From Monotheism To Pantheism Analysis

In the novel, “The Color purple” written by Alice Walker, Celie is shown to take control over her life during the events of when, she meets Shug Avery and she drastically changes her life and motives. Secondly, when she finds out that Mr. Albert has been hiding all of Celie’s letters that Nettie had written her. And, finally when Celie finds out that Pa is not really her real dad. “I cannot trust a man to control others who cannot control himself.” Robert E. Lee This quote is related to this topic of Celie taking control because of the men in her life, the men believe that woman have no self worth and were only made to do work and give sex to them. And since they follow that moral because of society, they are not controlling themselves

Shug Avery is not only a friend to Celie but also a lover. It is by being a lover that Celie learns self-respect and a little happiness in her life. Like when Shug Avery showed Celie how to enjoy herself. Listen she say, right down there in your … is a little button that gits real hot when you do you know what with somebody. It get hotter and hotter and then it melt. That the good part. But other parts good too, she say… (P. 79). I found this real important as it showed Celie she can enjoy herself and there is more to her then just being a slave to Mister.

Throughout the story, several women were extremely mistreated by men. The oppression of women is unmistakable in The Color Purple. It is particularly exposed in association between Celie and her farther. At a very young age Celie was subjected to oppression. Celie was raped repeatedly and pregnant twice by her stepfather and was told to keep quiet about it. "You better not never tell nobody but God, It'd kill your mammy" (stepfather). I believe this is when Celie began to fear men for most of her life. This act towards any woman is very demeaning.

In The Color Purple, Alice Walker illustrates the lives of a female African American before the Civil Rights Movement. A novel that describes female empowerment, The Color Purple demonstrates the domestic violence women faced in the South. Walker tells the story through Celie, a young African American girl who faces constant hardships until she stands up for herself with the help of her closest friends – other women undergoing the same difficulties. Even though men controlled females in the South, the author emphasizes the strength of female empowerment because females struggled to survive during this time.

There are numerous works of literature that recount a story- a story from which inspiration flourishes, providing a source of liberating motivation to its audience, or a story that simply aspires to touch the hearts and souls of all of those who read it. One of the most prevalent themes in historical types of these kinds of literature is racism. In America specifically, African Americans endured racism heavily, especially in the South, and did not gain equal rights until the 1960s. In her renowned book The Color Purple, Alice Walker narrates the journey of an African American woman, Celie Johnson (Harris), who experiences racism, sexism, and enduring hardships throughout the course of her life; nonetheless, through the help of friends and

In The Colour Purple, Walker cleverly uses the teachings of Christianity, a respected topic in American society, as the rose tinted lens to encase the key themes of racism and sexism throughout the novel. Furthermore, by doing so, she demonstrates the complexity of oppression at the time and provides insight into the stifling impact of traditional Christian teachings and the role this played on slowing the pace of meaningful reform. Through the common voice of Christianity, Walker portrays how black women can be both enslaved to, and liberated from, race and sex discrimination in American

“And she just about the color of a eggplant.” (87) Finally, Celie lives her life bitterly and does not notice or appreciate anything around her. Shug tells her, “I think it pisses God off if you walk by the color purple in a field somewhere and don’t notice it.” (p. 178) Shug feels that God created beauty in the world to make humans happy. She feels that it is important that people take the time to acknowledge everything around them. From this, Celie realizes that Shug has enlightened her. She admits that she does not appreciate the world she lives in. This changes the way Celie perceives her existence. She begins to have a more positive outlook on life, despite the hardship she experiences. Celie herself can also be compared to the color purple. She has lived her life unnoticed. Once she realizes this, Celie creates an identity for herself and is finally noticed amongst her community. Another important symbol in this novel is pants. Once Celie is liberated from her marriage, she starts a pant-making business. The pants represent independence, which again is a concept that relates to the theme of the novel. Celie can finally provide for herself. In her “previous life”, Celie’s only role in society was to bear children and keep house. The pants also symbolize a change in Celie’s relationship with men. Before, the idea that men and women had anything at all in common was completely daft.

Walker`s diction throughout the book emphasizes the inexperience of a young girl that is illiterate and existing in a land where men are considered dominate forces of every demeanor of life. Celie cultured how she was to submit to man, men in general which caused Celie to inhibit all of her own hopes and dreams. The moment Shug Avery and Sofia are introduced in the text we began to see the indoctrinated woman Celie really is within herself. Shug Avery is the perfect epitome of what it means to be an independent woman that Celie desires to be but cannot find the inner courage to become. Celie learned to stand up for herself and emerged as a powerful and astute woman through Shug`s yearning and inspiration. Celie encountered a lot of violence that was very uncomfortable and intolerable for her. Many of

Celie and the women surrounding her struggle for bondage. Celie finds a bond with many females. Walker introduces the hint of Celie's sexual attraction to women in church. Afraid of men because of the cruel treatment by her father, Celie turns more and more towards the company of women, who represent love, warmth, and feelings of solidarity to her. Celie affirms her sexual identity in her relationship with Shug Avery. For now, it is manifested merely as what men cannot offer.

Celie is able to accept her past and establish a clear vision of herself and fulfillment through the acts of love. She meets other women who tell her that she should stand up for herself and fight, but Celie feels that it’s better to survive than to fight and risk not surviving. However, there are certain triggers that lead Celie to stand up. Like a true fighter, Celie proves herself to be willing to stand up for the people she loves. Even as a downtrodden victim of her Pa, Celie sacrifices herself and offers herself to her father so that he keeps his hands off of Nettie. As mentioned in this quote, where Pa is sexually abiding Celie, “First he put his thing up gainst my hip and sort of wiggle it around. Then he grab hold my titties. Then he push his thing inside my pussy. When that hurt, I cry. He start to choke me, saying You better shut up and git used to it. ” (Walker, 4). Celie has the potential by putting her efforts into other people, but not realizing she is able to stand up for herself the same ways he does for Nettie. Relating it back to the novel, “Beloved”, Sethe does the same representation when she is trying to save Beloved even though the idea is bizarre of her killing her own child, but she only does it so that she would not have to suffer the way Sethe did. Celie is introduced with Shug Avery a blues singer, who she was first found “rude”, but as the story moves along, Shug Avery becomes the reason Celie learns to love herself. Because Celie is finally opening herself up by loving someone, Celie becomes more lovable. Through Shug’s love, Celie begins to realize her own self-worth, from the minute when Shug Avery wrote a song for Celie, as said in this quote: “This song I'm bout to sing us call Miss. Celie's song.”(Walker, 73).By the end of the novel, Celie loves more

Sometimes life brings experiences of abandonment through difficult times. Celie shows an expression of abandonment from God with her intimate friend Shug Avery, who challenges Celie where she thinks God is. “What God do for me?...He gave me a lynched daddy, crazy mama, a lowdown dog of a step pa and a sister I probably won’t see again...The God I been praying and writing to is a man. And act just like all the other mens I know. Trifling, forgetful and lowdown...Miss Celie, You better hush. God might hear you. Let’im hear me, I say. If he ever listened to poor colored women the world would be a different place” Celie said in anger (192). It is times like this that society tells the world to push life’s disasters under the rug. When instead it requires the attention of others to become endured. To be human is to go through the struggles of life and face them. Without them, life can become meaningless. Celie experiences this through oppression and her loss of faith in God. Throughout

As a result of these tragic events, Celie writes to an unknown audience, resembling her unknown identity. In the beginning, the only person she can talk to is God. She writes her first letters to God shortly after her so-called father raped her. Each one of the letters is short, choppy and has a similar rhythm. The patterns found in her letters symbolize her state of mind; she feels depressed and weak. "Celie does not think of her letters as anything else than just that, as written documents saying the things she wishes to tell the recipients she cannot speak to in person”, making God the person she has always wished to communicate with (Boynukara). Her letters in the beginning are also mostly written to God and not signed off, illustrating her lack of identity. Her conception of God is a “Big and old and tall and graybearded and white. He wear white robes and go barefooted” (Walker 195). Celie’s first letter proves that she has a low self-confidence when she writes, "Dear God, I am fourteen years old. I am I have always been a good girl. Maybe you can give me a sign letting me know what is happening to me." (1). According to Janoff Bulman, “cognitive strategy used to make

<br>We observe Celie's gradual spiritual development throughout the book from the point when Shug arrives to the very end when Celie first addresses her letters "Dear God. Dear stars, dear trees, dear sky, dear peoples. Dear everything. Dear God." Her journey can be

Alice Walker’s The Color Purple is an epistolary novel about a young African-American girl named Celie. Through her letters, Celie narrates the horrific situations and daily struggles that she endures as a young black woman living in the South during the racial unrest of the 1930s. Stuck between being a woman and being black, Celie overcomes her situations and eventually finds her place in society. The first thing that Celie had to accomplish this goal was to find her identity. Walker illustrates how Celie’s relationships with men, sex, women, and God help shape her identity.

In Alice Walker's The Color Purple, she explores the thin grey line that stands between survival and living. Through her protagonist, Celie, she examines the dramatic shifts of empowerment; focusing on the young black girl in the 1850’s.