Gary Soto And The David Soto

In the short story Mr. Soto exclaims when he was younger he pushed a lawn mower, door to door trying to find someone who would pay him to cut their grass. At the time he did not know that his area was in the lower-class bracket, “It struck me like a ball. They were poor, but I didn’t even recognize them. I left the projects and tried houses with a little luck, and began to wonder if they too housed the poor” (101). This is significant because later he speaks about how he was so oblivious to how he grew up. Later in this childhood story he stated that he wanted to become a hobo since he thought there was no jobs for him in the world since he did not want to work like his father. He exclaimed that his dad would come home with blistery hands, sit down their living room chair and stare at the television for the rest of the night. At the end of this story he starts talking about how he became who he is now, and why he fell into his career. “It’s been twenty years since I went door to door. Now I am living this other life that seems a dream. How did I get here? What line on my palm arched in a small fortune? I sit before students, before grade books, before other professors talking about books they’ve yet to write, so surprised that I’m far from that man on the sidewalk” (101). This quote from “To Be A Man,” is a very smart and somewhat humorous line, because Mr. Soto realizes that he could have easily been a hobo on that

Richard Blanco, a famous Cuban-American poet who became the first Latin American, immigrant, and openly gay Inaugural Poet in 2013, wrote a variety of works based off his life and all the things that were going on in it. In Richard Blanco’s, “El Florida Room” and “The First Real San Giving Day”, Blanco provides the readers with a look into his personal life with information about his family and some characteristics of his life. Dealing with many different societal issues due to his culture and even his sexual orientation, Blanco describes what his life was truly like, more specifically geared towards his culture; being Cuban-American. Through his use of a chronological storytelling in his memoir and a reflection on the past in his poem,

Soto’s use of imagery serves as an aid to the reader to better understand the author’s perspective, which is that of a six-year-old boy. Prior to stealing the pie, the author uses imagery to describe his temptation to steal. “My sweet tooth gleaming and the juice of guilt wetting my underarms” (Soto 1). The imagery here illustrates both the irresistibility of the temptation to steal and the immaturity of the young boy as he can’t take his mind off of anything but what is in front of him. After stealing the pie, Soto

Zinsser says “Tackle your life in easily manageable chunks .” (Zinsser, 34). In a chapter titled “The Hand Break” Soto tells the story of when he made a handbrake to help him stop and start while running down the street. “… function was to help me stop when I came racing to the end of the street.” (Soto, 13). Even though this was not a huge event in his life that created a catastrophic outcome, this is an important memory to him, which is why he shared it. This is Soto striking a “universal truth” (Zinsser, 30) which Zinsser says will help the reader relate to the memoir. Gary Soto told a story of being a young boy inventing something that he thought fun and unique, which almost everyone who still has memories locked away in their brain of being a child can relate

He “knew enough about hell to stop [him] from stealing” and was “holy in almost every bone”. Soto’s diction makes it clear that his younger self was well behaved because he was scared of the consequences of sin, but not necessarily because he wanted to be good. It also implies that even fear could not stop the most mischievous parts of him. Regardless of his willingness to behave, the young Soto truly believed in a God, and often saw “shadows of angels” and heard “faraway messages in the plumbing”. These symbols appear throughout the passage in order to show how sin changed Soto’s interpretation of them. The narrative continues, and the young boy stands in a German Market, staring at pies. As he ponders which type to steal, the “juice of guilt” wets his armpits and he “nearly [weeps] trying to decide”. This imagery of wetness is associated with his sin, and strongly contrasts the dryness of “the flowery dust priests give off”. The opposing wet and dry imagery show that the boy is sometimes bored with the dryness of religion, but the possibility of stealing a pie both terrifies and excites him. Once again, he is reminded of “the proximity of God howling in the plumbing”

Throughout the story Soto feels guilty and seeks redemption because Soto steals the apple pie. His guilt is magnified when he thinks everyone knows of his sin, and starts to develop paranoia. The author’s attitude towards guilt affects how he is behaving. By using imagery and allusions Soto recreates the guilt felt by a young boy who has stolen an apple

They are obviously used to show that Soto is nervous and moving around quickly because there is a lot of action going on at the time. However, in the some of the last paragraphs there are many more complex sentences, which are used to show that Soto has returned to his state of boredom and also to express that there is not much going on inside Soto’s head..

In "The Jacket" Gary Soto uses symbolism to reflect on the characterization and development of the narrator. Soto seems to focus mainly on a jacket, which has several meanings throughout the story. The jacket is used as a symbol to portray poverty, the narrator's insecurity, and the narrator's form of self-destruction.

Gary Soto’s tone is filled with resentment for the evil deed he has accomplished. Realizing his actions and seeking forgiveness, this shows how innocent and spirit-minded he tended to be as a 6-year-old boy. It’s essential for people to sort their evil doings and aim to make up for them. This will make you feel better and not be loaded with torment and torture of disastrous ponderings.

Gary Soto overcame his obstacle by finally listening to his mother. “Dreading to return to work” Gary Soto went to pick grapes “... giving up and saying that I’d rather wear old clothes than stoop like a Mexican.” Gary Soto quit working in the fields because he

When Gary was five his father died as the result of a factory accident, and his mother was left to raise her three children with the help of her parents. Soto describes his family as an "illiterate" family. They did not have books and were not encouraged to read. In fact, Gary did not start writing poetry until he was in college. He also is an author of

In the profile article “Jimmy Santiago Baca: Poetry as Lifesaver” author Rob Baker, who also is a creative writing and English teacher proves to not only the readers but also the National Council of Teachers of English the significance of poetry. The authors main point is that poetry saved Jimmy Santiago Baca’s life, he shows us how by explaining the emotions when Baca began to read poetry; he then went on to write poetry and even publish his own works while still in prison, after Baca’s release, he became a dedicated teacher who also works with gang members and teaches workshops.

In the poem “Behind Grandma’s House”, Gary Soto writes about an experience he had as a young boy. He speaks of himself as being a nerdy Spanish boy who wants attention. He screams out for attention by acting out in negative ways. Most know, to bring attention to one’s self, one can acquire it by acting negatively or positively, but negative attention brings punishment. Soto obtains his grandmothers attention at the end of the poem, but he may have regretted it. Gary Soto’s “Behind Grandma’s House” is a 1952 free verse poem that uses imagery to suggest the speaker’s perspective of the story.

The speaker addresses the dilemma of being neither Mexican nor American, of traveling the trajectory between both nationalities. Because he its color of the skin and lived in a border culture, it was often assumed that he was not an American. The speaker is a men looking for freedom and a better future, an element so well-known that he is willing to risk everything to achieve his goal. There is no need for Soto to run because he is an American. Soto’s poem is emotionally and a practical clever story that many Mexicans Americans relate too.

Gary Soto, who among many things was a Mexican-American poet, many times wrote about what he knew best: his life. Growing up as a Chicano in America in the 50s and 60s, Soto worked in fields as a laborer from a young age. It is evident that coming from a Hispanic working class family greatly influenced his poem “Ambition”. As he is known for, Soto's poem is filled with imagery of everyday life, while harping on important details and themes of things that he may have seen around him., but in this instance, there was a bit of confusion. To begin with, the poem “Ambition” starts off with the line "For years our ambition was to eat/Chicken"(1-2). Without further analysis, at this point the reader is most likely confused, much like I was. Chicken? How could eating be one's goal, one's aspiration in life? The word ambition is usually associated with lofty goals. It would not seem out of place to say that one's ambition was to become a doctor or to make a better life for oneself. So the speaker in the poem could not truly believe that all that he wanted in life was to eat chicken. The outlandishness of this statement seems to be the speaker pointing huge arrows towards places in the poem that invoke deeper meaning to