From Parallel Worlds in Franz Kafka´s The Metamorphosis and Albert Camus´ The Myth of Sisyphus

“The Metamorphosis” is a surreal story by Franz Kafka surrounding the transformation and betrayal of Gregor Samsa, who wakes up one day, reborn into a large insect. Along with the bizarre and nightmarish appearance of his new hard back, brown segmented belly, and many legs, Gregor only desire is to live a normal life, unfortunately, this is impossible because he struggles to even get out of bed. Gregor transformation into an insect is a vivid metaphor for the alienation of humans from around the world. After losing human form, Gregor is automatically deprived of the right to be a part of society. Franz Kafka could relate to Gregor because he too was mistreated/neglected by his father and worked a job that he was unhappy doing. Franz and Gregor both were providers for their families. Alienation, isolation, and loneliness were not hard to recognize during the Modernity and Modernism time period.

Everyone has people they depend on. People that he or she knows will always be there when they’re needed. But what happens when those people just don’t show up or just all of a sudden stop caring? The feeling of loneliness can break down a person’s character and reduce him to a shell, or in this case and exoskeleton, of who he once was. We can see this in The Metamorphosis by Franz Kafka. When Gregor Samsa finds himself transformed into a giant beetle-like creature, what he needs more than anything is the love and support of his family, but he disgusts them. They shut him up in his room so that no one can see him. They are ashamed of him, and quickly forget that he was part of their own flesh and blood. All that they can see is the monster that appears on the on the outside. Gregor’s sister and parents betray his love for them and leave him feeling lonely in the most terrifying and desperate time of his life.

Kafka’s The Metamorphosis, is the story of Gregor Samsa, a traveling salesman who is responsible for the financial well-being of his entire family, yet experiences an unfortunate metamorphosis into a giant bug. However, while Gregor undergoes a disturbing physical transformation, the family dynamic changes drastically as well. The family’s treatment of Gregor slowly deteriorates from them regarding him as the basis for their financial success and security to regarding him as no more than an extraordinary nuisance that holds them back from a brighter future.

Kafka’s timeless novella, The Metamorphosis, first shows, the physical and mental change of Gregor Samsa. As Gregor wakes up for work, he realizes that his body is not what it used to be. He has completely transformed into a giant beetle-like insect and he begins to notice his “hard... armor plated back… dome-like brown belly divided into stiff arch segments, [and] numerous legs… which waved helplessly before his eyes” (Kafka 6). Mentally, Gregor continues to think like a normal person. Even though he has just transformed into a nasty insect, his main concern is still about getting to work and supporting his entire family. This concern fades when he understands that his illness releases him from his job. Wilhelm Emrich also believes that Gregor gains freedom by stating that, “Samsa complains of his “grueling job,” of the “upset of doing business,” “worrying about changing trains, eating

Growing up, Franz Kafka questioned his father’s use of power not only at home but also in the workplace. Kafka’s father referred to his employees as “paid enemies.” Upon noticing “the submissiveness expected of [workers] toward their superiors” in his own asbestos factory, Kafka found this true for not only his father but also most of the upper class (Speirs and Sandberg 7). Disappointed by this class hierarchy, Kafka attended anarchist meetings and referenced communist writers in his diaries (Cohn). These meetings led him to develop a similar ideology to Karl Marx, who attributed “all… [of] history [to] class struggles.” In The Metamorphosis, Kafka channels a Marxist viewpoint through Gregor Samsa’s life before his metamorphosis and his family’s life after the metamorphosis.

. . at the table quietly reading the paper or studying" (Kafka 12-13). This imagery of Samsa as a studious carpenter characterizes him as humble and, in this, somewhat unlikable to the toughest audiences. Even imagery as simplistic as this conjures the image of Gregor as a bookish, studious milquetoast. At the same time, the carpenter characterization connotes Christ, and thus immediately hints at Samsa's eventual heroism, even before anything significant has happened. So when the book's first "metamorphosis" occurs in the first sentence, Gregor's prior circumstances make him fertile ground in which a change in spirit can occur. Samsa even acknowledges the metaphysical change enacted in himself: when he tries to explain to his family and the head clerk why he cannot leave his room, his audience can "no longer (understand) his words, even though they (are) clear enough to him, clearer than before even" (15). It is as if he is in another dimension from them completely and therefore a sort of "immortal" at heart, before the knowledge is even imparted upon him in the form of his metamorphosis into an insect. Only as a "vermin" can Gregor, thoroughly isolated from the world, be truly human. In this alternative humanity Kafka incorporates James Joyce's assertion that an artist "remains ... invisible, refined out

In The Metamorphosis Franz Kafka tells the story of a young man named Gregor who observes the radical changes in his life after transforming into an insect. Gregor’s life was centered on his job as a traveling salesperson and his family. One morning Gregor woke up transformed into an insect. Afraid of the transformation Gregor stays in his room and ignores calls from his family. When Gregor realized that his new body did not allow him to have a normal life, he tried to adapt. After his metamorphosis, Gregor is abandoned by his family and only maintains a small relationship with his sister Grete, who is in charge of serving and provide him with food, but always leaving some distance because of his ugly appearance.

In Franz Kafka 's Metamorphosis, Grete changes from a child into an adult while also trying to do the opposite with her own family. Gregor’s metamorphosis leaves her family without anybody money to pay for their needs. Consequently, Grete replaces Gregor and begins to cook and clean for her family and go to work. These jobs allow Grete to become more experienced and to mature. Similarly, Grete shows displays these changes by dressing more provocatively and becoming more interested in romance. However, during Grete’s own metamorphosis, she realizes the burden that is (or was) her brother and proves to her family that he is no longer human. Since she wants to keep her family the same as it was before Gregor’s metamorphosis, Grete convinces her parents of this absence of Gregor’s real personality and tries to get rid of him. Thus, Grete’s goal is to keep her family the same as it is before Gregor’s metamorphosis, and to accomplish this, Grete simultaneously goes through her own metamorphosis into an adult woman as a result of the many jobs she takes to keep her family in the same situation as before.

The very first line of one of the most famous novellas of the 20th century, Franz Kafka’s Metamorphosis, is puzzling. It tells us that the main character awakes one day and finds himself turned into “ungeheueren Ungeziefer” (Gooderham par. 4). It has proven difficult to translate the line into English, as there is no precise translation. Meaning some “enormous or monstrous kind of unclean vermin” (Gooderham par. 7), it denotes “something nasty, but not specific” (Robertson 2:31). The meaning of the whole story remains similarly uncertain, and numerous readings of it have emerged in literary criticism. In our paper, we will make an attempt to give a possible interpretation of the novella, supporting it with some arguments, and then we will discuss the story’s ambiguity further.

Franz Kafka’s The Metamorphosis (1914) is about the transformation of Gregor Samsa into a giant insect. His life has been miserable due to the fact that he works to meet the standard necessities of the family after his father has lost his business. Kafka implies that Gregor’s transformation is simply a manifestation of what he was already experiencing. It is a punishment for Gregor not having attempted to engage with others. Kafka’s main theme is alienation and he explores it passionately through Gregor’s introverted life before his transformation, the metamorphosis of the family’s treatment towards Gregor after he turned into an insect, and Gregor’s behaviour after his drastic change.

In the written texts “Myth of Sisyphus” and “The Stranger”, French author Albert Camus vividly portrays parallelism between his fictional characters. Through Meursault’s narrative and time spent in jail in “The Stranger”, Meursault reveals his emotionally removed temperament, earning himself the status of an outsider. In contrast to Meursault, Sisyphus was never labeled as an outsider, but did not bring joyous thoughts among the gods; Sisyphus was a burden to the gods. Although Meursault and Sisyphus have their differences, their love for life, defiant behavior toward their punishments, and their acceptance of their fates are the parallels between them.

Kafka reveals very little about Gregor's life prior to this incident: all we know of him is that he had been a traveling salesman who was constantly "busying himself with his fretsaw" and who "never (went) out in the evenings," instead spending his time "sitting . . . at the table quietly reading the paper or studying" (Kafka 12-13). This imagery of Samsa as a studious carpenter characterizes him as humble and, in this, somewhat unlikable to the toughest audiences. Even imagery as simplistic as this conjures the image of Gregor as a bookish, studious milquetoast. At the same time, the carpenter characterization connotes Christ, and thus immediately hints at Samsa's eventual heroism, even before anything significant has happened. So when the book's first "metamorphosis" occurs in the first sentence, Gregor's prior circumstances make him fertile ground in which a change in spirit can occur. Samsa even acknowledges the metaphysical change enacted in himself: when he tries to explain to his family and the head clerk why he cannot leave his room, his audience can "no longer (understand) his words, even though they (are) clear enough to him, clearer than before even" (15). It is as if he is in another dimension from them completely and therefore a sort of "immortal" at heart, before the knowledge is even imparted upon him in the form

In The Metamorphosis by Franz Kafka, the straightforward style enhances the nightmarish quality of the work by giving the reader a sense of denial and hopelessness. In the fifth paragraph of chapter one, Gregor is thinking to himself about his boss: “…it's a funny sort of business to be sitting up there at your desk, talking down at your subordinates from up there, especially when you have to go right up close because the boss is hard of hearing…once I've got the money together to pay off my parents' debt to him - another five or six years I suppose - that's definitely what I'll do. That's when I'll make the big change. First of all though, I've got to get up, my train leaves at five." Gregor just realized he is a vermin, and he goes on a string

Kafka was critical in bringing the new outlook on modern culture and particularly on modern man. Franz Kafka studied the modern man in the face of contemporary culture, and how he was steadfast in retaining his spirituality and identity, and gravitate towards authenticity and happiness. However, Kafka saw how the dehumanizing forces of industrialization and capitalism in the post- the WWI Europe posed a challenge to the modern man. Modern culture can be viewed tolerating and open to all. To Franz Kafka, modern culture coupled with technology is fast changing, and man has to maintain his self-consciousness in order not lose his spirituality and identity amidst these changes (Wintle pp. 708-710). Hence, as modern culture changes with the changing technology, religions are poised to change too, which presents fears to a man about losing his spirituality and identity upon embracing the modern culture. Interestingly, Kafka was mystical in his writings, with a keen interest in themes such as metamorphosis, existential and identity. If we look at “The Metamorphosis,” we can view the idea of how the dehumanizing effects of capitalism and industrialism are indicated within the writings. Kafka contends we become dehumanized with buying power and working too much. The transformation of Gregor seems to indicate a denial of responsibility to the changing forms of society’s conventions and values.

Metamorphoses are a concept commonly used in literature to show a character's profound change. The concept was used in The Metamorphosis by Franz Kafka, which is about a man named Gregor, who woke up one day to find out he had turned into a vermin. Following his discovery, he tried to go to work to support his family, which ended up revealing his new form. Gregor was locked in his room and slowly lost his humanity and connection to his family. Gregor eventually died alone in his room, and his family took it as a chance to restart after they realized they could support themselves without him (Kafka, The Metamorphosis). Within The Metamorphosis there is a prevalent Jewish folklore presence because of Kafka’s interest in the history of