Futurist Manifesto

“Crocicchio” by Ardengo Soffici is a poem written in the era of the historic avant-garde in which Italy was facing a technological revolution; railways, cars and trams were all being transformed and as such the country saw a rise in the Italian Futurist movement. This movement praised all things modern by exploring new forms and technologies, treating them as a spectacle to be revered. The influence of these futuristic ideologies is clear in Crocicchio as Soffici paints a series of pictures of city life characterised by the chaos and activity which he experiences in his passing.

Though the start of the modernisation may trace back to the beginning of Industrial Revolution. “Modernism in the design world did not exist in a fully developed form, until well after First World War.” (Wilk, 2006) Causing the great loss of lives and other countless damage to the world, it reshaped many people’s way of thinking the world. With the inspiration of early avant-garde movement, the modernism began to emerge advocating an utopian future and shared certain core principles by various styles of modernists: rejecting the past and applied ornament; forms follow function, a preference for

The first Manifesto I read was “The Foundation and Manifesto of Futurism” by Marinetti. Marinetti highlights various concepts behind the futurist movement. Throughout his manifesto he describes old versus new and personifies several places and machines. Like when he spoke of his automobile he said “We approach the the three panting beasts to stroke their burning breasts, full of love and admiration.” (Marinetti 643). He says that finally the old and mystical ideals and myths are far behind them. He portrays these engines as demonic, but however his description sounds he isn’t demonizing technology, he is in fact admiring it. He also encourages people to take these risky leaps of faith. He highlights the point that humans need conflict and revolutions bring out change.

Italy can be looked at as the home of the renaissance and consequently the immergence of great art. Artists such as Michelangelo, Botticelli, Da Vinci, and Raphael are some of the greats and are looked at for standards. But what about the artists whose lives are mysteries, and their works that were influenced by the greats? These artists hold just as much importance in the history of art as do the artist’s whose names can be recalled off the top of an average person’s head. During the sixteenth century things began to change in the art world, and that change was the Baroque. This new style of art brought a revolution to how subject matter was painted, it brought upon “… a radical reconsideration of art and its purposes…” (249) and how artists of all ranks could learn to paint the up and coming style of Baroque.

In history, revolution is the reason for constant shift in society. Many eras have come and gone and only some have left a significant impact on the world. In order for an era to be revolutionary, it has to leave a long lasting influence through social, economic and political means. Historians debate whether the Renaissance was considered a revolutionary period of history or not, however the Renaissance means “rebirth” and laid the foundation of the current era, the Modern Times. The Renaissance is a revolutionary period of history due to the far-reaching changes in art, politics, science and technology, as well as religion. During this period, art became more realistic, politics became based on merit, science and technology reached its

Rhiana Bishop CHY4U Mrs.Ritsma September 15th, 2017 Humanism and the Italian Renaissance Many people today do not know what humanism is. Even if they don't what it is, many people in this world are humanist. Humanism is the idea behind humanism is the life on earth can be filled with the value not just items, but abilities and individual worth, as well as that humans, can achieve great things. The humanist movement started with a man named Martin Luther. Luther was a German monk who posted what is now known as the 95 Theses on the door of Wittenberg’s Castle (Newman 50). These theses are what started the Reformation and the Renaissance. In the Renaissance was very influenced by the Martin Luther and humanism. The art the writer and the architecture were all majorly influenced by humanism. This is because that it is more acceptable to have beautiful paintings, awe-inspiring novels, and amazing buildings created not just for religious use but for enjoyment. Leonardo DA Vinci (1452-1519), Michelangelo Buonarroti (1475-1564), Donato Donatello (1386-1466), Sofonisba Anguissola (c.1532-1625) these are some of the prodigious artist known all over the world. Every one of these artists started in the Renaissance era of art. Each one of these artists created art that still inspires artist today. Before the reformation and humanism came into the picture almost all became famous for the works that they did in the Renaissance. The reason these artists became more famous is the art that is much more lifelike and that captures more detail than the art that came before the Renaissance. Some of the art done in the Renaissance that is still based on belief.in many paintings, in the Medieval era, there were paintings of Mother Mary and baby Jesus they were portrayed as gods. But as they were painted in the Renaissance era, they were painted as average people from that time. Every artist famous or not became very popular with the growing support of humanism. Niccolò Machiavelli, Edmund Spenser, Desiderius Erasmus and Thomas More. theses are a few of the famous writers in the Renaissance. The most well known are Thomas More was a well-known humanist at the time. More was trained as a lawyer and he dedicated to the classic learning

The Italian and Northern Europe Renaissances were both an important mark in history by changing the ideals of life, thought, culture, and art of the people’s of this time. In this paper I will explain the motive for change in these cultures, including the similarities and differences of the two cultures.

Dada, known for it’s chaotic nature, indirect protesting and iconoclasm also evolved into a political movement. Rejection of artistic mastery, defying authority, overprinting, and purposeful mistakes, where all a part of what Tristain Tzara and his contemporaries were trying to succeed. Cubism, Vorticism, Orphism, Purism, and Futurism also came about because of World War I. Heavily influenced by Cubism and it’s shattered glass appearance Futurism was the most politically mind of these five movements. Somewhat akin to Dada in it’s chaotic nature Futurist’s, however, were staunchly pro war and were looking for ways to bring Italy into the present times. Purism, on the other hand, took the collage look of synthetic Cubism and modern abstract style and made

Marshall Berman’s take on modernity is presented in his book All That Is Solid Melts into Air whereby he focuses on its issues and the cultural attitudes and philosophies towards the modern condition. In doing so he shares his experiences of modernity post WWII in New York in the height of an economic boom and then more specifically of his childhood neighbourhood, the Bronx. In addition to expanded austerity, industrial and architectural development, the end of WWII proved to be a key period in world history and by extension the history of art. A talented group of artists emerged in result that had been influenced by an influx of established European artist who had fled to New York to escape fascist regimes in their homelands. More importantly these artists produced art that was at the heart of maelstrom Berman describes in regards to his experience of modernity. I aim to highlight the correlation between Berman’s experience of modernity and the emergence of a new American modernism. Modernity throughout this period was broken into two different compartments, hermetically sealed off from one another: "modernisation" in economics and politics, "modernism" in art, culture and sensibility. It’s through the lens of this dualism in which we recognise that both Berman and these artists try to make sense of the world around them by making their individual expressions that would re-conceptualise what it is to be modern in the twentieth century.

The Italian renaissance was a period of creative explosion. The term renaissance symbolizes rebirth, which is exactly what occurred in Italy during this time. An entire culture was remade through art. There was a resounding interest in the classics created by ancient artists. The humanist movement encouraged the study of humanity’s history in order to create a deeper understanding of how to move forward as a society. There was a seemingly unquenchable thirst for knowledge and creation. Many new art forms developed in this period, including opera. The Florentine Camerata, a group of scholars, created early forms of opera. Claudio Monteverdi, a renaissance composer, developed opera into the art form that is still performed today. The work of the Florentine Camerata and Claudio Monteverdi worked in harmony to create and develop this new form of music. Monteverdi’s educational background, his rebellious drive to create, his serendipitous career, and his unequaled talent allowed him to develop opera into an art form that no other composer of the time could have produced.

Many of us today have things in our culture that we appreciate without thinking about where they have come from. The things we enjoy so much could be from another culture, and even another place in time. This document will explore the influence of Italian Renaissance art on today's civilization, which has greatly changed the art of today.

In this essay, I will be discussing the two movements ‘Dada’ and ‘Futurism’, with reference to their conceptual contexts and representative plays, there will also be analysis to how these two movements contrast to realism/ naturalism. Links will also be made to the plays, with the use of scholarly sources to back up the argument and then coming to a final conclusion at the end of the essay.

When the new upper class movement, Renaissance, occurred in Italy around the 14th century, a revival of the classical forms originally developed by the ancient Greeks and Romans, an intensified concern with secular life, and interest in humanism and assertion of the importance of the individual began. Thus, artists such as Mosaccio and Giotto depicted art that unlike the Middle Ages, showed emotions, feelings, and bright colors, thus demonstrating the deep concern for naturalism in the society. Other artists during the Italian Renaissance period such as Giovanni Bellini began to express their art through secular and religious themes and ideas that were exhibited through landscapes and portraits. As new styles of

Life can be many things, it can be a box of chocolates or it can be a big trial and error, over time some of our values change, become eroded, or become forgotten. Our actions can say more than our talking and our beliefs guide us in life. Over the years, my values have greatly influenced my character and helped me reach my point in life right now. Unfortunately, not every one is lucky, they forget their values and become overwhelmed.

Neo Futurist architecture is a term conventionally used for architecture during the 1910s and 1920s, it originally comes from the written Manifesto of Antonio Sant’Elia and Marinetti’s expansion to Sant’Elias publication. This manifesto has been continuously developed since the 1960s and is what many people refer to as Neo futurism today. (Bianco, 2017). This manifesto Written by Antonio Sant’Elia and Marinetti is a verbal or written declaration, declaring inspirations, motives, opinions and views on a particular subject or legislation, which is in this case what we call today Neo futurism. Antonio Sant’Elia was born on the 30th of April in 1888 in Como Italy, during 1912-1913 Sant’Elia began practicing architecture in Milan, this is where