In the excerpt from A Summer Life, the autobiographical narrative by Gary Soto, he uses tactile and olfactory imagery, dramatic diction, repetition, and religious allusions to recreate the experience of his six-year-old self. In the first part of the story, Soto describes his experience feeling nervous while stealing a pie as well as the temptation of the pie using imagery. Then, he reveals details about how enticing and delicious the pie was when he finally got to eat it using dramatic diction. Finally, at the end of the excerpt, Soto shares the extreme amount of paranoia and guilt he felt after both stealing and eating the pie using repetition and religious allusions. Soto starts out the story by describing in vivid images the nervousness …show more content…
After eating the pie, Soto claims that “a car honked, and the driver knew” that Soto had stolen the pie (65). He says of his neighbor that “she knew” (66). He even says that his mother who was working “knew” that he had committed this horrible crime (68). Soto’s repetition of all of the people he believed to know about the stolen pie helps the reader understand his paranoia. Obviously it is unlikely that these people actually know that he stole the pie, but in his mind it was a very real possibility if not a certainty. Along with his paranoia, he feels guilty about what he did. He says that after stealing and eating the pie, he “knew that sin was what you took and didn’t give back” (85-86). This biblical allusion references Soto’s guilt because it shows that he believes he has gone against his religion and sinned by stealing the pie, or taking it and not giving it back. The reader can empathize with the guilt Soto felt after going against what he believes are very important moral rules by imagining how they would feel after violating their own morals. Soto shares the guilt of his younger self through this religious allusion along with using repetition to share his
In the novel, Bless me, Ultima by Rudolfo Anaya, a boy goes through many more experiences than any child in the hot summer days in Santa Rosa, New Mexico. He witnesses the deaths of his close friends and family. This boy expresses his emotions and grief through his dreams, only to wake up with fear and confusion in his mind. Antonio’s life is filled with dreams that foreshadow future incidents, as well as influences Antonio’s beliefs of religion and ideas of innocence.
In the poem “Behind Grandma’s House”, Gary Soto writes about an experience he had as a young boy. He speaks of himself as being a nerdy Spanish boy who wants attention. He screams out for attention by acting out in negative ways. Most know, to bring attention to one’s self, one can acquire it by acting negatively or positively, but negative attention brings punishment. Soto obtains his grandmothers attention at the end of the poem, but he may have regretted it. Gary Soto’s “Behind Grandma’s House” is a 1952 free verse poem that uses imagery to suggest the speaker’s perspective of the story.
Soto’s writings in this passage construct a tone which gives a feeling of concern, due to his family and also his friend Scott to disapprove of a relationship only because of social class and race. The tone portrayed can be perceived when he has discussions with his family about who is the right woman to marry
Soto talks about sacrifice, and we all go through that. What we do to please other people. The boy had to give up his orange because he didn't have enough money. He told his girlfriend that she can chose any kind of candy found in the isle, and she chose a chocolate bar that cost a dime, now the boy only had a nickel and a pair of oranges in his pocket. Instead of feeling embarrassed and cheep in front of his new girl, the boy decided to put up the nickel and an orange on the counter for the saleslady.
Mary Ann Shaffer’s and Annie Barrows’ novel The Guernsey Literary and Potato Peel Pie Society offers insight into life during, and shortly after, World War II through a collection of letters between successful author Juliet Ashton and many others ranging from her publisher to a man by the name of Dawsey Adams who found a book with her address in it. Juliet describes her hardships during the war, specifically on page 25, paragraph 4, where she can be quoted saying: “Remember the night last year when you met my train to tell me my home had been bombed flat? You thought I was laughing in hysteria? I wasn’t- it was in irony-if I’d let Rob store all my books in the basement, I’d still have them, every one”. On this quotation you can see how Juliet
Tim O’Brien uses several rhetorical strategies in this story. A strategy that is easily found in the story is imagery. He uses a lot of sensory details to help the reader know what it feels like in a certain situation. “Except for the laughter things were quiet,” (67) and “You hear stuff
I was gifted some baru seeds from Baru Baron in Toronto. When I opened the package my mind instantly thought of graham cracker crust. I wanted to create something light, cooling, and fresh tasting since it's the summer. Typically key lime pie is made with a graham cracker crust so I thought I'd try a raw version.
A perfect chicken pot pie with all the right stuff to turn an evening at home into a won-
In the “quest” of solving the case, I can propose several talents and a few weaknesses, suitable for the mystery featured in the book “The Sweetness at the Bottom of the Pie.” Firstly, I am a self-proclaimed strong music student with ears that can hear small changes in sound and pitch to a good extent, so when I am interviewing a person to gather evidences, I can notice the shift in the tone, speed or stability of the suspect’s voice to help with deciding whether the suspect is lying or not. When lie detectors and modern technology we have nowadays to detect lies is missing, my ears can contribute to tell lies and truthful statements apart. Even in modern times, a lie detector is not always completely accurate, so my decision can be one of
As a teenager who is still considered an imperceptive kid by her parents, I’ve heard my fair share of important conversations. Many of which only took place around me because it was believed that I wouldn’t have any interest in them or be able to understand. Yes, because obviously I’ve been living under a rock my entire life. In all honesty, it’s a little hard to not notice topics such as climate change, pollution and poverty because of the constant buzz they produce. The true weight of these problems is recognized and constantly discussed and yet we’re unable to get up and - quite literally - clean up our acts.
In his autobiographical narrative A Summer Life, Gary Soto vividly recreates the guilt felt by a six- year-old boy who steals an apple pie. Through Soto’s reminiscent he has taken us on a journey of his guilt, paranoia, and redemption through the usage of tone, allusions, and imagery.
Soto’s use of imagery serves as an aid to the reader to better understand the author’s perspective, which is that of a six-year-old boy. Prior to stealing the pie, the author uses imagery to describe his temptation to steal. “My sweet tooth gleaming and the juice of guilt wetting my underarms” (Soto 1). The imagery here illustrates both the irresistibility of the temptation to steal and the immaturity of the young boy as he can’t take his mind off of anything but what is in front of him. After stealing the pie, Soto
Throughout the autobiographical narrative written by Gary Soto, many different literary elements are used to recreate the experience of his guilty six-year old self. Different elements such as contrast, repetition, pacing, diction, and imagery. Soto narrates this story as a young boy at a time when he seems to be young and foolish, Soto foolmaking mistakes, but at the same time hoping to learn from them. Soto uses each of these devices to convey different occurrences in the narrative.
Moreover, the author induces imagery of different types to project his argument of lost innocence. The narrator expresses “I lingered before her stall, though I knew my stay was useless, to make interest in her wares seem the more real.” (Joyce 246). Kinesthetic imagery portrayed in the quote allows the reader to recognize the loss of innocence of the narrator due to the choices the narrator makes. The narrator decides to linger around because he understands the reality of the bazaar, which interposes his lost innocence.
We see a male falling in love with the female of his dreams. He wants to do whatever he can to be with her. Soto used a combination OF contrast, descriptive language, and figurative language to help convey his theme. In line 3 It says, "Alas I confess that I am not true to myself but to/you..." and the reader can tell that he wants her to know these things.