G. B. Shaw's "Pygmalion"

ELIZA: You’re right I didn’t but you treated me as if I didn’t. You can change the appearance of Eliza but you can’t change Eliza Doolittle.

Eliza changed herself for the better. In act 5, she told the two men to start calling her “Miss Doolittle” and that was the beginning of learning her self worth. She was done being treated like a “live doll” and began to see herself like a Duchess, like Higgins

Eliza now has two suitors; one who is staid and reserved and one who is amiable and gay. While Mr. Boyer sees Eliza as a woman with “an accomplished mind and polished manner”, it is Sanford’s view of Eliza’s exuberant nature that ensures her downfall (10). In Major Sanford’s letter to Charles Deighton, he sees Eliza as a conquest. He writes that she is “an elegant partner; one exactly calculated to please my fancy; gay, volatile, apparently thoughtless of everything but present enjoyment” (18). Sanford does

Pygmalion by George Bernard Shaw is a play that shows a great change in the character Eliza Doolittle. As Eliza lives in poverty, she sells flowers to earn her living. Eliza does not have an education. This shows through the way that she does not have the most proper way of speaking. This happens through when Eliza is speaking to the other characters when she meets then when she is still at a low level of poverty in her life. To understand the reasons Eliza is able to change and be changed into an almost Cinderella like character. With Eliza going from and growing and changing through the hardship she faces. In the play Eliza begins with no confidence and works towards having a way to reach trough from learning during her life

In this novel “Their Eyes Were Watching God” by Zora Neale Hurston, we learn that the author’s style of writing has to deal with imagery and metaphors throughout the book to describe Janie’s life. The author’s main idea of the book, is that Janie learns about and experiences love, life, and happiness as well as hate, anger, and jealousy throughout the act of marriages with three different husbands, and discovers who she really is as a woman.

There are two different versions. The first version is Shaw’s version. Assuming to position Eliza in a real-life situation, Shaw seems to treat Eliza as an ambiguous character, thus the ending is indefinite. Through Eliza’s effort, she has gradually bridged the gap between herself and the life of the upper class people. Nonetheless, she has to face the dilemma: she may either continue to seek independence by making money on her own or be forced to get married to a rich nobleman. The vague ending has carried an implicit message: the female independence and unfair social relationships are yet to be

George Bernard Shaw and John Edwards seem to share some quite similar beliefs regarding language and identity. More specifically, how language alters one’s identity. Edwards uses discussions involving class, gender, and dialect; while Shaw uses his character, Eliza Doolittle to discuss these connections between language and identity. Both authors debunk the stereotypical perception about language and groups, just in two separate ways. Edwards explains it over several chapters of his text “Language and Identity”, whereas Shaw demonstrates it through one person.

Social class can be thought of as a very important indicator of who a person is.

Higgins tries to take all of the credit for Eliza’s transformation into a lady. In his mind, Eliza did nothing and without him, she would not have been able to accomplish this task. Mr. Higgins continues to express his dominance by telling Eliza what to do even though she does not work for him. Eliza does not like the way that Mr. Higgins treats her and leaves his house, angrily. After searching for Eliza, Mr. Higgins finally finds her and tells her that he paid for her services and she needs to finish her job. In this way, he treats her as if she is

from the start to at the end, and the changes of Eliza, the main theme

Pygmalion, by George Bernard Shaw, describes Shaw’s viewpoint on social class distinctions in the 1900s by describing characters of the upper, middle, and lower classes in the play. Through the characters’ descriptions, language, and actions, the distinction between classes becomes very prominent. Similarly, Galileo, by Bertolt Brecht, describes Brecht’s take on the social class structure during Galileo’s time and how the differences between classes affected Galileo’s opportunity to do scientific research. Both plays depict a society ruled by the upper-class and a lack of coherence among the upper, middle, and lower classes that leads to eventual conflict. In both Pygmalion and Galileo, the authors highlight the advantages and disadvantages of the different social classes in order to critique how the relationships between people from different classes affect their interactions with each other.

     The opening scene is after an opera. The higher class people spill out into the streets. It is here that Eliza is selling her flowers. Eliza is a poor girl with a very thick accent. She is a respectable girl, which she insist throughout the movie, saying to Mr. Higgins, “I’m a good girl”. She’s had a hard life, her father being a drunk and therefore she and her mother had no money. It is

In the Victorian England period, how a person is viewed by society determines everything. What kind of jobs are available, who it is ok to marry, and even who is acceptable to interact with. How a person is viewed can change their life for better or for worse, and sadly women during this period must work twice as hard as their male counterparts to get the crucial social respect needed to succeed in their societies. How a person appears and how they dress plays a big part on how someone is viewed, but flower-girl-turned-duchess Eliza Doolittle must learn the hard way that just because a person fits the outside criteria of a lady does not exactly mean she would be treated as so, by society and most of all her mentor Henry Higgins. Throughout the play, Pygmalion, By George Bernard Shaw, the author makes the theme of prejudice against women very apparent by the way they are treated in society and the unreasonable expectations they are held up to, making it very difficult for women like Eliza Doolittle to move up in society and be seen as equal in the eyes of those above them.

“Pygmalion was written to challenge the class system, traditional stereotypes and the audience’s own views.”

Social standing is central to the plot of George Bernard Shaw’s play “Pygmalion”. The portrayal of class identity in Shaw’s play appears to be a criticism of the distinctions between high society and the poorer classes in Victorian England. Shaw’s aim was to portray how the upper-crust of Victorian society viewed the lower classes, as evidenced by Higgins’ treatment of Eliza upon her first visit to his laboratory; Higgins treats her as though she is too stupid to understand that he is insulting her. The assumption is that the wealthy view the lower classes as being somehow lesser. So what is it that Shaw is trying to impart upon the reader? Shaw appeared to show open disdain not just for the upper class of society but for society in general, and Pygmalion may be interpreted as an open criticism of class distinctions in Victorian England.