Freudian Approach To Literature Essay

Some explain Hamlet 's mysterious hesitancy as a result of the Oedipus complex. One might think that Hamlet continually postpones the act of vengeance against Claudius because of the overly confused psychodynamic situation in which he finds himself. Although he hates his uncle, at the same time he unconsciously identifies with him, for having killed his father and having married his mother. Claudius has fulfilled the frustrated desires of Hamlet. However, from the beginning of the play there is an essential element that marks an important difference between Hamlet and Oedipus, which brings with it certain effects in the clinical analysis.

Hamlet has lived through plenty of ups and downs throughout his childhood. He has been lost and confused within himself, but knew he wanted one thing, which was revenge on his fathers killer, Claudius. His passion of hate developed for Claudius as he married Hamlets mother shortly after the king’s death. Hamlet could not decide on the perfect decision for himself, his mother and father as well as the best way to follow through with the best consequence for Claudius that would impress his father. His everyday life, along with his love life, left him with an empty heart, which slowed the process of the revenge down. Hamlet never expected to be captured and kidnapped by pirates, as he was sent overseas as a young man. His inside thoughts were attacking and overwhelming Him, leaving him depressed and anxious. Hamlet’s life has been leading him to negative thoughts that he cannot process or act accordingly to, due to the excessive amount of issues and options involved in his life at a young age, him being overwhelmed lead him to delaying the process of avenging his fathers killer.

The point of view of which Freud interprets and examines the manifest of dreams content to obtain their latent meaning is of a professional psychologist and clinical observer who looked for a way to explain how our minds work and how the individual psychology functions. He based his work on clinical experiences and clinical neurosis of the matter of his own interpretations to be able to confirm his theories as a proven fact. The result Freud gets from the patients he observes and interpretation of their dreams are stereotyped to the complete human condition.

Reading a narrative from a psychoanalytic perspective can prove to be a sometimes frustrating experience. Psychoanalysis often disregards the actual texts and verbal context of a piece of literature in favor of the Freudian and Lacanian ideas, which seek to find encrypted motifs in the depths of every creation in order to reveal the author’s unconscious mind. Nevertheless, the critiques of psychoanalytic interpretation of literature claim that such interpretations focus on the content of the text at the expense of the literary form and temporal dimension, which can reduce the literary plots to lifeless machinations. Furthermore, psychoanalytic interpretation of a text may tell us less about the author’s unconscious mind and more about the

In William Shakespeare’s play, Hamlet, the playwright introduces the compelling, complex, and complicated character of the Prince of Denmark, Hamlet. In the events of the play, Hamlet swears revenge against his uncle for the foul murder of his father, the king. However, despite his intense catalyst, Hamlet reveals to be continuously torn between his motive of revenge and conflicted conscience, generating an inability to carry out his desired actions. While Hamlet possesses the passion and intellect to murder his uncle, Claudius, his actual inclination to act upon the murder directly opposes that of his powerfully emotional contemplations (S.T. Coleridge). Hamlet’s overzealous thoughts become unrealistic compared to his actual endeavors throughout the play.

Hamlet, the eponymous hero of Shakespeare’s greatest work, descends swiftly into madness and paranoia after the murder of his father and the realization of his mother’s true, morally reprehensible, nature. As a result of these new responsibilities and extreme circumstances, Hamlet diverges from his usual, logical thinking into paranoia and over analysis, a condition that prevents him from trusting anyone. Hamlet, having been born a prince, is, for the first time, forced to make his own decisions after he learns of the true means of his father’s death. Another contributing factor to his madness is the constant probing of others into Hamlet’s sanity. These factors all contribute to Hamlets delay, and that delay contributes to the tragic

To consider the psychological states of the main characters that we are trying to understand "which concepts are operating in the text in such a way as to enrich our understanding of the work and, if we plan to write a paper about it, to yield a meaningful, coherent psychoanalytic interpretation" (Tyson 29) and to see if there is any "Jungian criticism," which "is generally involved with a search for the embodiment of these symbols within particular works of art" (Richter 505).

Neil Gaiman in his work “How to Talk to Girls at Parties,” the reader gathers the underlying messages behind the story by picking out the wants and desires of the characters. Employed by Sigmund Freud, psychoanalysis of literature was meant to understand literature in a deeper more unconscious meaning. Freud used three labels to define characters or entities in a story: the id, ego, and superego. Freud also used an application of psychology to literature in order to understand the psyche of the author and or the story’s characters. In determining psyche the reader must point out the character’s desires, the character’s conflicts with himself or herself, the character’s conflicts with others in the story, as well as the character’s thoughts.

The literal surface of a work of literature is sometimes called the “manifest content” and treated as “manifest dream” or “dream story.” The psychoanalytic literary critic tries to analyze the latent, underlying content of the work, or the “dream thought” hidden in

Character development within novels with complex plot structures proves to be a difficult task necessitating the author to add their own inner thoughts and experiences to weave a more realistic story. The historical background of a writer helps glean on information about that person’s unconscious and subconscious processes that become apparent within an author’s literature. As the author develops their thoughts throughout a novel attempting to paint a clearer picture of their purpose, their own persona becomes a part of the literature. Psychoanalytic theory attempts to further this claim by taking information from one’s childhood, inner taboo thoughts and hidden motivations, and synthesizing them for a better picture of the author’s

but his theories on dreams seemed to be the most popular, even to this day.Freud thinks that the agent that

Through psychoanalytic theory, the mind likes to play a lot of games on the victim such as dreams of reality, poems and riddles of the past, and isolation creating the best and worst out of them. Upon the first novel, dreams take control of the mind to unleash the most inner desire. An

Freud was particularly interested in the psychoanalytic school of thought and the founder of psychoanalysis. He believed that our unconscious minds are responsible for many of our behaviors. According to Freud, he thought that there was a significant relationship between slips of the tongue and what we are actually thinking. Today these are called Freudian slips. Similarly he believed that we get information, like our fears and wishes, out by just merely saying what comes to mind. He was able to tell a lot about people, including their past experiences, how they were feeling, and what they wished and feared, just by simply encouraging them to speak whatever came to mind.

Hamlet is one of Shakespeare’s most well-known tragedies. At first glance, it holds all of the common occurrences in a revenge tragedy which include plotting, ghosts, and madness, but its complexity as a story far transcends its functionality as a revenge tragedy. Revenge tragedies are often closely tied to the real or feigned madness in the play. Hamlet is such a complex revenge tragedy because there truly is a question about the sanity of the main character Prince Hamlet. Interestingly enough, this deepens the psychology of his character and affects the way that the revenge tragedy takes place. An evaluation of Hamlet’s actions and words over the course of the play can be determined to see that his ‘outsider’ outlook on society,

William Shakespeare’s A Midsummer Night’s Dream, takes the audience on a wild and confusing ride through the human unconscious. From the play within the play, to fairies causing mayhem, what is to be considered reality? The notion of falling asleep and dreaming is introduced over and over in the play, and leaves the audience wondering, is any of this real? Throughout this paper, I will attempt to explain the parallels between Shakespeare’s work, A Midsummer Night’s Dream, and the work of the Austrian neurologist, Sigmund Freud, whose most popular work is that of dreams and dream interpretations.