Tim Bartlett
ENG 396
March 23, 2011
Funhouse Mirrors: Jane Eyre and Bertha Mason “Jane Eyre” is a book centred around female duality. In a time when females were still expected to fulfill their “womanly duties,” Charlotte Bronte wrote a novel dealing with a woman’s view on morality & sexuality, passion & sensibility, and conformity & insanity, among other themes. This motif of duality plays a strong part in the dynamism that makes up the book, and is not limited to the themes, but is also used to relate many of the characters to the titular Jane. In “The Mystery at Thornfield,” Valerie Beattie makes claims that the character Bertha Mason’s insanity is a representation of rebellion toward the limitations of Victorian women. Not only is
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Although Bertha’s seclusion is a result of her insanity and unacceptable behaviour, Jane’s isolation seems to be the cause of some mental illness, throwing her into a panic attack in the red room where she believes her Uncle Reed’s ghost dwells. It must be noted, though, that Jane is a child at this point in the novel, with an active imagination. Bronte may be making a point then, that children should not be shunned for their inventiveness and imagination, as was so common in her day. However, there is a fine line, and socially acceptable age, that separates a healthy imagination from madness. There is a clear lack of this knowledge in Bertha, whom does not appear to have a firm grip on reality. Madness, however, does not merely deal with concepts of reality in “Jane Eyre.” Jane has bouts of uncontrollable speech, in which she must say what comes to her mind. Jane first loses control of her tongue in chapter IV, in which she accuses Mrs. Reed of wishing her dead, and later exclaims “I am not deceitful: if I were, I should say I loved you; but I declare, I do not love you: I dislike you the worst of anybody in the world except John Reed,” and goes on to evaluate the terrible treatment Mrs. Reed has given her, and the lack of love and compassion she has been shown while at Gateshead. In this instance, madness works in Jane’s favour. This temporary bout of mania allows Jane to finally express the
How can a girl, who started out with nothing, blossom into a well educated, generous, blissful woman? Well, in Jane Eyre, the main character overcomes all obstacles thrown at her and makes a great life for herself. From a miserable, orphaned young girl to a happily married, well educated woman, Jane Eyre transforms immensely throughout the novel. Through her many experiences in essential locations, she grows significantly at Gateshead, Lowood School, Thornfield, Marsh End, and Ferndean.
Jane’s approach could be considered romantic and embodies conventional feminist concepts; she remains headstrong and stubborn in the face of injustice. The representation of Jane as a strong, independent woman upholds the belief that woman can achieve their goals. Jane does precisely this; she marries Rochester, becomes a part of a family as well as gains financial independence. The way in which Bronte represents Jane is emphasized through her narrative stance. The reader is presented with a firm and rebellious character, her diction is simple and assertive. She addresses the reader directly and is able to identify and challenge the problems she faces with determination. Furthermore Jane is able to identify and comment on how she feels woman are subjugated by their society; she denounces that “woman are supposed to be very calm generally: but woman feel just as men feel […]” (Bronte
Survival of the Luckiest: An Analysis of Jane’s and Bertha’s Mental Dispositions Madness is a recurring theme in Jane Eyre by Charlotte Bronte. Jane Eyre, and Bertha Mason all have both experienced extreme mental distress and reacted in their own unique but similar way. Many scholars have deeply analyzed the symbolic and literal meanings of Bertha’s insanity and associating it to the oppressive force of the patriarchy. I argue that along with this, Bertha’s insanity serves the hidden purpose of bringing to light Jane’s lack of independence and effort that led to her success.
Violence is the most recurrent gothic convention used in Jane Eyre, which is prominent in Charlotte Brontë's effective development of the novel and the character of Jane Eyre, who, throughout this novel, is searching for a home in which she would have a sense of belonging and love which would ultimately resolve this exact unfulfilled need she had as a child. The neglect she experienced in her childhood is manifested in the way she is treated by her aunt, Mrs. Reed, as in the first page of the novel Jane Eyre admits: ‘Me, she had dispensed from joining the group, saying, 'She regretted to be under the necessity of keeping me at a distance’’. This opening shows how there is a clear line of separation drawn between Jane and her relatives due to her complicated family background which consequently results in their reluctance to accept her into their environment. These complications lead to her maltreatment, which also adds on to the violence she experiences acting as a catalyst for the development of the character and her subconscious quest.
Through a close reading of the selected passage of Charlotte Brontë’s Jane Eyre: An Autobiography, a reader can see that Jane attempts to separate herself from her decisions by personifying her emotions and giving them a specific voice, which strongly reflects the societal views of the time. At this point in the story, Jane has discovered, on her wedding day, that Mr. Rochester is still married to a woman named Bertha, and that woman still lives in his house. Distraught, Jane locks herself in her room and tries to decide what she should do. When she wakes up the next day, she is again confronted with what she needs to do in the wake of her discovery.
Throughout Jane Eyre Charlotte Brontë uses the character Jane as a tool to comment on the oppression that women were forced to endure at the time. Jane can be seen as representative of the women who suffered from repression during the Victorian period, a time when patriarchy was commonplace. Brontë herself was affected by the time period, because according to Wolfe, she was deprived “experience and intercourse and travel.” (70) Thus Jane offers a unique perspective as a woman who is both keenly aware of her position and yet trapped by it despite repeated attempts to elevate herself and escape the burden placed on by her different suitors. Although superficially it seems that Jane wants to break away from the relationships that further
While Bertha’s is most obviously apparent, Jane hides her wildness inside of her. However, both women face this unkempt part of them. For example, Jane says ‘‘They have a worth- so I have always believed; and if I cannot believe it now, it is because I am insane- quite insane; with my veins running fire and my heart beating faster than I can count its throbs’’ (Brontë, 606). When leaving Thornfield, Jane feels as though she is crazy, just as Bertha is described simply a chapter ago. This wanton feeling pervades her body. Bertha is insane, and Jane feels just as uncontrolled. Jane also says that ‘‘I could not help it; the restlessness was in my nature; it agitated me to pain at times’’ (Brontë, 206). Jane’s need for adventure and change is reminiscent of young, beautiful Bertha who also wanted adventure with her new wealthy husband. Finally, ‘‘I lived with that woman upstairs four years, and before that time she had tried me indeed: her character ripened and developed with frightful rapidity; her vices sprang up fast and rank: they were so strong, only cruelty could check them, and I would not use cruelty’’ (Brontë, 584-5) . Bertha’s mental illness made her inhuman and society made her appear as a monster rather than a woman. Bertha’s disability is her wildness through and through, and though she cannot control it it will always be in her no matter what she does, just as Jane’s unrestrained
At the start of the captivating novel titled, “Jane Eyre”, our main character Jane defies many of the stereotypes of Victorian women in the time. Charlotte Bronte, the author, sends a strong message of the types of behavior that isn’t very common for women to show. Throughout the exhilarating book, the readers travel through the life of a young orphan who blossomed into a strong woman. During the Victorian period, women weren’t seen as much excepted the person who takes care of the home and children. Gregg Newby states ,in an article called “Expectations of Women in Victorian Society”, “In the eyes of society, women were ill-equipped to meet the demands of the outside world.
People have many different takes on various aspects of the book Jane Eyre. In Chris Lewis’s “Separate Spheres and Women’s Status in 19th Century England,” and Charlotte Bronte’s “Jane Eyre,” are completely different types of literature. Lewis’s piece of work is a lecture on the restriction of female life in the late 18th to the early 19th century. Charlotte Bronte’s work was a gothic novel written to show that women are able to do as much as men can do, and maybe do even better. Both pieces of literature come together through the ideal of feminism.
By investigating the gender roles of the Victorian Era in Jane Eyre and looking at the more modern presentation of gender roles in The Eyre Affair, a clear understanding of these author’s intentions to expose the gender issues can be seen. Jane Eyre is a classic novel in which orphan Jane opposes societal expectations by becoming an intelligent,
Question 2. Although Jane Eyre has taught herself to maintain a sense of self-discipline and self-control within society, everything about what she does is carefully managed so that she fits into the society in which she would like to be apart. Yet in spite of this Jane has a spirit of rebelliousness that sometimes represents itself in spite of Jane’s efforts, for example when she attacks her cousin John Reed after being pushed to her limit due to his mistreatment of her. Bertha Mason is in some ways a perverse logical extension of the way in which women, namely Jane in the novel have been pressured into a radical confinement of their emotions. Bertha Mason can be seen as representing Jane Eyre’s interiority and feelings of the injustice that women have to be condemned to a life of servitude and complacency. This way Bertha and Jane are similar in the sense that they both suffer a kind of confinement to a life that they don’t necessarily want. Both Bertha and Jane have a will to express themselves in a way that they are unable to do, in Bertha’s case because she is confined to the attic and people think she is insane, and in Jane’s case because she has been pressured by society to maintain the appearance of a respectable member of society.
Women in Victorian literature often came to be seen as "the other" or in more direct terms, as somehow demonized. This is certainly true in Jane Eyre. Bertha Mason, Rochester's mad wife, is the epitome of the demon in the attic. By virtue of being the first wife she is in continually compared to Jane. Although there are parallels in plot and language between the two women, they are completely different people. In addition, Bronte also depicts other women throughout the novel as something to be feared. Whereas earlier in English literature, men were typically depicted as monsters, in the nineteenth century women came to be seen as threatening creatures. They entrap men through their
The novel in which Jane Eyre stars in can be seen criticizing many aspects of those times such as the role and nature of women, child negligence and social hardships for those in a lesser class. Jane Eyre’s alienation from society allows for a greater reveal of the story’s culture, values, and assumptions. It’s presented through the use of gender, class and character conflicts throughout the story. On multiple occasions, Jane is judged for the presented factors reflecting the type of society Jane lives in and what the times were like at that time.
In Jane Eyre, Bertha Mason is a symbol of female oppression, and the confining roles of women in marriages. Bronte depicts Jane as a young woman in attempt to set an example for others by dodging conformity, and expose false stereotypes, marriage and submission to Rochester are counterintuitive to her goals and morals. Bertha serves as a warning to Jane by displaying the effects of marriage. As a woman who had been oppressed and dominated because of her marriage, Bertha symbolizes the damaging effects marriage in a male dominated society on a woman’s individuality and sanity. Bertha is presented as the “madwoman in the attic” by Bronte, her insanity is a dramatization of the ramifications of marriage by personifying the thoughts of women in the victorian era. In Wide Sargasso Sea, Antoinette is tricked into a loveless marriage for monital purposes because of society’s views on femininity which is females are meant to be passive (Anderson, 1982). This common perception on women is what leads Antoinette and many other women to drift into unhappy marriages, and the greater consequence being they lose themselves due to their forced
In Charlotte Bronte’s Jane Eyre, the character Bertha Mason is a manifestation of the feelings that Jane cannot express, and thus acts as an alter ego. Every time Bertha acts, it is predicated by a strong emotion or what should have been a strong emotion on Jane’s part. In the Victorian Era, women were expected to follow strict rules and isolate themselves from the outside world. In order to be the “angel in the house,” women were expected to obey and not question their fathers and husbands. Societal expectations dictate that Jane cannot show the full extent of her emotions, particularly when Mr. Rochester is involved. As a result, she does not do so, and they come out in the form of Bertha Mason. Throughout the novel, some sort of action by Bertha closely follows Jane’s musings on her frustrations, her discontent, or her anger. When Jane recognizes her emotions, Bertha’s expression is mild. However, Jane fails to recognize fully her emotions in multiple cases and Bertha responds violently. Because Bertha represents emotions that Jane possesses but represses in order to meet societal expectations, Bertha and these emotions must be removed before she can marry Mr. Rochester. Therefore, Bertha is a key character because she represents an important aspect of Jane and prevents Jane from fulfilling societal expectations.