Gail Godwin's Fiction Writing Essay

Here opening line is “Once upon a time there was a wife and a mother one too many times” (Meyer 39). Here we find a stereotypical opening for a fairy tale but soon readers immerse themselves in an atypical tale. The first hints that she has an idea life start to resound in the very first sentence. “One winter evening she looked at them: the husband durable, receptive, gentle; the child a tender golden three.” Then the striking line, “The sight of them made her so sad and sick she did not want to see them ever again.” (Meyer 39). Unlike Melville, Godwin, quickly states the dissonance between the character and the character’s family.

The essay The Writer's Responsibility by Margaret Atwood is written with the intent of urging the privileged writer to utilize their position to speak out for those who are unable to. Her intention is a noble one which I am in agreement with, however, in order for her to express this intent her tone is quite straightforward. It is this candid tone in combination with several generalizations which I have a gripe with. For example, on several occasions Atwood degrades her readers through grand generalizations such as when she says “on a whole the audience prefers art not to be a mirror held to life but a disneyland of the soul” (Atwood 1).

Jane Godwin's book, 'Falling from Grace', explores the extent that each of the main characters grow in maturity. Maturity is not determined by age, but by the experiences that a person has which effects how far someone grows. We observe the main characters; Annie, Kip, Grace and Ted in their growth in maturity and how people still stay the same even into adulthood. As the characters mature, they can also see others in the different way, thinking the other has changed, but in reality, the change is within themselves. These are fundamental aspects of 'Falling from Grace'.

The important theme of being lost is explored in Jane Godwin’s Falling from Grace, where a girl, Grace, gets lost during a storm. Her sister, Annie, and family have to deal with emotional loss while trying to find her. Meanwhile, Kip, a teenage boy, has to go through his own struggles and decisions.

1970. Choose a character from a novel or play of recognized literary merit and write an essay in which you (a) briefly describe the standards of the fictional society in which the character exists and (b) show how the character is affected by and responds to those standards. In your essay do not merely summarize the plot.

In "A Sorrowful Woman" the wife is depressed with her life, so much so, "The sight of them made her so sad and sick she did not want to see them ever again"(p.1). This wife and mother has come to detest her life, the sight of her family,

Passions drive people, and the townspeople in “The Lottery” and Paul in “The Rocking-Horse Winner” are no different. Each of the members of the unnamed town has a strong passion for tradition. The original black box used for the lottery is described as being, “lost long ago, and the black box now resting on the stool had been put into use even before Old Man Warner, the oldest man in town, was born” (Jackson 251). This sentence gives the reader an understanding that the lottery is an ancient tradition that has become an integral part of the town’s lifestyle. Such a tradition can only be carried on for this length of time if the people are passionate about preserving the tradition. Paul had a passion to be wealthy as a way to prove to his mother that he was lucky. From a young age, he saw that his family always wanted more money to support a better lifestyle, yet

In a world usually depicted as a “man’s world,” a woman’s role is not considered as significant and thus can be repressed. It is why a feminist perspective or criticism comes into place, especially in literature. By definition, a feminist criticism consist of scrutinizing “the ways in which literature reinforces the economic, political, social, and psychological oppression of women.” (Tyson) In Gail Godwins’s A Sorrowful Woman, the leading female character is concentrated in her efforts in distancing from her structured lifestyle. A feminist would critic Godwins story by as the female character is in pursuit of peace and happiness and wants to escape from the role she has been implanted. The critic would concentrate on the experience woman

Gail Godwin’s Sorrowful Woman develops the message that the archetypal role of mother and wife is so constricting and limiting as to force ‘the mother’ character to end her life. The end of the story demonstrates the power of rhetoric, contrast, and detached narration in creating the text’s message.

In both stories both women face a major issue. In Godwin’s story the main female character is suffering depression and always feeling sad and tired from being around her child and taking care of him and her husband. However, Faye in van der Zee’s story is struggling with her reality of not being able to have children and she’s afraid of marrying her boyfriend, who is madly in love with her, because she’s afraid of disappointing him. Both women are unsure how to handle their problem and their first instinct is to keep their distance and avoid their issues. Communication also played a huge role in both situations. In “A Secret Sorrow” Kai wouldn’t let Faye just walk away from him without knowing what was wrong and wanted an explanation. That was the main key for their breakthrough. In “A Sorrowful Woman” the husband would just agree with whatever his wife said and would abide by her commands no matter how much it hurt him. If the husband would’ve tried to figure out why she was so sad and sick; things might’ve gone differently.

The first setting in young Goodman brown was set in Salem village. This is significant to the story because the witch trials were held in Salem, Massachusetts.

“In nineteen minutes, you can stop the world, or you can just jump off it. In nineteen minutes, you can revenge” (Picoult). Those words are of the opening lines of Jodi Picoult’s best seller, Nineteen Minutes. Although this novel is heart wrenching, and cuts into the ‘grays’ of school shootings, it is anything but original. Lead character, Peter Houghton, is an almost perfect profile replication of 1999’s Columbine shooters, Dylan Klebold and Eric Harris. A simple personaltiy analysis will reveal that both Peter and Columbine Shooters suffer from parental neglect, the violent virtual world, ruthless peers, as well as easy access to weapons.

Critically analyzing stories based on the elements of fiction can give readers a more in-depth perspective on the authors true meaning to what is written. In Susan Glaspell's "A Jury of Her Peers", irony, theme, and plot and structure are applied well throughout. When analyzing this story, it can not be judged on how appealing or entertaining it is, but whether or not it fully achieves its central purpose and how significant that purpose is. In this story every element mentioned has worked together to bring this tale to life.

“Can we eat turkey for supper?’ the boy asked.” In one line Godwin presents a reader with enough levels of complexity to easily fill an entire essay; why is one of the most prominent characters (and the son of the main character referred to as ‘the boy’? Does his focus on the tuckey emphasize his love of the idea and duties of a mother, as opposed to the actual person? Yet all of these quarries pale in comparison to an analysis of the text preceding this small quote. The end of Godwin’s “A Sorrowful Woman” demonstrates the power of rhetoric, contrast, and detached narration in creating the text’s message that the archetypal role of mother and wife is so constricting and limiting to cause “the mother” to end her life.

The story that is A Sorrowful Woman seems to be a story told from the point of view of a narrator who focuses only slightly on the inner conflict of one of the main charters in the story. The character of which I am speaking is never referred to by name, instead is called she, the woman, mommy, and wife throughout the entire story which lends credence to the conclusion of the viewpoint as being told from the outside. The first indication that the focus of the story will be not of a warm and loving nature is the line “The sight of them made her so sad and sick she did not want to see them again”(1). This is where a hypothesis can begin to be formed as to who the antagonist of the story is, bearing the statement above in