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Frida Kahlo's Psychoanalysis

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Psychoanalysis was founded by Sigmund Freud to make the unconscious conscious. His aim was to gain insight into the unconscious and repressed thoughts, feelings and motivations of people in order to help them understand. Freud focused on bringing the repressed internal conflict (such as development issues or trauma) to a conscious place where the person can easily deal with it. Art is one way in which the individual can express his deepest thoughts by unravelling one’s inner feelings, making them visible and vulnerable. When a work of art is created by an artist it reflects his/her beliefs and morale which in turn helps us understand and interpret it more clearly.

Frida Kahlo

55 works out of 143 paintings by Frida Kahlo have been devoted …show more content…

I paint my own reality.' – Frida Kahlo
The relationship between beauty and truth in art has always been controversial but through Freudian’s psychoanalytical concepts we can analyse the meaning and depth behind Kahlo’s self-portraits. Frida Kahlo’s traumatic life led to the creation of several masterpieces which often left viewers confused and horrified at the realistic approach taken by the artist. “Kahlo's work is remembered for its "pain and passion", and its intense, vibrant colours” (A Tribute to Frida Kahlo: Biography). The disturbed paintings reflected the supressed issues that burned in her unconscious mind and haunted her till her death …show more content…

She completed the painting after the burial and perhaps it is the encapsulation of her grief and failure that makes the painting so abject. It is a powerful scene in which Kahlo demonstrates her own separation from her mother and herself as a non-mother. The scene is an expression of Kahlo’s abjection and isolation. Above the bed is a religious icon, a representation of the weeping Virgin of Sorrows, overlooking a stark room furnished only by a neat made bed. The mother is dead, as represented by the sheet covering her head, upper torso and arms. The baby being born from this dead woman is still born. The baby represents Kahlo herself. In this piece Kahlo painfully illustrates the maternal abject through the birthing

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