Galactosemia Essay

The male gaze is a concept that refers to how visual culture is designed to please a male viewer by sexually objectifying women. It was first coined by Laura Mulvey, a British feminist film critic, in her essay “Visual Pleasure and Narrative Cinema” (1975). She argues that Hollywood films use women as “erotic objects” in order to provide pleasurable experience for heterosexual male audiences. According to her, the male gaze can be seen as active and passive roles that satisfy the spectator, who in our culture is a man, which means a woman is the spectacle. “In a world ordered by sexual imbalance, pleasure

The ideology of the media is broad and manifests in the communicativity of the media. To facilitate ideological analysis, however, the key is the fit between the images and texts in a specific media output, plus the manner thought and discussion on social and cultural issues. Questions, however, arise as to how the media content (shaped by ideologies) depict real life. This begs the question of function and ethics. The ideological analysis further attempts to answer questions about what the media messages depict of the society and its people.

Renowned feminist film theorist, Laura Mulvey, explores how classic Hollywood cinema is shown through a masculine perspective that fetishisizes women as objects of desire. This perspective is also known as the “male gaze”, which creates a voyeuristic and scopophilic layer to the viewing of film. According to Mulvey, “in their traditional exhibitionist role women are simultaneously looked at and displayed, with their appearance coded for strong visual and erotic impact so that they can be said to connote to-be-looked-at-ness.” One of the staples of classic Hollywood cinema is women consistently being put or made into a visually erotic role for both the male characters on screen, and the audience. This staple is of course found in the

I argue that authors and producers often attempt to impose their own set of cultural and political ideologies on its audience through a certain depiction of right and wrong. In this manner, works of fiction might influence, perhaps even alter, the ideologies of the audience.[3] Accordingly, analyzing the depiction of ideologies in media content can serve as a basis for further research on if and how producers intend to influence their audience.

As a celiacs daughter I quickly adapted the “gluten free” life style out of convenience for my mother. I would even find myself going to restaurants asking for the gluten free menu and strictly sticking to the diet in and out of my household. I was aware that I was lacking some nutrients by not eating gluten but to make up for it I took vitamin D pills and everyday women health vitamins but little did I know that was not enough to keep me healthy. I was not aware of the risks I was putting myself at by eliminating a whole category of food. I was lacking my body of calcium, fibre and iron as well as other nutrients.

Media and technology have such a great impact on society and how we perceive social systems and all the factors tied to them. Television shows have always been prevalent in touching upon topics in society pertaining to an array of things such as color, race, creed, interest group, sexuallity, political/religious affiliation, and many more. As time passes, television shows alter the topics in which they touch upon, as society grows and chances. As society becomes more tolerant and accepting of individuality and differences in beliefs, the television programs that we watch change with them. Even through the development, there are still many prejudices and inconsistencies in our society that cause conflict.

Through exposure, the role of women as a visible visual icon, such as cinematic mechanisms fetishism serves to convince the position of the male audience as an absolute subject.

Neil Postman was an athlete, student, teacher, philosopher, writer, and many more things. All these experiences give him a very unique outlook and world view. He prides himself on being a critic on culture and theorist of media. He began his professional teaching career at NYU where he founded their graduate program on media ecology. He remained a professor there until he died of lung cancer in 2003. Of the several works he wrote he is best known for Amusing ourselves to Death in which he analyzes today’s media culture and our obsession with TV media. This book arose from a panel he did discussing George Orwell, Nineteen Eight-Four and comparing it to our contemporary society. In the first three chapters of this book he touches on a variety of topics such as metaphors and media how they shape our world view and epistemology.

First of all, ideology is defined as a collection of beliefs and values that conduct the way in which a society or man or woman acts. With reality televsion, the ideologies awarded are rather robust on audiences. Together with the phrase “truth” suggests to audiences that what they see on tv is a exact and independent presentation of “actual” lifestyles with “real” individuals.

Neil Postman, in his book Amusing Ourselves to Death Public Discourse in the Age of Show Business, discusses the harmful effects television in a society that is saturated by it (Postman, 29). As I read Neil Postman’s book, I was given a new point of view on the role of television in my search for news and entertainment. Through Postman’s writing I found that the consequences of television are not in the information presented, but rather in how the information is presented. In addition, after watching “Conspiracy Theory Rock”, a video presented on the television show “Saturday Night Live”, this problem of unfair presentation from corrupt television corporations was made clear through the depiction of untold controversies, such as presidential assassinations (“Conspiracy Theory Rock”). I contest that the problem with the corrupt presentation of television cannot be solved by revising the corporate control, because it is unlikely to occur due to the financial power the corporations hold. Instead, the way that television is consumed must be changed. The solution for the biased and inaccurate presentation of television involves changing the way that the viewer consumes the entertainment by critically considering the source and the circumstance that the information is being presented in.

My sister Bess had always been a picky eater. We figured it was just how she was until she started complaining of pain when she ate dairy. My parents immediately took her to the doctor. They told her what we had already assumed: she was lactose intolerant. Because of the fact that Bess already was a picky eater with a sensitive stomach, her diagnosis limited her even more.

Theorist, E. Ann Kaplan in her work, “Is the Gaze Male?”, analyses the portrayal of women in film using Laura Mulvey’s “Gaze’ theory and psychoanalysis. In addition, Kaplan states that historically, females have been the central focus on only the melodrama genre, and while melodrama exposes the constraints and limitations that the family places on women, at the same time, gets women to accept those constraints as inevitable and normal. Kaplan argues that our culture is deeply rooted in “masculine” and “feminine, and dominance-submission patterns. In the end, she concludes that the exclusion from male culture provides an avenue to affect change in film and society. I partially agree with Kaplan that some women take pleasure from being the object of the male gaze as I think that is not entirely true, and specifically, this generalization does not apply to lesbians.

Since the inventions of television and film, media influences have become extremely important in modern society with people constantly being inundated by images and messages that come from film, television, magazines, internet and advertising. Researchers and theorists such as Carol J. Clover and Jean Kilborne believe that the fact that people are going to be affected by the media is absolutely unavoidable. Films can act as guides to how people, particularly women, should act and look. Women in horror are typically shown as the ‘damsel in distress’ and are usually attacked by the killer after committing a sinful act like having sex or misusing drugs or alcohol. The females are

Unrestrained female sexuality in popular media is regarded as something of a taboo. As a society, we are not used to the pleasure of women being portrayed on screen, despite our supposedly ‘equal’ society. Much of this is the inflection of sexism and the patriarchy, placed upon the minds of the masses, influencing the internalized discomfort of female sexuality. This, of course, does not apply towards male sexuality. Male sexuality is unrelenting and respected, even revered. These concepts of unrestrained sexuality, equal pleasure and lack of censoring have leached into one of the major sources of media in our society, which is the all encompassing film.

Studies regarding gender roles in media show that the feminine essence tends to be depicted as inferior, with women often being marginalized, disempowered and humiliated through a status that is based on their youth and looks; whilst men tend to be portrayed as superior with higher and longer lasting careers