Galinese Cockfight Analysis

Hurston grew up in her birthplace, Eatonville, Florida where she developed interests for storytelling. The story reflects the lifestyle of people in her home place, the southern region that was characterized by masculinity, violence, injustice and illiteracy. The story exposes characteristics of the traditional

It is strange that two of the most prominent artists of the Harlem Renaissance could ever disagree as much as or be as different as Zora Neale Hurston and Richard Wright. Despite the fact that they are the same color and lived during the same time period, they do not have much else in common. On the one hand is Hurston, a female writer who indulges in black art and culture and creates subtle messages throughout her most famous novel, Their Eyes Were Watching God. On the other hand is Wright, who is a male writer who demonstrates that whites do not like black people, nor will they ever except for when they are in the condition “…America likes to see the Negro live: between laughter and tears.” Hurston was also a less political writer than

In her writing, Zora Neale Hurston always focus on the black community. She interrogated how black women are long-suffered and abused in the work of literature (Martin). She excludes the misery and oppression that blacks suffered, but mainly focused on what she knew of the Southern black existence (“Hurston,” Authors). Her friends encouraged Hurston to focus on her fiction because it allowed her to expound more strength of the rich humanistic significance of black life, rather than anthropology studies (“Hurston,” Gale and Authors). During the next few years, she strived for her interest in folklore (“Hurston,” Authors). Blending folklore and fiction became a trait of a famous author, indicate a beginning of her career as a folklorist, and represent a style of her storytelling (“Hurston,” Authors). Black folklore and storytelling represented the short novels named Hoodoo in America and Tell My Horse (“Hurston,” Authors). The short novels are about her studies of Caribbean voodoos in the past 1930s (“Hurston,” Authors). The Journal in American Folklore was where the novel published (“Hurston,” Authors). Voodoo was the first important act undertaken by an African-American expert (Showalter 227). In later years, agricultural black folk characters, both real and imagined, influenced Hurston’s world as a little child which inspired her writing of fiction and non-fiction (“Hurston,” Feminist). Characters

Zora Neal Hurston was criticized by other African American writers for her use of dialect and folk speech. Richard Wright was one of her harshest critics and likened Hurston’s technique “to that of a minstrel show designed to appease a white audience” (www.pbs.org).Given the time frame, the Harlem Renaissance, it is understandable that Zora Neale Hurston may be criticized. The Harlem Renaissance was a cultural movement which redefined how America, and the world, viewed African Americans, so her folk speech could be seen as perpetuating main stream society’s view of African Americans as ignorant and incapable of speaking in complete sentences. However, others, such as philosopher and critic Alain Locke, praised her. He considered Hurston’s “gift for poetic phrase and rare dialect, a welcome replacement for so much faulty local color fiction about Negroes” (www.pbs.org).

Starting with Hurston’s first two sentences she’s already forming the base of her argument, “I have been amazed by the Anglo-Saxon’s lack of curiosity about the internal lives and emotions

She uses idealistic examples and real world situations to get the best realistic interpretation on the matter of the harlem renaissance. This novel also is a great way to learn and understand the importance of women's roles and rights during the harlem renaissance era for the black/african american women. All in all, Hurston’s depiction of the harlem renaissance reflects and departs the major topics and does so

gender, community, and culture of people. Zora Neale Hurston the author of “Sweat” and “How

The literary element of Marxist feminism focuses on the idea in which women are oppressed through capitalism and private property. Starting from the Harlem Renaissance the Hurston’s work focuses on issues presenting on the turmoil of African-Americans from American literature in the nineteenth century on. Zora Neal Hurston’s work entitled “Sweat” is a prime example of how culture is affected by its cultures standards of economic “base”. The story was published in 1926 during a time of trial and error considering the obstacles that faced many female authors at the time. Hurston’s story “Sweat” overlaps with her novel “Their Eyes are Watching God” which also supports the idea that culture

In The essay “How It Feels to Be Colored Me” is a descriptive essay in which Zora Neale Hurston discovers her real identity. At the beginning of the essay, the setting takes place in Eatonville, Florida describing moments when Zora greets her neighbors by singing and dancing without anybody judging her. Back then, she was free from feeling different among other races. However, a tragedy happened when she was thirteen, her mom passed away and she left home to attend school in Jacksonville where she experiences discrimination due to her color of skin. She was introduced to a different lifestyle where the color of her skin was an unfortunate thing. However, she felt this change effected the way she viewed her appearance, as well as inside her. Here she also experienced isolation that comes from being different compared to other races. Hurst realizes that it’s more than just being “colored”, but how race can separate people. Back in history, Jacksonville’s habitants were a mixture of blacks and whites. In Jacksonville, Hurst was just another “colored girl.” However, this essay motivated me to analyze, evaluate and synthesize these works and explore the concepts and themes that run through each of the readings. Most importantly, find out what made this essay so important in American literature. According to the description in the essay, I have notice that the author Hurston uses literary devices like metaphor and tone that I found interesting and deserving for the reader to enjoy this journey.

Zora Neale Hurston’s “Their Eyes Were Watching God” confronts many social issues of its time. Though not evidently political, the identification of gender race and social class is paramount in the novel. Women’s rights and roles in the house and society as well as femininity are elemental. Hurston’s work is a response to social questions. Whether the assessment be of her own or of fictitious origins.

The novel, Three Day Road, written by Joseph Boyden shows the perspectives and the hardships of three Indigenous People during World War 1. In the book, the author mentions the process of scalping, which is the procedure of taking an individual's scalp, through gruesome means. The stereotype of scalping negatively influences the lives of Indigenous People, as it perpetuates false information about their culture which illustrates Aboriginal People in a harmful manner, by constructing an image that demonstrations them dishonorably, and creating the idea that they are savages. Boyden’s work is able to refute this stereotype since, in the novel, Boyden demonstrates that scalping is a learned behavior.

The Harlem Renaissance was a cultural movement in the 1920s that led to the evolution of African-American culture, expression through art, music, and literary works, and the establishment of African roots in America. Zora Neale Hurston contributed to the Harlem Renaissance with her original and enticing stories. However, Hurston’s works are notorious (specifically How it Feels to Be Colored Me and Their Eyes Were Watching God) because they illustrate the author’s view of black women and demonstrate the differences between their views and from earlier literary works.

In the short story “Drenched in Light” by Zora Neale Hurston, the author appeals to a broad audience by disguising ethnology and an underlying theme of gender, race, and oppression with an ambiguous tale of a young black girl and the appreciation she receives from white people. Often writing to a double audience, Hurston had a keen ability to appeal to white and black readers in a clever way. “[Hurston] knew her white folks well and performed her minstrel shows tongue in cheek” (Meisenhelder 2). Originally published in The Opportunity in 1924, “Drenched in Light” was Hurston’s first story to a national audience.

Hurston prides herself on who she is because of her background. Her identity of being a black woman in a world

Hurston was a talented anthropologist with an excellent grasp of storytelling, her realistic artistical writing and deep love for her community and culture showed with every written word in her literary toolbox. Hurston’s passion for studying human behavior, their beliefs, customs, and humanity has assisted in her unadulterated