Gender Ambiguity : ' Boys Should Be Girls Will Be Boys ' And ' Twelfth Night ' Essay

While many will agree that Shakespeare’s Twelfth Night is critically acclaimed to be one of the most entertaining and well-liked pieces that he has written, there tends to be a discrepancy over how the characters in the play are portrayed when it comes to the importance of gender roles. After reading James C Bulman’s article over the Globe’s more recent performance of Twelfth Night and Shakespeare’s original written version, I realized that there are many ways that this famous piece has been portrayed and each has its own pros and cons.

Shakespeare's use of cross dressing and deceitfulness extends beyond the actual writings in the plays and goes onto the stage. Women were not allowed to perform on stage in Shakespeare's time. ."..all the great women's roles in Elizabethan and Jacobean plays, from Juliet and Lady Macbeth to the duchess of Malfi, were written to be

Born on approximately April 23, 1564 in Stratford-upon-Avon, England, William Shakespeare is considered by many to have been the greatest writer the English language has ever known. His literary legacy included 37 plays, 154 sonnets, and five major poems. Among his many plays is the notable, Twelfth Night, a romantic comedy, placed in a festive atmosphere in which three couples are brought together happily.

Society cannot describe or expound upon the significance of the identity of gender of oneself because the question has no finite and/or absolute answer due to the ever-changing variables in common ideology and thinking. The variables just mentioned are in correspondence to the time and amount of influence outside opinions have on oneself and his/her opinion about the matter. The fact remains that the subjective views of one’s personal beliefs equates to nothing in the presence of contravening, biased thinking of the society. People often tend to follow. It is the nature of our species to follow, for general acceptance among peers is the true catalyst of all decisions. In modern society, many new perspectives have been introduced such as gay and lesbian relations, or the belief in one’s gender to be opposite of their physical appearance. “In examining how female eroticism begins to assume discursive shape and currency on the early modern stage, I argue here that Shakespeare’s Twelfth Night offers an overlooked opportunity to witness the dynamics by which a language of female-female desire emerges from the materials of conventional heteroerotic discourses already in circulation,” (Ake 375). The truth lies solely with the person who ponders the question. This is what many literary works attempt to convey, yet few stand prevalent. Shakespeare creates the lucid, romantic comedy Twelfth Night in order to convey the lack of certitude in gender identity of the self, while

Women in Shakespearian plays have always had important roles. Whether they create the main conflicts and base of the plays, or bring up interesting proper and cultural questions, they have always been put in challenging situations. Some women are stronger than others, and their effect on the play is different for each one. One woman who plays a very important role in Shakespeare's plays is Cleopatra, in Antony and Cleopatra. Cleopatra is the dominant force in the play. Cleopatra takes on masculine qualities such as being bold, `alternative masculinity' and manhood of stronger determination. She is also viewed as a perfectionist. During the play many critics notice that Cleopatra and Antony switch roles, by Cleopatra acting more masculine, and Antony acting more feminine. Antony becomes jealous of Cleopatra because sometimes she acts more masculine than he does. Cleopatra is not dependant on anyone. Some critics say that Shakespeare discriminated against women because of his actions. He did not allow women to have a role in his play, nor let them have any say in his writings. He had boys or men play the parts of women until later on in his playwriting. Shakespeare favored men during his time period and was also very sexist.

Others have asserted that the roles of women in his plays were prominent for the time and culture that he lived in,his intent in creating characters to inspire much controversy. Two works, Taming of the Shrew, and Twelfth Night, stand out particularly well in regards to Shakespeare's use of female characters. If you could examine these two plays, you would see that Shakespeare, though conforming to contemporary attitudes of women, circumvented them by creating resolute female characters with a strong sense of self.

A common theme in Shakespeare’s writings is the exploration of gender and sexuality (Gerlach et al.; McManus). His cleverly crafted and complex characters challenge the audience’s expectations of what it means to be masculine or feminine by displaying traits of each gender in single beings and questioning gender roles and standards (Gerlach et al.). This often playful consideration of gender norms was enhanced by the practice of men playing the female parts; in fact, theatres of Shakespeare’s era used costume and makeup to tease the audience who knew it was boys playing the female roles (McManus). Shakespeare portrayed women in a way that showed them to be more than passive, dainty little things (Gerlach et al.). They are often the characters who tell the truth about what is going on, demonstrating self-awareness, using reason, and controlling the action (Gerlach et al.; O’Brien). Beatrice from Much Ado About Nothing is a perfect example of the interplay of feminine and masculine qualities and behaviors. She is opinionated and witty, and stands up for what she believes in, all while falling in love, traits that at the time of Shakespeare would have been quite radical for a woman to display. It is the powerful and complex women in Shakespeare’s works that make his plays the perfect place to explore more modern views on gender still today, especially now that women actually play the parts.

In Macbeth, one of the most tragic and well known plays, William Shakespeare changes women’s part in society. During this time period, women are known to be both mentally and physically weaker than men. Women are called to be only housewives. Shakespeare reflected the image of women in society by giving the men bigger leads in his plays. Only in a few of Shakespeare's plays did he give women strong leading roles. Macbeth is one of the few plays where women play a more powerful role than the men. In Macbeth, he gives the women unusual traits like manipulation and betrayal. In William Shakespeare's play Macbeth, women like Lady Macbeth , the trio witches, and Lady Macduff portray non-feminine traits.

In Shakespeare's plays Twelfth Night and As You Like It both of the lead female characters dress as men. Both plays are comedies and the change in gender is used as a joke, but I think it goes much deeper. A woman can become a man, but only if it is not permanent. The affect of the change cannot be too great because she must change back to female once everything is settled. They are strong female characters, but must become men to protect themselves and ultimately solve the problem of the play. In the book Desire and Anxiety: The Circulation of Sexuality in Shakespearian Drama Valerie Traub calls the characters, "the crossed-dressed heroine who elicits and enjoys

In fact, when Shakespeare wrote his plays, they were intended to be played by all-male companies, which, on a certain level, makes it reasonable for casting choices to go back to that root. Hurren also lined out “boys playing girls (especially boys playing girls who are pretending to be boys) adds an extra dimension of eroticism to the proceeding; and further, that this effect is just what Shakespeare, whose own sexual propensities are commonly assumed to have been somewhat ambiguous, was aiming at” — a theory brought up by one of Jan Kott’s essays, “Shakespeare’s Bitter Arcadia.” The relationship between actors’ gender representation, which had somehow shifted, and the audience, who had also changed and learned to appreciate different/new culture in and outside of the theatre, is fascinating. Every time a major alteration was made, theatre makers were targeting different subjects or it was influenced by contemporaneous social changes: both when women were first represented on stage by female actors and when all-male cast stands for queers in theatre opposing to a stage dominated by male actors only for social normality. Nonetheless, each time a revolutionary casting choice manufactured, whether it was the director’s choice to tweak audience’s sexuality or not, it takes time for theatre-goers to recognize the message. In this case, Royal National Theatre’s production of As You Like It (1967) proffered the four female roles played not by boys, but by “men whose ages ranged from 27 to 37.”(KH) Seeing male actors having fun in wigs and mini skirts, audience crowded the theatre for, what was believed to be, a kinky and erotic experience. Notwithstanding the great response, Clifford Williams, the director of the production, confessed that that he was aiming for a completely opposite

In 'Twelfth Night’, gender and sexuality in many ways add to the play’s themes of madness. 'Twelfth Night ' is a reflection of renaissance thought and culture, the renaissance was a transitional period from the medieval to the radical Elizabethan era. The culture of the time was a contradictory one, as from one aspect it was influenced by the patriarchal medieval time, where women were under the rule of men and seen as needing the protection of men, however, from another perspective, the culture was a changing one as women were starting to receive education and many humanists believed that women should be given more rights. The play reflects these attitudes and often challenges the social hierarchy and establishes ideas on gender roles, sexuality and cross-dressing. These factors indeed undermine the expectations of male and female behaviour, and in turn further the play 's theme of madness which has a comedic effect on the audience due to the shock humour it provides.

Gender identity and its roles in 17th and 19th century England were regarded as rigid fact — definite and unyielding. The adherence to these social protocols was of utmost importance. Masculinity was viewed as being dominant, assertive, and bold, whereas femininity involved beauty, obedience, and chastity. The theatre became a method of challenging this rigid social concept. Both William Shakespeare’s As You Like It and Oscar Wilde’s The Importance of Being Earnest explore these public values through their characters. Wilde and Shakespeare’s use of gender reversals satirize the traditions of social order, marriage, and gender responsibilities at the time, thereby revealing that gender is not absolute.

In Twelfth Night Shakespeare uses gender roles and cross dressing to create disguise. This creates a sense of gender ambiguity and this is what makes the audience laugh - but although it creates a sense of fun and liveliness it also examines

Female characters, whether they are mothers, sisters, daughters, or lovers, are used as essential roles in every play written by William Shakespeare. In the beginning of both plays, Twelfth Night and Othello, we see strong-willed ladies. Shakespeare enjoys giving women powerful minds and hearts in his works. I think that the female character development between these two plays is that women have the ability to be dominant in a man’s world, but can also lose themselves by becoming submissive to men. While Shakespeare wrote the later play with concepts about consequences of jealousy and not trusting a loved one, he used Twelfth Night to be an example to men to have more compassion for women.

    When one considers Shakespeare’s female characters, one has to remember that the plays were written in a time when women were considered weak-minded creatures who were apt to make bad choices if given the freedom.  Shakespeare, for the most