Gascoigne Literary Devices

Poets are very cleaver when it come to the way they say things in their poems. Most poets don’t just come out and say what they are going to say. They seem to write about something totally off topic but then you understand what they are talking about. They are almost long metaphors, which aren’t very easy to understand. They also say someing in the way they write the poem. The structure is very important. They place things in certain ways or at certain times and you don’t really think about it unless you read the poem deeply, as in actually study it. Thomas Hardy did this in “Ah, Are You Digging on My Grave”

The author of “For That He Looked Not Upon Her” uses several literary techniques such as form, imagery, and diction that develop the complex attitude of the poem. The situation of this poem is a couple having problems that causes them to question their relationship. The further we read into the poem the more we learn of the fear and doubt between the two individuals. The authors use of melancholy diction contributes to the tone and the complex attitude of the poem. The complex attitude of the poem is lack of trust that the couple has in their relationship. The man loves his partner even though she has hurt him. He is confused and unsure of whether or not he should continue

Poetry written in the sixteenth century is not very different from modern-day poetry. Poets seem to continue to craft work based upon love and heartbreak more than any other topic. In Georgia Giscoigne’s 1573 poem “For That He Looked Not upon Her”, the speaker comes off as distraught over a girl, but actually has a more conflicting attitude towards her. The speaker feels desire towards this girl, but his desirer comes off as ambivalent at times. He shows indecisiveness about his feelings towards her, and at times comes off as regretful towards his past with her. Gascoigne presents a desiring, ambivalent, yet regretful attitude through his choice of title, diction, and use of metaphors.

George Gascoigne’s poem “For That He Looked Not upon Her” discusses the misery of love by exploring speaker’s internal conflict between the his romantic desires and his fear of betrayal. After leaving a difficult relationship, the speaker refuses to look his former partner in the eye even though he is still deeply attracted to her. He justifies his action by explaining how his desire for her will only continue to bring him distress. The speaker uses the poem’s form and diction in order to establish a dismal yet cautious tone in the poem. Furthermore, through various instances of imagery, he reveals his fear of being deceived in the future. By employing these literary devices, Gascoigne highlights the theme of human desire and how it consequently leads to the speaker’s emotional suffering.

He uses words with negative connotations such as louring, low, and no delight. Gascoigne chooses to use words with such negative connotations to show the speakers negative attitude, as well as to show that he is feeling down. The author also uses such word choice that helps to keep the rhyme scheme in order as an iambic pentameter. Gascoigne also uses figures of speech such as metaphors “the mouse that has once hath broken out of trap” line 5 and “The scorched fly which once hath ‘scaped the flame” line 9. These metaphors reveal the speaker's pain and how he has been hurt in the past but no longer will fall for the same bait and be hurt again. It reveals the speaker's attitude in the sense that he is learning and that he is no longer naive and will not fall for the same traps and give in to his desires only to be shut down and hurt by the girl

In George Gascoigne’s “For That He Looked Not upon Her”, the English poet emphasizes in his poem using a variety of intense images and diction to show that he can’t look at the one he loves. He structures his poem to have a rhyme scheme, so he can show readers the emotional experience he had with his problems and express it throughout the poem.

“For That He Looked Not upon Her” written by sixteenth-century poet George Gascoigne emphasizes his form, diction, and imagery to express his feelings towards this woman he loves. He organizes his sonnet to express his complex feelings for why he cannot look into his lovers face. “To see me hold my louring head so low…” describes how the speaker feels when he sees her happy face. He lowers his head so he won’t have to look at her and see her happiness even after all the pain she caused him. Through Gascoigne diction, the speaker expresses that he does not want to increase his range of sight or knowledge of her because of her face radiating happiness.

Diction Essay Edgar Allen Poe is a famous poet from the 1800’s with twisted pieces of writing, but has made an everlasting place in American literature. Two of his works are “The House of the Usher” and “The Raven” which have different yet complementary tones such as mournful in “The Raven”, and haunting in “The House of the Usher”. Poe uses specific diction to establish the tone in the two excerpts. Edgars Allen Poe’s “The House of the Usher” uses diction to portray the feeling of haunt in this piece. “... dull, dark, and soundless day in the autumn” is a significant quote from this excerpt because it sets the feeling which the reader gets at first.

Poetry has a role in society, not only to serve as part of the aesthetics or of the arts. It also gives us a view of what the society is in the context of when it was written and what the author is trying to express through words. The words as a tool in poetry may seem ordinary when used in ordinary circumstance. Yet, these words can hold more emotion and thought, however brief it was presented.

Edgar Allen Poe has a very strong use of vivid tone words throughout the whole poem. The tone words the Edgar uses can change the way you feel while reading the poem the whole time. He used tone words that made you interested and keep wanting to read.

In Wolff’s text, the female character uses brevitas to imply what she already knows of her husband’s personality: “You won’t, I can tell. You’re going to say no… No more considering. Yes or no.” She knows what he will tell her but in forcing him to say it, proves the audience right in re what they had extrapolated earlier in reading: the male character is racist. Given the conflict in their ideologies, the audience can further extrapolate from here that some form of argument or fight will ensue. The audience is similarly led to a final destination through a minor discovery in Gray’s Flames and Dangling Wire: “A sour smoke is hauled out everywhere, thin, like rope.” The inferred meaning of rope in the dystopic context of the poem is that of a hangman’s noose and the assonance in “sour smoke” creates the sound of hissing flames, the image being augmented by the mention of smoke. The implications present in this sentence, when combined with the Hellish lexical chain present throughout the poem, lead the reader to the conclusion that the world in the text will inexorably become a dystopia akin to Dante’s Hell. In another of Gray’s poems, Late Ferry, a different conclusion is reached in a similar way. Two distinct lexical chains appear throughout this poem – one concerning horror (dark, windy night, beyond, plunge of night, trembles, nervously,

He uses diction to establish the setting, describe the characters, and provide context. At the beginning of the piece, he provides a depiction of the setting and weather condition by saying “It was overcast and cold. The grass, what there was of it, looked like canvas, stiff and gray under the street light.” By describing the setting in such a way, his writing is telling a story. This

Chiefly, he uses diction suggestive of a legal confession/crime, such as “adverse party”, “advocate”, “lawful plea”, “accessary”, “thief”, and “robs”. Moreover, he writes “for to thy sensual fault I bring in sense” (9), suggesting that sense or reason stands as the legal opponent against the lover’s wrongdoing. By using legal diction, the speaker defines his relationship with concrete terms and labels, ultimately making it clearer as to what role each individual has played in their relationship. For example, he calls himself both his lover’s adverse party and advocate (later he refers to himself as an accessary), indicating that not only is he a victim but also an accomplice that partook in his lover’s crime. Suggesting that he is an accomplice to the “thief which sourly robs” from him, it is evident that the use of legal diction emphasizes the poet’s belief that he himself is

One of the most prevalent literary devices used in this poem would be an oxymoron. Almost every stanza has some contradictory statement where he uses light within darkness. This being one of the main examples and using this battle between light and darkness to convey the battle between life and death. The most common one throughout the poem is ?Do not go gentle into that good night? (pg.70). This is an oxymoron because of the context of night within this poem being used as an equivalent to death. This device is used to show irony by saying and showing that there is no good death, why wouldn?t his father fight against it. Another literary device used in this poem is a metaphor. The other uses this to give a comparison between ones words and lightning. The other states this is the 3rd stanza ?their words had forked no lightning? (pg.70). The author uses this to show the power we have as humans, comparing ones words to the strength and power of a bolt of lightning. Through this almost implying that one could beat death through the strength we have

Upon Her, english poet George Gascoigne explore the universal feelings of fear and disappointment through his personal struggle with examples of vivid imagery, metaphors, and literary devices by painting a picture of fear, self-loathing, destruction and dread. As a sonnet, in fourteen lines, Gascoigne employs these examples of literary devices to communicate his ideas as a torn and broken man efficiently but also with plenty of emotion through form, diction, and imagery.