Funicello Descriptive Writing

However, the most important aspect of this room is the yellow wallpaper. The narrator despises it, loathing the colour and it’s pattern. She writes that it is “. . .dull enough to confuse the eye in following, pronounced enough to constantly irritate and provoke study, and when you follow the lame uncertain curves for a little distance they suddenly commit suicide--plunge off at outrageous angles, destroy themselves in unheard of contradictions.” (Gilman). This description of the wallpaper serves the purpose to show the reader the unjust restrictions of society that the narrator is subjected to; “. . .commentators have seen in this description of the wallpaper a general representation of “the oppressive structures of society in which [the narrator] finds herself” (Madwoman 90), . . .” (Haney-Peritz 116). The statement of “dull enough to confuse the eye” and “constantly irritating and provoking study” are alluding to the narrator’s sense of inferiority and burden while the “lame and uncertain curves” are referencing the absurd suggestions that her husband is providing. Finally the “suicide” is the unfortunate fate that is destined to occur if his counsel is followed. When describing the wallpaper the narrator writes that “The color is repellent, almost

You think you have mastered it, but just as you get well underway in following, it turns a back-somersault and there you are. It slaps you in the face, knocks you down, and tramples upon you. It is like a bad dream (Gilman 12). The narrator strongly resists the wallpaper because it constantly forces its ugliness upon her mind. The paper serves as an unattractive, unresolved and complex symbol throughout the story. “The female lineage that the wallpaper represents is thick, with life, expression, and suffering (Treichler 193).

Central to the story is the wallpaper itself. It is within the wallpaper that the narrator finds her hidden self and her eventual damnation/freedom. Her obsession with the paper begins subtly and then consumes both the narrator and the story. Once settled in the long-empty “ancestral estate,” a typical gothic setting, the narrator is dismayed to learn that her husband has chosen the top-floor nursery room for her. The room is papered in horrible yellow wallpaper, the design of which “commit[s] every artistic sin”(426). The design begins to fascinate the narrator and she

In “The Yellow Wallpaper by Charlotte Perkins Gilman, the female protagonist is going through a rough time in her life. The narrator lived in a room with strange wallpaper. This odd wallpaper seems to symbolize the complexity and confusion in her life. In “The Story of an Hour” by Kate Chopin, the

The wallpaper is beginning to take on the role of controlling her life. As the days proceed on and she continues to sit in this isolated room, she begins to notice objects incorporated throughout the patterns. Every day the shapes become significantly clearer to her until one moment it appears to be a figure trapped within the walls (734). This aversion to the color completely shifts at this point toward hallucination. The wallpaper now has complete control of the narrator’s mind and sanity.

The narrator’s obsession with the wallpaper eventually makes her story spin so far out of control, her grasp on reality is completely lost and to every observer it is obvious. She believes people are living in the wallpaper and they come and go

My legs are shaking with pain, but I need to know where I am and what strange things lie outside of that door way. Slowly I am making my way there, I hear people having a conversation just outside. I haven’t a clue what they are saying, it seems to be in some odd language. Finally I’m at the door. Terrified, I grab the knob and start to open it. It squeaks when I swing it open. In the hall I see no one, just white walls with white tile. “What the,” I say to out loud. I could have sworn I heard someone. My eye catches my room number, 387, it has my name on it. I look right and left, but see nothing expect florescent lighting and shut doors. I go to the door across from mine and try to open it. Locked, that’s odd. I try the next one, locked once again. I keep going, now at room 365 I give the knob a turn and it actually comes open. I hesitantly wander into the area. It looks the same as mine, minus the painting on one of the walls. It is an extremely abnormal painting. It depicts an out of the ordinary creature. “Why would this be in a hospital?” I whisper to myself.

When Jane describes the wallpaper, she is first repulsed by its color and the mere sight of it. Later, she describes that the sunlight reveals a “pointless pattern”

Nestled snuggly into the Blue Ridge Mountains was Ridgecrest, North Carolina. Getting there was no joke seeing as the ears popped every five minutes, but the scenery was beautiful.

While the narrator describes what she calls a nursery type bedroom with barred windows and rings on the wall her ancestral home, the audience soon realizes that this is her bedroom in an old insane asylum. She stares for long periods at this patchy yellow wallpaper around her room. She thinks that the boys who previously lived in this home ripped the paper down the sides

In The Yellow Wallpaper, Charlotte Perkins Gilman creates a narrator who rents out a mansion in the summer with her husband. The main reason for their summer retreat is because the narrator is “ill” and suffering from what her husband calls “a slight hysterical tendency.” The narrator’s husband places her in a big airy sunlit room with hideous yellow wallpaper asserting she be confined to bed rest. As time goes by, the woman becomes infatuated with the yellow wallpaper claiming that there’s a woman enclosed in the pattern. I’m arguing that the wallpaper plays a role in symbolism. In my opinion, it represents how the narrator suffers from the oppression of her husband and the feeling of being trapped.

In “The Yellow Wallpaper,” Charlotte Perkins Gilman uses symbols to portray recovery from the depth of mental illness. The main character, Jane, struggles throughout the story with severe depression. She is constantly haunted by the room she has to occupy during her stay. Yet despite it all, Jane sets herself free from her illness’s grasp. Gilman employs the symbols of the yellow wallpaper, the ripping of the yellow wallpaper, and the beautiful door to depict Jane’s journey out of her depression.

Author Charlotte P. Gilman’s, “The Yellow Wallpaper” is a complex short story that discusses the thoughts and feelings of a woman who is kept confined in a small upstairs bedroom by her husband. The woman suffers from depression and anxiety, yet her spouse whom is a physician claims that she is not terribly ill. Despite all the strange thoughts she acquires, she continues to force herself to accept her new life style and awkward place of living. As she comes to find herself overwhelmed with her personal bedroom, we soon discover that the room’s yellow wallpaper is what affects her directly and is the reason for her many interpretations. The symbols in the story take a great part in the overall plot and

It is the wallpaper, alive and a character in itself, that charges our main character 's mind and helps her break free from the dull and husband driven life she has been living. The wallpaper itself, so marvelously described, becomes our storyteller 's best enemy and best friend. More like a mirror, this yellow consuming wallpaper reflects what our main character is really going through and feeling and the woman that stirs and creeps within the wall is literally herself which is found out by us, the readers, when the housekeeper mentions the yellow stains on all of her clothes. She wants to tear the confining wallpaper down that holds this imaginary woman in just as she wants to tear the confining way of life her husband has chosen for her. The story continues to progress as she deconstructs and analyses the wallpaper until the climax when our main character locks herself in the yellow room to finally tear all of the wallpaper down so that the woman can never be put back and imprisoned forever. The story concludes with her husband fainting, and our main character "creeping" and paying him no concern at all except that once again he is in her way but this time, not able to stop her voyage along the wall and for the rest of her life.

The it-narrative provided by the wallpaper is essential to the representation of the main character's changing state of mind. The wallpaper is part of the barrier between the woman and the world, it becomes a mirror to her own psychological decay, and finally a cover which is ripped away to unveil and unite the woman and the part of herself she has seen in the wallpaper.