Gay's Catalog Of Unabashed Gratitude By Ross Gay

Nature is an entity that persistently progresses to be overlooked. When I was home one day for the long weekend I went down to the beach, then observed the sunrise overlooking the view of the Boston skyline. As the sun rose little by little It came to me that I saw a parallel with my life. As the sun rose I associated it with my life and with each experience I endured in my life I grew as an individual analogous to the sun rising higher up in the sky. As soon as the sun rehabilitated colors from a pinkish rosy color to an archetypal yellow sun it symbolized the transformation a person encounters growing up from being a kid to a man. Consequently, as the sun crept over the skyline it was

Ross Gay in his collection "catalog of unabashed gratitude" as his title suggests contains twenty-four poems of unashamed appreciation of life's beauty expressed through Gay's eccentric affinity for armpits, sleeping in clothes, and mulberry trees. Gay's poetry begins with a simple image or relatable concept before branching of into a series of images. Gay also displays an extraordinary talent for depicting and choreographing action. This skill set can be analyzed in Gay’s poem

We can see Bryant’s view in “Thanatopsis” as he believed that nature could comfort an individual at the face of death. Similarly, we see Lowell’s view in “The First Snowfall” is that nature can comfort those in despair after a lost of a loved one. While in “The Tide Rises and The Tide Falls” Longfellow expresses his view on nature as he believed it could also comfort those who have fallen. In the period of Romanticism, many author explored the value of nature keying in its comforting effects on any individual. They express nature’s selflessness in its ability to comfort at any given moment. Nature time and time again has proven its self to comfort those in time of despair in various situations even at the face of

This connection is revealed in the novel through the character of Paul Baumer. “From the earth, from the air, sustaining forces pour into us –mostly from the earth. To no man does the earth mean so much as to the soldier” (55). Paul explains how much the earth and the connection to earth means to the soldier in war in this passage. In a greater sense, nature can be used to comfort people in the real world because of its elements; the sounds that are heard, the things that can be seen and other things in nature. In conclusion, nature really is

In “The Luck of Roaring Camp” by Bret Harte, nature is seemingly created into its own character. Nature has the haunting role of being the giver and taker of life in this story. The forces of nature bring the men of the camp the blessing of a small child. Through this child the men are given life and see the beauty of nature around them. However, nature will ultimately strip the men of both of these things. Harte shows us that nature is the culprit that brings both beauty and pain.

‘The sheer popularity’ of stimulating nature or using nature as ad space ‘demands that we acknowledge, even respect, their cultural importance,’ suggests Richtel. Culturally important, yes. But the logical extension of synthetic nature is the irrelevance of ‘true’ nature— the certainty that it’s not even worth looking at. (Louv lines 9-19)

He personifies nature as a human being by giving him the ability to hug and give warmth to others. He also says that people should have no worries in him because the beauty of nature is not the temporary happiness of sadness that life brings you, but the ability to breathe in air. The ability to stand up and walk. Nature has the ability to bring the best out of the worst. The narrator also says that people can truly see nature when they are isolated from society due to the fact that they can think take their time to analyze

appreciation for nature, which is what could be ultimately lead to such positive feedback from the

Since the beginning of time, mankind has depended on nature for survival. Although, throughout the years society has learned to manipulate nature for their own selfish advantages. In the passage written by Richard Louv, he utilizes rhetorical questions, repetition, and a tone of nostalgia to stress that sad truth about the separation of mankind and nature.

In the novel Frankenstein by Mary Shelley, man tries to tamper with nature. This is an enormous mistake, because his experiences prove that man should respect the omnipotent power of nature so man can be happy. Man should respect nature because if man goes beyond his limits, then nature lets man creates all types of consequences for himself which proves Shelley’s point to respect nature’s powers.When people look at nature, they are automatically healed just by its looks. This is a much more powerful force than anything man is capable of doing, thus nature is all powerful. Nature is constant, unlike man who is constantly changing, which shows that nature is always in control.

In the song “Mercy, Mercy Me”, imagery and symbolism exist as two key archetypes that draw out the elements of pathos in Gaye’s lyrics. The 1960’s environmentalist, also known as Hippies, opened America’s eyes and revealed the gruesome lack of respect they exhibited towards the Earth. Ignorant Americans used the planet as a dumping ground, unaware of the catastrophic outcomes. Gaye wrote “Mercy, Mercy Me” from an environmentalists perspective and depicts a devastating portrayal of mans unconstructive impact on the Earth using imagery. The imagery used in “Mercy, Mercy Me” makes the mind ponder on how Gaye attempts to convince listeners to take a more philosophical approach to life that emphasizes respect for others and the earth. He illustrates the contamination of oceans and murder of marine life that remains a result of man’s carelessness. A decade before, these issues were not relevant to the Earth “Oh things ain’t what they used to be”, as Gaye points out in “Mercy, Mercy Me”. For example, in the 1960’s countries began to industrialize rapidly, which only meant additional factories and buildings resulting in excessive pollution in the atmosphere. Gaye also uses the archetype symbolism in this quote: “Animals and birds who live nearby are dying.”(Gaye)

Whitman uses many different techniques toward intriguing his readers toward his work. A very quaint way is through homosexual aspects. In the tenth line of the poem W. Whitman says that the twig reminds the man of manly love. When someone reads this the words manly love just sticks out at you and you

Leaves of Grass is Walt Whitman’s life legacy and at the same time the most praised and condemned book of poetry. Although fearful of social scorn, there are several poems in Leaves of Grass that are more explicit in showing the homoerotic imagery, whereas there are several subtle – should I say “implicit” – images woven into the fabric of the book. It is not strange, then, that he created many different identities in order to remain safe. What Whitman faced in writing his poetry was the difficulty in describing and resonating manly and homosexual love. He was to find another voice of his, a rhetoric device, and his effort took two forms: simplified, and subverted word play.

In American Literature many authors write about nature and how nature affects man's lives. In life, nature is an important part of people. Many people live, work, or partake in revelry in nature. Nature has received attention from authors spanning several centuries. Their attitudes vary over time and also reflect the different outlooks of the authors who chose to discuss this important historical movement. A further examination of this movement, reveals prevalence of nature's influence on man and how it affects their lives.

Nature is merely our instrument of conquering one another. By manipulating what already exists, we create everything from nuclear warheads to high speed internet. The continuous competition between men feeds off of our technological advancement—none of which would be possible without the resources Nature provides for us. And rather than being grateful for the unequivicable power so generously offered us by our environment, we instead mock its existence. We distract from the cunningness and cruelty of our efforts toward mankind by relabeling our target ‘Nature’ rather than ‘each other’. By convincing ourselves we are somehow beginning to have Nature within our control and understanding, we forget that Nature is really only the means, not the end of our conquest. We will not be satisfied until we have defeated ourselves. As Lewis puts it, “Human nature will be the last part of Nature to surrender to Man. The battle will then be won… But who, precisely, will have won it?” (The Abolition of Man, 421)