Garden Gnome Research Paper

Various pieces of art found thousands of years ago depict characters based on certain events and legends. I will be analyzing two works of art: The Sound Box of the Great Lyre, a wooden music box (33 x 11 cm) found in present-day Iraq c. 2600-2500 BCE, and Lapith Fighting a Centaur, a high metope relief (1.42 m) on the side of the Parthenon in Ancient Greece c. 447-432 BCE. The former represents a bull with a low relief under its head, depicting animals mimicking the lifestyle of humans. The latter exemplifies a nude man struggling against a mythical creature that is half-man half-horse2. Although these works are from across the world with completely different cultures, they both have similar

The sculpture portrays the God of Harvest, Dionysus, with his loyal satyr follower, Pan. A considerable amount of detail when into the carving of Dionysus; the multiple grapevines in his hair, his ceremonial staff Thyrsus, the goatskins and the cup of wine he’s holding are all symbols of Dionysus. The composition is very asymmetrical, and creates a contrapposto arrangement, which is distinctly Grecian (Gardner). It was carved out of beautiful fine marble, which also had another purpose in the way of making this piece of art last for many years. Along with the tree trunk between the two men providing support at the base, and the elongated arms providing more structural stability. The God’s head is even reinforced by his hair to make sure the head doesn’t break off. This sculpture is visually and aesthetically pleasing, but doesn’t serve a useful function, like textiles or furniture. Therefore, it is considered a figurative piece of art, which art that is very clearly modeled after real object or person(s), and is therefore representational

The Gravestone of a Woman with her attendant is a sculpture created by an unknown artist and is now on display at the Getty Villa in Malibu, California. The sculpture is of a woman seated in a cushioned armchair, reaching out to lightly touch the top of a box or chest held by her attendant. We can tell from the sculpture that the women is of a higher class because of how her hair is done, the significant amount of jewelry, and the decorated throne that she lounges in. This sculpture is an extremely detailed Grecian gravestone made from a thick slab of colorless marble around 100 B.C.

The purpose of such votive statuary placed in temples was to urge the donors might to remain in a state of everlasting prayer. For example, The relief scene beneath Ur-Ningirsu’s bare feet, of kneeling men bearing full baskets, may represent bearers of ritual offerings.

37. | Statuettes of Worshippers | | were intended as votive offerings to the gods. |

statues display their own set of artistic conventions in their strict symmetry, basic forms, and

When the temperature drops, animals who hibernate disappear from the outside world and emerge once again out in the open in the spring. Biologists wonder what activity occurs in the animals’ hidden underground chambers. Semi - fossorial animals dig enough suitable space underground for hibernation and movement. Woodchucks, skunks, and cottontail rabbits are known species that would occupy a den. Small mammal species like the jumping mice, meadow voles, and white footed mice are known to roam along vegetation to conceal themselves from prey. However, what is the probability that a small mammal would take the advantage and sneak right in and occupy it during the winter is a subject that interest most researchers.

The sculptures and paint show details how society viewed and interpreted women body, sexuality, and maternity. In addition, revealed that these women were protected from threats around them with ornaments. Civilizations since early times, believed that we were in permanent threat from forces we do not see or cannot explain and because of it, we protected ourselves with artificial elements in a form of jewelry, crowns or caps. This idea has been continue from one generation to the next to the point that in modern societies some of us still use this type of protection in our bodies (e.g., small cross, divine images, tattoos, etc.).These pieces of art also indicate that humans believed in gods with superpowers and they are looking over us constantly. Humanity also believes in dark forces or demons trying to makes us do things that would upset the good gods. Some of the differences between these sculptures and paint are the material in which each one of them were created. The first figure, the Woman of Willendorf was carved in limestone, the second piece, the portrait of Queen Tiye was carved in wood and the last piece, the Virgin and Child Icon was created of tempera on a wood. You can also notice how the details on their faces and bodies changes throughout the time and years. The woman of Willendorf figurine offers details of a voluptuous nude women’s body but there is not face, or feet. Queen Tiye statue shows the face of a woman in detail closed to the gods but without any body parts and lastly The Virgin and Child Icon, is an expression of divinity of the views, reflections and beliefs from the gospel. Because communities started to innovate on the art of carving and painting, populations began to discover and/or create art with the objective of expressing different purposes of our daily lives, such as the beauty of a woman’s body, or to commemorate an ancient

It depicts the grotesque gnome of European myth. The gnome is an imaginary creature resembling a tiny old man with a bea rd and pointed hat. The gnome always appears in groups. Some of them live underground. In his sketch, Vict or Hartmann drew a child’s toy in the form of a gnome.

Our world is full of so many grandiose monuments, eye-catching sculptures, and stunning statues, each having an individual story to tell. Thousands of them have been created however, only a small number of them are actually extraordinary and picture-worthy. This paper will compare and contrast two of those picture-worthy sculptures. Furthermore, I will examine the aspects of each of these sculptures. I will compare and contrast what each of them represents, the differences in texture, their size and their tone.

Plants, animals and minerals endowed with important magical or symbolic functions were allocated to museums of natural history, paintings and sculptures to museums of fine arts, armour and weaponry to military museums and textiles and crockery to museums of decorative arts. (Martin, 2012)

The authors’ interpretation of archaeological evidence is more easily compared since both reference female pillar figurines. Meyers highlights that these replicas are overwhelmingly found in domestic settings, abundant, and are only of pregnant women or those in lactation. Given this evidence, Meyers argues that these figurines were used as a vessel to bring a mother blessings during her pregnancy, birth, and lactation (Meyers 2002, 286-287). Sommer evaluates the terracottas from a different angle, using their existence as a way to challenge his idea that monotheism was prevalent in Ancient Israelite society. Like Meyers, Sommer believes that the figurines serve as a “tangible prayer” for soon-to-be or new mothers used overwhelmingly in homes. He goes on to refute that they were representations of goddesses by quoting Meyers’ evidence which claimed that goddess

Other examples of this kind are the decorated shields of some people in large flats of America, which were both “artistic work” and “power parody”. ‘Paintings on shields are often the result of religious dreaming. Symbolic patterns of these paintings and other added things to them protected their owners with a super-natural power.’(gardner.1381.p.764)- Figure4.

Some gardeners live in harmony with lizards and enjoy the free pest control these insect-eaters provide. The creatures can become a nuisance, however, when they start eating garden plants or find their way out of the garden and into homes. Lizard problems can be controlled by harassing the lizards, disturbing breeding sires and avoiding plants that attract them. When all else fails, you may need to capture your garden lizard and release him somewhere else, but only if it is legal to do so in your area.

The telephone that we know today is completely different from the one of the past. Today we can individually press each number quickly to call someone. We can even call someone through the computer without the person actually owning a phone. The telephone of the past had the numbers on a curricular disc. This design made forced you to tediously move each number to a specific