Gallery Of Art Analysis

In the contemplation of art, or rather the conceptually intangible definition it currently possess, it is imperative to be mindful that “art” has been utilized as a promotional device, ceremonial item, aesthetically purposed article or perhaps none of these or all. It is because of this vague term that Carolyn Dean, in her text, “The Trouble with (The Term) Art”, makes a case for the consequences of applying the term “art” in societies that lacked such a notion which also accounts for the Western-centric lens the field intrinsically utilizes when viewing non-Western art. The claim is deftly supported by the utilization of expert accounts in the subject, alternative perspectives for what is considered the current norm, and self-examining questions,

First, they point out that “practices of looking are never neutral; rather, they are both selective and biased.” (Ott, Aoki, and Dickinson, 2015, p. 217). Furthermore, the way CFM presents their exhibition after the glass limited the sense of the visitors, because just looking means “to not touch, to not hear,

Kehinde Wiley is a New York based artist whose paintings focus on the themes of empowering black men and combining classical and contemporary styles.

On a trip to the Nelson-Atkins Museum of Art, my boyfriend, David, and I strolled through the museum while I, being an art history major, recited to him all that I knew about certain pieces. We observed sculptures by Auguste Rodin, works painted by Georgia O’Keeffe, and busts of Roman leaders. David was enjoying all the artwork until we reached the Contemporary art gallery upon where viewing Mark Rothko’s Untitled No. 11 made in 1963, he shook his head in anger at what he thought was a painting far from a masterpiece. His comment was one I’m sure many have said about this particular piece and many other modern pieces of art, “I could have painted that.” I couldn’t help to reply, “Yeah, but you didn’t.” David’s sudden reaction upon viewing the

On September 28th, I attend the “Artful Conversation: ‘Bridge and Tugs’” event at the Georgia Museum of Art. At the event, the curator, Carissa DiCindio facilitated an in-depth conversation about Jonas Lee’s painting, “Bridge and Tugs.” We began by looking at the painting and discussing what we saw with the others and then after a while we were instructed to find a new seat. After finding a new seat we received a pencil and a small sheet of paper and Ms. DiCindio asked us to sketch the painting to the best of our abilities. Afterwards, she asked us again what we noticed about the painting. Many people noted they had noticed new details within the painting while sketching, and others stated that simply changing their position in the room had

The Leepa-Rattner Museum of Art is home to a variety of interesting paintings, sculptures, and other types of mixed-media artwork.

The Blanton Museum of Art has multiples paintings and pieces of art that allows me to express different opinions and feelings about the art. Out of all of the pieces, Students from the Pestalozzian Academy by Francisco Jose de Goya, is the painting that I admired the most. On the other hand, Fearful Folly from Los Disparates made by Francisco Goya is a painting that I disapprove of.

The two works of art that I have chosen to analyze are 1) Jordan Casteel. Miles and JoJo. 2014. Oil on canvas, 54” x 72” and 2) Aaron Fowler. He Was. 2015. Mixed media, 134” x 165” x 108”. The themes that these works of art represent in regards to the exhibit are love, family, and pain. However, they also fall into other thematic categories. The main theme that seems to apply to both “Miles and JoJo” and “He Was” is Human Experience. Additionally, these arts differ in some ways.

The S.W.O.T. analysis for the Cinicinnati Art Museum is what gives the viewer the information to easily see what is wrong and isn’t wrong with the museum, while providing information on possibilities the museum can capitalize on and what threats could harm the museum.

Shepard Fairey’s piece titled Pay Up or Shut Up is a representation of the role that money or your role in society dictate the power of your speech. This piece of art by Fairey was released in May of 2015. It is a screen print on cream speckletone paper.

This is a street art on Alberta street near Bank slater at the bus stop downtown. I chose this image because it shows the struggles and difficulties that happened in the past which can be related to slaves, discrimination, and racism that a lot of people from different ethnicity or background faced in their lives in the past. To me, the ship represents an escape and way victims of discrimination, racism comes out of their hidden place for the people that faced these challenges in their life. My attention was captured on this image because it explains the past, future, and things that happen to us in our everyday life within our society we live. This image reflects the change of slavery interpretation and racism view especially in the United

The Kamloops Art Gallery was Incorporated in 1978. It serves not only residents and visitors in Kamloops but also the surrounding Thompson-Nicola Regional District as well as national and international audiences. Architects Peter cardew and Nigel Baldwin devised a purposed civic building which includes the Thompson-Nicola Regional District offices and and the Kamloops branch of the TNRD Library System, and the Kamloops Art Gallery changed dwelling place to this building in 1998. The gallery provides 4,500 square feet of exhibition space,the collection storage vault with an adjoining workroom, an admission area, a packing and acclimatization area, two multipurpose studio, and administration and curatorial offices along with a research library within the 20,853 square foot space. The Cultural Property Export and Import Act classified the Kamloops Art Gallery as a Category “A” in 2006. According to a statistic report , there are about 25,000 and 35,000 visitors over the last five years. The gallery is famous of its publications and touring exhibitions. In addition, the KAG has strong connection with curators, scholars,national and international artists, and curators.

One of the most important aspect of the art world is the gallery space, where they house and showcase the works of art itself. Space where there are works hung on the walls, sculptures on pedestals, and area where people can go in to observe and experience the works of art. There are tens and hundreds of gallery spaces in Toronto, and these galleries can generally be categorized in two separate groups : Institutional galleries, and commercial galleries. Art Gallery of Ontario, more popularly known as the AGO, and Diaz Contemporary Gallery greatly contrasts from each other although they are both gallery spaces with the purpose to show and exhibit artworks. While AGO serves as an institutional gallery with the goal to educate the public, Diaz contemporary works as a commercial gallery trying to market the works and their artists. The differences between their goals and aims can be seen in multiple elements such as the gallery space itself, the management, and their relationship with the public.

I went to the Erotic Heritage Museum in Las Vegas, located on 3275 Industrial road (major cross-street Desert Inn) which opened in August of 2008. At the museum it holds, erotic art, exhibits, different timelines and a lot of illustrated history of erotica. There were many tasteful pieces of artwork, whether it be painting, magazine covers, posters, figures, and sculptures. I was also very excited to have actually seen the piece called “Venus of Willendorf” that is featured in our book on page 164. I took my time looking at all the different pictures to see which I would choose from to write about. Then I observed one, it was untitled, made in 2008 and the artists name is Fang. I did research on the artist and did not find much on her

The area of art is popularly known for heightening emotions, challenging stereotypes, and ultimately providing insights into how individuals view the surrounding world. The artist and the observer time and time again see pieces in overwhelmingly different ways. Individuals may wonder why this is so. What could possibly create such a drastic change from one perspective to another? When it comes down to it, experiences are the answer. The artist and the observer have different