From Life At Home In The Twenty-First Century By Jeane Arnold

- Characters: The main character is developed by what type of book the author is writing. My main character Sugar Mae Cole was developed because of the way she acts toward different characters in the book. And by her personality and sugars personality is sweet kinda like her name and she is polite. She is always trying to brighten the other characters up especially her mom Reba. She has a different personality that any of the other characters and connects with them in a different way that is what makes her the main character. she is cautious and also believes in people and things like her mom. Her mom Reba is about to give up but Sugar still believes in her and she believes she and her Mom will get a home and things will

In the article “ America Needs a Broader Vision of Family”, Nicole Sussner Rodgers is convinced that the tradition family is no longer rational but rather irrational, which then she suggests that it should be modified to be focused on values then structure. Rodgers explains the main problem and refers to a solution:“It’s time to take structure out of the conversation about strong families. We know intuitively that children raised by unhappily married parents, or abusive ones, aren’t any better off than those raised in less traditional, but more stable and loving, single-parents homes” (2). She argues with a logical statement, stating that structure is no longer in the “conversation”, implying it is out of the question. Which then she tries

Picking up the book Fun Home, one would imagine that the novel would embellish some sort of comical life story of a misunderstood teenager. Although the short comic-book structured novel does have its sarcastic humor, Alison Bechdel explains her firsthand account of growing up with the difficulty of living of finding her true identity. Alison was a teenager in college when she discovered that she was a lesbian, however, the shock came when she also discovered her father was homosexual. I feel that the most influencing panel in Fun Home is where Alison and her father are in the car alone together. Not only does this panel explain the entirety of the novel in a few short speech bubbles, but it is the defining scene that connects

Fun Home is a retelling of Alison Bechdel’s life through the lens of her relationship with her father. However, because of what she considers to have been his suicide, Alison is left with an incomplete picture of who he was in life. By calling Fun Home an autobiography, Bechdel enters an autobiographical pact with the reader that ensures that what Bechdel is telling us is the truth. However, elements out of her control leave Bechdel unable to provide certain objective facts necessary to her narrative. As an attempt to remedy these absences and in turn maintain the validity of her story, Bechdel uses intertextuality to fill in the gaps of in her retelling. By overlaying masterplots of fictional narratives over her own, the reader is able to get at an understanding of the kind of person Alison’s father was. In this way Bechdel is able to reveal things about her father that she can 't prove to be true, but are reflective enough of his life to become true.

Television back then was simply that, a screen in which families would watch their favorite shows for entertainment, not for random usage of camera, music, gaming etc. applications. What most people choose to see is that their new Samsung SmartTV comes with a Skype app along with Pandora. It instantly becomes the coolest tv ever made, but what is hidden through all these new features is that your new home installation now has a camera lens and microphone. In other words, an access way to your home privacy, but of course it’s the new trend so it’s water under the bridge,

     What role does television play in society? For decades we have seen many parts of our world rapidly going through changes in technology. Today’s society has been transformed by means of communication and the available information through mass media. Most Americans rely on television for news, sports, and entertainment. Television is just one of the many examples of how technology has changed our lives. Since the invention of the television in the early 1900’s, it has played a very important role in our lives. Having a television set in the home has become very essential in today’s society. We depend on it to entertain us with its sitcoms and to inform us about current world issues. The

1. The author, Leslie Chang, contends that “the history of a family begins when a person leaves home”. Do you agree or disagree with this statement? Tell why, and then give examples from your own life or from published material outside this book to defend your opinion.

It has become so common in our life that there is at least one television in every home. They have become an inevitable part of our lives. We have to admit that we live in a consumption society where we are always surrounded by technological devices. For instance, while we are sitting at home, we watch television shows, series and TV commercials in general. While watching it, we spend less energy than we spend while sleeping. We do not use our imagination because it is all ready and complete in it. The television affects us with its so-called beauty and supervising our lives by telling us what we should do and not do. Almost all of the things shown on TV are enforcing people to want, to consume or act according to the ideas on it without questioning. On the other hand, it blocks the communication between people because it is so absorbing that we cannot even turn our eyes from it. Hence, we start to behave and think only for ourselves. It drags the society to be an individualistic one where everyone seeks for his own pleasure and be selfish all the time. We are being pushed to create unnecessary needs and wants. Some may think that we can shut television down any time we want and stop its effect on us. However, as it is some kind of addiction, certainly people will not be able to get rid of them right away. Some see it as their “family” which may sound creepy but even if one will

Television is something most average American families have in their home. It will often bring families together because they are all in one room

Fun Home: A Family Tragicomic is an autobiography written by Alison Bechdel. The graphic novel takes its readers through Alison Bechdel’s childhood using engaging diction and detailed drawings. One of the big themes of Fun Home: A Family Tragicomic is the discovery of one’s sexual orientation. Over the course of her life, Alison Bechdel eventually comes to the realization that she is a lesbian. Ultimately, Alison Bechdel uses this novel to recount her experience of events that helped to shape her personal identity, which resulted in a transformation of the way she sees herself. In the end, Fun Home: A Family Tragicomic is a wonderful narrative that shows its readers the complexity of personal identity, and how things like love, the values of

“By its domination of the time families spend together, it destroys the special quality that distinguish one family from another” (Winn par.9). This is not always true because not all families have a tradition that has been utilized for generations. Television can have a positive influence on an individual and his family and it can also reflect on his social life.

People very often debate whether technology is good or bad. Many people believe that technology can only cause harm to their lives and society, while many others strongly defend the technologies which have made their lives much more leisurely and enriching than it could have been several hundred years ago. In my opinion, both of these views are correct to an extent, but I also believe that what should be examined is not whether technology in its self is good or bad, but rather how we as humans use it.For decades now, television has been accused of contributing to the dissolution of the American family and the destruction of the minds of those who watch it. However, although the TV has been involved in this, the problem roots not with

Imagine a distant post-apocalyptic future in which a large silver box has just been excavated from the ruins of what was once Los Angeles, a box that contains stack after stack of DVD’s with titles like Survivor, The Bachelor, Biggest Loser, The Swan, Real World, The Apprentice, and Hell’s Kitchen. What might anthropologists conclude about our 21st century society if these shows were their only glimpse into how we lived our lives? Francine Prose ponders this same question in her essay “Voting Democracy off the Island: Reality TV and the Republican Ethos,” in which she asks not only what future anthropologists might deduce, but, “for that matter,” what “contemporary TV-addicted children and adults” might realize if they were to more

These images are ubiquitous on television because this is what advertisers pay for. But televisions: Where are they? You’d think the people who sell televisions would insist that every house on television have a television in every room and someone watching it intently. But on television programs, televisions are notoriously absent – from houses, bars, and hospitals – even though they’re nearly impossible to escape in real life.

The air was cool and pleasant. Scarlet oaks sway gently with the tranquil air; birds chirped, and children heartily frolic amongst the glistening golden rays of sunlight. Detached from the lively world, however, was an isolated television addict. Sheets of unfinished work scattered across the stuffy and humid living room as random equations and expressions were scrawled on others. This was the product of TV influence. Television usage negatively affects one’s intellectual, moral, and future, and limited TV usage promotes a healthier lifestyle; thus, this practice should be established in homes and institutions.