Gangster Movies

The misogynistic treatment of women in commercialized rap has become a widespread phenomenon which as a result has become commonly accepted by majority of the individuals in society. Rappers, in general, nowadays use women in their videos in a way which is both derogatory and exploiting. Black men in today’s society, especially in the entertainment industry, do not see women as their equals; rather they objectify them as being nothing more than sex objects. People in the Hip Hop industry do not believe that sexism and misogyny is as big of a deal as racism, thus they push this issue to the side by simply ignoring it and learning to accept it. This misogynistic portrayal of women is ruining the image if Hip Hop as both an industry and a form of expressive art. However, instead of taking action against this atrocity, many women simply believe that the images of women and their portrayal in rap videos does not represent nor refer to them as an individual and the type of woman they truly are. By being silent these women are allowing themselves to be victimized by the men of not only the Hip Hop industry but also general society. By not having a say in this matter of the false classification and portrayal of women, they are voluntarily allowing men to do whatever they please to do so, in any given time and with any approach they feel is necessary. They do not

Anderson posits that this is a major reason why they join gangs; they want to earn their “manhood” or at least learn what it means to be a man. This leads to them getting a twisted idea of what it is to be a true man (Anderson 14-16). Another issue that Anderson discusses is the growing intensity of girls becoming more violent in reaction to different types of threats to respect such as rumors and gossip. While Anderson does say girls are less prone to killing others based on these issues, there is still a rise in fighting amongst those in the areas these gangs run rampant (Anderson 16-18). Finally, Anderson ends his article with a final component in which gang members try to earn a reputation for being “bad” as they call it. This comes down to the willingness to perform risky behaviors, and how little they fear death as a result of their activities (Anderson 18-19). Anderson terms this kind of culture to be an oppositional culture (Anderson 20).

In the movie “Boyz in the Hood” director John Singleton, paints a clear image of the problems that happen very often in the African American communities. The movie deals with issues such as: the importance of a father in a young man’s life, the ongoing violence of black on black crime, and how black people are put in situations where they are put to fail and not succeed in life.

“U.N.I.T.Y” addresses the social issue in the hip-hop culture and other cultures of violence and disrespect towards women, making it an important piece in the hip-hop as literature movement. Although Latifah is specifically speaking to black women, most women can relate to the oppression of women. Women and men need to have unity, support each other; not disrespect one another.

Boyz N the Hood is a painful but powerful look at the lives of African Americans, mostly male, who live in a lower-middle class neighborhood (hood) in LA. Three primary relationships is the

Even so, early on in my reading on this ethnography, I identified the role gender plays not only for the ethnographer doing the research, but also for the gang members. As the gang members matured into adulthood the similarities in these gender roles that match most societies became apparent,

Discusses how race is a conceptualized concept most often through stereotypes of different groups with the presence of a systematic structure of racism where the dominant group has placed themselves as superior and all other groups are deemed inferior. This structure often produces a negative impact on same race relations. Identity, according to this theory is created due to psychological enforcement of repeated racial oppression. The movie “Boyz N’ The Hood” demonstrates the effect of this enforced systematic structure and its negative impact on same race relations which lead to the ultimate death of some of the characters in this film (Singleton,1991). The movie takes place in impoverished South Central Los Angeles and depicts scenes of violence perpetrated by gangs against the main characters of the movie. Janet Helms points out that racial theory consists of four models White Identity, Black Identity, People of Color, and the Racial interaction model. She points out that the more an individual becomes aware of the social constructs of race and the racist system the closer

There’s a powerful source brainwashing young minority women today, specifically the language expressed in Rap lyrics which is often embraced by the Hip Hop Culture recently. These young gems are being conditioned to value their worth centered around hollow, vain, and degrading measures. The lead directors of these measures are strong, empowered, talented men who come across as if they detest woman. They disclose and describe detail stories of lifestyles involving “model chicks” who degrade themselves for acceptance, money, and opportunity. Consequently, this behavior leaves impressions for young ladies to follow after; because most young ladies of minority tap into the hip hop culture as a guide for social behavior. Although, the Hip Hop culture allows a window into the challenges faced by the black community it has also been the lead contributor to the desensitization of exploitation towards women due to the negative messages and images portrayed in music lyrics and music videos today.

Overall, BOYZ N THE HOOD AND DO THE RIGHT THING showcase the dysfunction among inner-city blacks during the 1990’s. Both films have something to say about Amercian society, and have a message (or warning) to other black men. Society views young black inner-city men as a lost cause, their only hope for success is to strive for something better. To succeed these men must avoid the temptations of the ‘hood, and get an education and motivate

Many people recognize that gangs have been around for what seems like forever. What they don't realize is that the numbers are increasing to amazing proportions, there were 28,000 youth gangs with 780,200 members in the United States (in 2000) and 20% to 46% of those members are female (Evans). And what is even more shocking is, in Chicago alone there are 16,000 to 20,000 female gang members (Eghigian). These girls start out as ?groupies?, become members, and sometimes even leaders of all-girl gangs because of troubles in the home, a need for money, for the social scene, or just because it is all they know.

Misogyny is a tried and true American tradition from which hip hop derives its understanding of how men and women should behave. Critics argue that hip hop’s misogyny and promotion of traditional gender roles reflect mainstream American values. Feminists suggest that misogyny in hip hop culture is not a “black male thing”, but has its roots in a larger pattern of hostility toward women in American culture.

Boyz in the Hood is a statement of how urban youth have been passed a legacy of tragic indifference, and the writer has shown that it is an almost inescapable fate for those born into racism and poverty to repeat the patterns they wish to escape. The movie’s characters are clear representations of how the system fails young black youth in the United States, and the difference one mentor can make for these kids. During segregation young black children became targets for white brutality. This movie reflects what the European mentality and what it has done to the African American culture.

Some challenges between anti-social behaviors and geographic are evident in the film Boyz n the Hood. It a 90’s films created by John Singleton, about a boy Tre styles who is sent to live with his father Furious styles in South Central Los Angeles after he got into a fight at school. At his father 's house, he is taught morals and values of being a respected man. On the other hand, his friends Ricky and Doughboy who are half-brothers has a different upbringing with no real support system, resulting in forming a gang, involvement with drugs and a tragic ending. This film is based on the African American experience in terms of environmental conditions which results in a great deal of African American males being pushed into the criminal justice system.

John Singleton’s Boyz N the Hood is an American teen drama film released in 1991 that focuses on three black teens who live in the dangerous neighbourhood of Crenshaw, Los Angeles. The main characters Doughboy, his half-brother Ricky, and their friend Tre grow up together but meet drastically different fates as young adults. As Swanson (2011) points out, it is important to understand the tension within black communities in Los Angeles at the time of the film’s release; the Rodney King beating had taken place only months before and LA’s gang wars were reaching a peak. As a Los Angeles native, Singleton’s goal with the film was to alert people about the situation around them, as he said: “I couldn’t rhyme. I wasn’t a rapper. So I made this movie” (Swanson 2011). To reflect the environment as accurately as possible, the film was shot on the streets of South Los Angeles, so the crew was just as on edge as their characters would be; there were even threats of gun violence from local gang members.

“American Gangster” is based on the true story of Frank Lucas’ life. It is the story of how he cut out the middleman in the heroin business and the story of how Ritchie Roberts caught him. Throughout the film we see the parallel between a cop and a criminal as we inch forward to see their lives finally meet.