Freud's Summary : Unheimcanny, Un-Homely '

In Antonia Peacocke’s essay, “Family Guy and Freud: Jokes and their Relations to the Unconscious”, she defended how vulgar Family Guy is. Although she agreed with many people who the show is “a cartoon comedy that packs more gags per minute about race, sex, incest, bestiality, etc.” (pg 300), Peacocke clearly stated “Family Guy is not harmful and derogatory, but a comical parody of day-to-day circumstances about taboos.” (pg ) She supported her thesis very well by including many evidences from Family Guy, when it talked about social injustices and such. However, there are a few things that made the essay imperfect. Peacocke forgot to include a counter argument for her own claims. Her organization is also very poor, making her essay quite

In the Movie, American Psycho, Patrick Bateman demonstrate challenges to identify his unique type of personality theories. The purpose of this essay is to review a selected film as a Psychology student, and discuss it from a psychological perspective. Also in this paper providing a diagnosis for a character in the movie and discuss the behaviors that support the selected diagnosis, and to explain and discuss the mental illness depicted in the film.

Sigmund Freud and Carl Rogers are two extremely renowned individuals who have greatly contributed to the history of psychology. Their contributions are the foundation for the tools, techniques, and methodologies used by psychologist today. Although, each psychologist is from different times and developed different methods, they shared a passion for the workings of the human mind. As a result, their drive and foundation has motivated and prompted new theories and research for the future. This paper will provide a summary of two articles highlighting the processes contemporary psychologists use to develop the theories of Freud and Rogers. It also explains their views of human nature and worldviews as

The essay by Freud begins with the essential factor proposed by Ernst Jentsch relating to the uncanny theory, which Freud later attempts to contradict. The theory proposed is that of ‘intellectual uncertainty’, and thus ‘something someone does not know one’s way about in’ as well as the uncertainty over whether an object is inanimate or alive. Although it appears that Freud agrees partially with these ideas proposed by Jentsch, he adds further to this with his own principles and those are that of the castration anxiety, which in its literal sense is the fear of the

Commonly found within literature is the theme of the doppelganger. Usually taking the shadow or a mirror image of a protagonist it may also refer to a character that physically resembles or has a similar mind set as the protagonist. They may even have the same name as well. Found in many works such as: The ghost of Hamlet’s father in Shakespeare’s “Hamlet”, the nose from Gogol’s Nos, and in Robert Louis Stevenson’s “Dr. Jekyll and Mr. Hyde” forms of the doppelganger or double emerge. There are several types of doppelgangers that have been created to better support what the author wishes to state about their main character. Taking shape of an “evil twin”, not known to the actual person, who confuses people related to that original person.

Alfred Hitchcock’s stance in the film business is something to be marveled. His prominent position as the “Master of Suspense” is due in part to the textbook blueprint he created in the thriller genre. His catalogue has many examples, but the two with the most similar psychological depth would be Vertigo and Rear Window. Not only do these two movies thrill on the surface level, but they also thrill from the character’s emotional and psychological stand point. This makes the suspense less abrupt and more of a gradual progression into the classic Hitchcock climax. Hitchcock puts his viewers on a psychological roller coaster due in part to his three useful components: fear, guilt, and redemption.

Freud has also touched upon the melancholy of losing a loved one. Freud’s theory is that loss and melancholy is what can lead to madness. This trait is also seen in Scottie’s reaction to the believed death of Madeleine. Scottie goes mad and has to be institutionalized. When he is released he finds the Madeleine “look alike” in Judy and develops a deep obsession. Heather Holf who wrote Hitchcock’s Vertigo and the Tragic Sublime says:

The Bible is a sacred text that has guided men and women in life to stay on this path of goodness and selflessness. According to Freud the Bible may be the cause of civilization’s unhappiness. Mankind’s freedom has been stifled because of the restrain society has put on our “primal nature”. Anything that goes against the structure the Bible has made in society has been repelled and ignored because it is no longer something that can be thought of as real or taken seriously. Freud believes that the happiness we cannot attain is due to the freedoms we lack. This belief of lacking in freedom is not correct based on the Bible’s chapters. Mans inability to be happy or remain happy is due to his or her need of having something to prove. This

In his ground-breaking book Civilization and Its Discontents, Sigmund Freud postulates that society, despite ostensibly being set up to protect us from unhappiness, has a net negative impact on human happiness.  According to Freud, the three most important causes of suffering are the natural world, our own bodies, and our interactions with other people (Freud 44).  In addition to identifying these as the main causes of suffering, Freud also states that the suffering that comes from other people is the worst of the three.  Given how civilization has changed since Civilization and Its Discontents was published, however, this belief simply no longer holds true.  Freud’s belief that interaction with other people in society is the worst cause of human suffering is no longer valid in today’s world because of the net benefits of society’s protection, because of society’s benefits to the human body, and because of advances in society’s ability to satisfy human happiness.

Sigmund Freud created strong theories in science and medicine that are still studied today. Freud was a neurologist who proposed many distinctive theories in psychiatry, all based upon the method of psychoanalysis. Some of his key concepts include the ego/superego/id, free association, trauma/fantasy, dream interpretation, and jokes and the unconscious. “Freud remained a determinist throughout his life, believing that all vital phenomena, including psychological phenomena like thoughts, feelings and phantasies, are rigidly determined by the principle of cause and effect” (Storr, 1989, p. 2). Through the discussion of those central concepts, Freud’s theory of psychoanalysis becomes clear as to how he construed human character.

Freud’s concept of the “uncanny” is a highly influential and valued in psychoanalysis and literature. As Freud explains, it reveals much about his understanding of human beings as being essentially determined by their fears and unconscious desires. His interpretation of uncanny can be analyzed in two ways: linguistic and actual. In the beginning, he starts with the term “uncanny”, which is taken from German word “unheimlich”, literally meaning “un-home-like” – something unfamiliar and unknown, never experienced before. The problem is that the definition of the word and the linguistic peculiarities take half of the whole reading, so we get to the point after the second half.

Freud interpreted these theories, and came up with his own theory that “intrapsychic conflicts (conflicts with in the individual) between basic biological urges and societal standards lead to abnormal behavior” (Bruce 2).

The movie Vertigo (1958) deals with a lot that would be typical of a Hitchcock film. The audience as a fear of what will happen with the dread of what could happen. Just as Scottie felt when he was hanging from the roof. With the loss of one fear, Scottie gained another. This essay will link vertigo to obsession and how Scottie was no longer suffering from vertigo he now suffered with obsession, and that he was never cured of acrophobia.

“A trailblazer of modern-day psychology,” Sigmund Freud presented new ways of thinking about human nature, pioneered new techniques of understanding human behavior, and created the most comprehensive theory of personality and psychotherapy ever developed (Himmat, 1997).

The first way in which Hitchcock gets his audience to feel sorry for Norman is his first conversation with Marion Crane. When the audience first sees Norman greeting Marion they see a very fresh-faced boy who looks very sheltered and innocent. This is one of Hitchcock’s first uses the Freudian analysis. Freud believed that all human desire could be broken down into one primitive binary code: sex and aggression, also construed as love and death. He says the driving