From Behind The Veil Analysis

Another aspect of the veil is the identity value, many women from different countries affirmed they feel that the veil is part of them; it is so important for them that “many women […] feel self-conscious, vulnerable, and even naked when they first walked on a public street without the veil […] as if they were making a display of themselves” – paragraph 22

Marjane Satrapi’s Persepolis introduces the Islamic veil as an attempt by the Iranian government to control women. Islamic radicals promised safety and security for those who abided by their rules. Rebels who refused to wear the headscarf were threatened with beating, rape or death. These modern women who fought against religious oppression met the minimal requirements of the government rules to safely live in the hostile environment. Through being forced to wear the veil, the control of the Islamic government drives its people to a rebellion.

"The Discourse of the Veil" Ahmed examines Amin’s recommendations regarding women and formed part of his thesis and how/why he believed that unveiling was key to the social transformation, which is important for unraveling the significance of the debate that his book provoked (Ahmed, 145). Ahmed discusses the origins and history as an idea of the veil which informs Western colonial discourse and 20th century-Arabic debate have several implications. The first implication is the evident connection between the issue of culture of women, as well as between the cultures of other men and the oppression of women, which was created by Western discourse. The idea that improving the status of women resulting in abandoning native customs was

In the exposition we meet our protagonist who is a young women of Islam who wears the traditional veil that muslim women are advised to wear under the law of the Quran were it says, “And tell the believing women to reduce some of their vision and guard their private parts and not expose their adornment except that which necessarily

During the period of American Gothic literature, authors, such as Nathaniel Hawthorne and Edgar Allan Poe, incorporated the sinister perspective of the human nature in their writings. Both Hawthorne’s symbolic short story, “The Minister’s Black Veil”, and Poe’s violent fiction, “The Tell-Tale Heart”, demonstrate separation and symbolism throughout the course of each story. In Hawthorne’s story, the protagonist, Minister Hooper, decides to wear a black veil over his face and vows to never remove it. This vow continues to the point of his death. Mr. Hooper’s decision to wear the black veil consequently separates him from society. Hawthorne uses the veil to symbolize the human psyche and efforts to hide sins. In Poe’s story, the narrator is the caretaker of an old man with a blind eye. He describes his internal discomfort when he sees the eye, and later devises a plan to murder the old man. His separation from humanity due to the uneasy feeling of the old man’s pale, blind eye are shown through his efforts to commit murder.

In Cotton Mather’s The Wonders of the Invisible World, he explores the evidence presented at the Salem witch trial of Martha Carrier. Mather explains the spectral evidence presented at the trial as strange phenomena worked by the devil, when in reality it is simply the exploitation and fear that brewed underneath the surface colonial America.

Within the Middle East, the largest population of the men and women are Muslim. The Muslim religion suggests that the women wear a veil or hijab, which is a headscarf that only exposes a woman’s eyes, accompanied by a burqa which is a full body cloak. The sole purpose of the clothing is to cover a woman’s feminine features from men’s eyes. The Qur’an, an Islamic scripture supports, and slightly obligates the uniform by saying that women are to be conservative, “Let them wear their head covering over their bosoms, and not display their ornaments.” (Qur’an). Muslim women, instead of feeling oppressed, view this as a positive aspect in their lives, influenced by their devotion to Allah. Their acceptance could be influenced by their

Persepolis: The Story of a Childhood by Marjane Satrapi is a graphic novel that provides insight into a young girl living in Iran during the hardship of war. Persepolis takes place during the childhood of Marjane Satrapi. It gives a background of the Islamic Revolution and the war in Iran. Satrapi attempts to guide herself in a corrupted world filled with propaganda. She tries to develop her own morality concerning religion, politics, and humanity. Satrapi was blessed enough to have high class status and parents who had an open mindset about the world around them. Thanks to her slightly alternative lifestyle, she is able to reconstruct gender norms that society has set by depicting the different ways women resist them. “Do Muslim Women Really Need Saving? Anthropological Reflections on Cultural Relativism and Its Others” by Lila Abu-Lughod is an essay detailing the misconceptions surrounding the veil. Through this essay we can see how colonial feminism, the form of feminism in which western women push for a western way of living on their third world counterparts, has shined a negative light on cultures all around the world - particularly Islamic women. The essay shows how women who don’t conform to American societal structures are labeled as women who urgently require saving. Through this essay one can develop a thorough understanding of the veil itself and the many representations it holds to different entities. Although in Persepolis: The Story of a Childhood Satrapi

One of the most controversial topics concerning Muslim women’s rights is the idea of the veil. It is believed by some Muslims that the veil is an Islamic obligation that all Muslim women must adhere to. But nowadays, the veil can have different meanings that are not necessarily religious. In her article “Reinventing the Veil,” Leila Ahmed addresses some of the different meanings that the veil can have. Marjane Satrapi explores one of those meanings in her animated autobiography Persepolis (2008). In Persepolis, Marjane tells the story of her rebellion against the Iranian Islamist regime that takes over Iran, oppresses women, and forces them to wear the veil. What was interesting to me was seeing Marjane wear the veil without being oppressed, although she does not believe in it, and is being forced to wear it. In Persepolis, Marjane Satrapi escapes being a subject to the Iranian Islamist ideology by establishing her individual identity through transforming the veil from a means of oppression into a means of feminist rebellion.

What is slavery and where does it stem from. The Webster’s dictionary definition of slavery means “the condition of a slave; the state of entire subjection of one person to the will of another”. The African slave trade started way back in the 1400’s from the west coast of Africa1stAfrica entered into a unique relationship with Europe that led to the devastation and depopulation of Africa, but contributed to the wealth and development of Europe. From then until the end of the 19th century, Europeans began to establish a trade for African captives. Why would people do such a thing what were they to gain from such wickedness? Timothy 6:10”For the love of money is a root of all kinds of evil.

of the veil is to conceal and hide women as well as to prevent women

One of the most important symbols throughout Persepolis was the veil because it largely symbolizes Marjane satrapi's coming of age. It symbolizes this because as a year old child she gets it the first time she doesn't understand why so she plays with it. As a child many of the schoolchildren play games and don't take it serious. It was just given to her by the teacher in 1980. At that time under the new rule it became an obligation for girls to wear them to school. The veil wasn't introduced to them at this time and separated both genders. Marjane didn't like this and it seemed unfair to her that all of her friend now had to become separated. However this was only the very beginning of the events to come.

One of the main disputes in the battle of Islamic women’s rights is the conflict over dress. According to a popular Islamic leader and Egyptian television personality, the sight of women is so alluring that it can be “intolerably distracting to men” and can “even

The book, Veiled Sentiments: Honor and Poetry in a Bedouin Society, by author and anthropologist, Lila Abu-Lughod, who is best known for her work on women's issues in the middle east, presents two years of fieldwork in Egypt among the Awlad' Ali Bedouin community who have gone from living a nomadic lifestyle , a farming system where animals are transported from one area to another in search for fresh grazing land, to living in villages where smuggling, raising animals, and doing odd jobs are ways of supporting themselves. In the book, Abu-Lughod brings together the concepts of structure, hierarchy, ideology, and discourse to illustrate the Bedouin culture, and how the

In the book, Women in the Middle East, a Saudi Arabian proverb states, "A girl possesses nothing but a veil and a tomb" (Harik and Marston 83). The key words, "veil" and "tomb" lend evidence to the fact that many Middle Eastern women lack identity symbolized by the “veil” and lack the right of ownership except for their veil and the tomb. This statement further enforces the notion that many women in the Middle East are expected to serve and tolerate the oppression of the men in their lives throughout their lives on this earth. Moreover, it confirms that many of these women do not get the opportunity to obtain education, join the work force, and even participate in the political affairs of the country. This arrangement further helps the