters, they grieve the pain and suffering that is associated with that parting, thus making the whales an emotional time bomb. The documentary provides grounds to argue that orcas suffer the emotional repercussions of separation, much like humans do by with the fact that scientists have proven them to be conscious of human-like relationships and feelings via MRI’s. Moreover, included in this documentary was a commercial of a killer whale giving birth to baby Kalina. Much like our society, killer whales value their relationships with their offspring. Once Kalina was taken from her mother, Katina, is shown being immobile in the corner of the tank, audibly screeching and crying. Being able to see and hear the tragic response of the mother makes the audience empathize with the orca and want to cry for her. Incorporating this event shows how holding orcas in captivity can negatively affect them psychologically. This vivid scene gives the audience the ability to sympathize on a personal level with a mammal other than

Killer whales, also known as orcas, are the largest member of the oceanic dolphin family. In their natural habitat, killer whales have been described as docile and majestic creatures. Killer whales are known to travel in pods that are composed of matrilines. Matrilines are groups of whales connected by maternal descent. Relationships between killer whale calves and their mother are extremely close knit (“Behavior”). Beginning in 1965, SeaWorld – a marine zoo, began capturing whales from the wild to perform in shows for park visitors’ entertainment (“10 Things You Didn’t Know”). In the documentary Blackfish, director Gabriela Cowperthwaite urges and reassures audience members that keeping these large creatures in captivity is a horrible thing that is dangerous for both the whales as well as the humans that interact with them. To accomplish this persuasion, Cowperthwaite employs the use of rhetorical devices ethos, pathos, and logos to solidify her claims.

Blackfish (2013), a mesmerizing, psychological documentary with 7 film awards and 38 nominations, presents an extensive look into the negative effects captivity has on Orca whales. The director and writer Gabriela Cowperthwaite calls her audience to action, similar to documentaries such as Food, Inc., The Cove, and Super Size Me. In all of these documentaries, the director and writers reach out to an audience that is not fully knowledgeable on a certain topic, in order to persuade them into taking a stance on a certain topic. In Gabriela’s film, she illustrates the story of Tilikum, a performing Orca who killed many people while at SeaWorld, Orlando. Though at times graphic, the film investigates the harmful effects captivity has had on these wonderful creatures and their trainers. Blackfish uses credible interviewees, powerful voice-overs, and influential outside evidence to persuade those who are un-informed of the negative effects of captivity on killer whales. The ultimate goal in doing this is to urge these individuals to take a stance against aquatic captivity.

Gabriela Cowperthwaite’s documentary Blackfish explores the harm captivity causes to whales and their trainers. Throughout the film the orca whales undergo a transformation from defenseless creatures into molded killers. The orcas in the film are portrayed as intelligent and caring creatures who are capable of grief. Through this character the development the documentary has affected how these animals are treated, as well as the public’s opinion on the issue.

“If you love something, set it free.” This is a quote that has circulated for years, and nowhere else is it more applicable than in SeaWorld’s parks. Trainers and corporate alike claim a deep love for the animals they keep captive, but in recent years, the topic of holding orca whales in captivity has become more controversial than ever before. The CNN documentary “Blackfish” brought the conditions Seaworld provides for its orcas to the public eye in a way that had not been done before, which led to much public outrage. The containment of orca whales for educational and entertainment purposes has, in almost every way, been brought into question. Ranging from the physical and psychological damages they experience, the issues in their family structures, and the dangers that their human trainers experience, orca whales are not fit to be kept in captivity.

Animals such as killer whale shouldn't be kept in captivity. Director, Writer and Producer of Blackfish, Gabriela Cowperthwaite, argues that while in the wild there are no records of orcas attacking humans, but over 70 incidents have occurred while in captivity. Cowperthwaite begins building her credibility by interviewing former Seaworld workers, stating the conditions and behaviors the animals endorsed, and successfully employing emotional appeals.

Cowperthwaite’s Blackfish looks specifically at how Tilikum the Orcinus orca or simply orca attacked trainer, Dawn Brancheau and several others at SeaWorld. By showing the process of capturing orcas and their life captivity, this documentary exposes SeaWorld and its exploitation of orcas. Blackfish focused on one main Orca, Tilikum. He is one of the only males in captivity that has impregnated most, if not all the female orcas. Several people have lost their life because of Tilikum.

The Holocaust is looked at in lots of different ways, but in Whitwell,Tennessee the middle schoolers looked into the Holocaust in a very unique way. The small town of Whitwell, only containing a total of 1,600 people only having five African Americans and one mexican. It may have come off as a racial town when really, they were a very tight knit community. The project started when the students had no idea what six million looked like. The students decided to collect paperclips, they were easy to collect and also had a meaning to the Holocaust. The paper clip was made in Norway, the Norwegians wore the paper clip as a symbol of all the people in the Holocaust,because they were not able to speak out against the Holocaust. At first, the project

Blackfish is a documentary based on killer whales who are captured to serve as performers, confined to small spaces, and mistreated while in captivity. The film features Tilikum, a male killer whale who not only has displayed disturbing behaviors but has also injured and killed people throughout his lifetime. The film also focuses on Sea World who despite their attempts to appear as a safe, and nurturing environment for these animals fails to provide proper training to their employees, accurate information to its guests, and mediocre living conditions for their animals. We meet several former Sea World trainers who recall the personal and emotional struggles they faced during their time at SeaWorld, and the incidents they witnessed which caused them to question not