Gender Aspects Of Gender And Gender Issues In Advertisements

Jean Kilbourne is an advocate for women and is leading a movement to change the way women are viewed in advertising. She opens up the curtains to reveal the hard truth we choose to ignore or even are too obtuse to notice. Women are objectified, materialized, and over-sexualized in order to sell clothes, products, ideas and more. As a woman, I agree with the position Kilbourne presents throughout her documentary Killing Us Softly 4: The Advertising’s Image of Women (2010) and her TEDx Talk The Dangerous Ways Ads See Women (2014.) She demonstrates time and again that these advertisements are dangerous and lead to unrealistic expectations of women.

Advertising is one of the most popular ways to promote a product. Through advertisement the creators of these products can make millions of dollars, depending on how successful their advertisements are. But are the advertisement selling a product that will help them or are they selling violence and sex? Many ads can influence people in different ways. One of these ways is to show women as objects of rape and sexual abuse. In, “Two Ways a Woman Can Get Hurt” Kilbourne talks about how many ads use women and portray them only as sexual beings. Some of these ads can influence violence against women. Kilbourne described violence in ads, “as in pornography, usually power over another, either by physical dominance.” (269). The Dolce & Gabbana

In Jean Kilbourne’s essay, “Two Ways a Woman Can Get Hurt”: Advertising and Violence, she paints a picture of repression, abuse, and objectification of women. Kilbourne gives an eye-opening view to the way American advertisers portray women and girls. Throughout the essay she has images that depict women in compromising poses. These images are examples of how often we see women in dehumanizing positions in advertisements and how desensitized we have become. Kilbourne implores us to take the media more seriously. She is putting a microscope on society and showing that the objectification of women is acceptable.

Today's media is increasingly pornographic, and the notion that 'sex sells' has infiltrated the advertising of virtually all products and services. Both men and women are sexualized in contemporary media, but the extent to which women are sexualized is far greater that men are. Jean Kilbourne states in her talk, The Dangerous Ways Ads See Women, "There are stereotypes that harm men, of course, but they tend to be less personal, less related to the body." The stereotypes that drive the portrayal of women in the media lead to the repeated objectification, particularly sexual objectification,

In “Two Ways a Woman Can get Hurt: Advertising and Violence,” the author Jean Kilbourne describes how advertising and violence is a big problem for women. Although her piece is a little scrambled, she tries to organize it with different types of advertisement. Women are seen as sex objects when it comes to advertising name brand products. Corporate representatives justify selling and marketing for a product by how a woman looks. Kilbourne explains how the media is a big influence on how men perceive women. Kilbourne tries to prove her point by bashing on advertising agencies and their motives to successfully sell a product. Kilbourne’s affirmation towards advertisements leaves you no doubt that she is against them.

Whether we realize it or not, we are constantly surrounded by advertisements. On average, we are exposed to approximately 3,000 ads per day, through logos, billboards, and television commercials, even our choices of brands. But in today’s society, one of the most used and influential tools of advertising are women. But the unfortunate thing is that women are not just viewed as actresses in these ads but as objects for people to look at, use, abuse, and more. In her fourth installment in a line of documentaries, “Killing Us Softly 4,” Jean Kilbourne explains the influence of advertising women and popular culture, and its relationship to gender violence, sexism and racism, and eating disorders.

Have you ever picked up a magazine and browse through it for five minutes? How many pages do you think you saw in the time you had? Not many. Now, how many women you saw posing in different ways to sell a product? A lot right. From selling a hamburger to a 2016 new car a woman is portray as one more object to sell a product. We see it in newspapers, magazines, on television, the internet and it has reached to the point that wherever you look there’s a sexual advertisement. We live under a lot of advanced technology that nowadays advertising plays a huge role in our society. According to National Domestic Violence statistics state that twenty-four people per minute are victims of some type of violence by an intimate partner in the United States. Jean Kilbourne in her article “Two ways a woman can get hurt: advertising and violence” argues how these advertisements affects us, how we don’t care about it because it is seen as “normal” nowadays and how it impacts us in our daily lives. Emphasizing that its target is to dehumanize and objectify women because nothing material fulfills our needs. All this advertising going around encourages certain ways of acting and leads to misunderstandings, they are harming us more than they are helping us. Meaning that they are teaching and giving false messages to young relationships. Consequently, man and women are being misrepresented as sex symbols and tools by the media. Therefore, how all these advertisements contribute to affect

Sexist ads show that society is dominated by the same masculine values that have controlled the image of women in the media for years. Sexist advertisement reinforces gender stereotypes and roles, or uses sex appeal to sell products, which degrades the overall public perception of women. The idea that sexism is such a rampant problem comes from the stereotypes that are so deeply embedded into today’s society that they almost seem to be socially acceptable, although they are nowhere near politically correct. Images that objectify women seem to be almost a staple in media and advertising: attractive women are plastered all over ads. The images perpetuate an image of the modern woman, a gender stereotype that is reinforced time and time again by the media. These images are accepted as “okay” in advertising, to depict a particular product as sexy or attractive. And if the product is sexy, so shall be the consumer. In the 1970s, groups of women initially took issue with the objectification of women in advertisements and with the limited roles in which these ads showed women. If they weren’t pin-ups, they were delicate

She begins the essay by pointing out the use of porographic themes in advertisements, which use sexual fantasies, such as bondage and domination, to appeal to the desires of the audience. However, as well as promoting the advertiser’s product, these advertisements send a message about men and women that Kilbourne identifies as harmful to society. She connects that these advertisements promote the idea of male domination and female submission, and the sexualization and objectification of women. She provides many examples of this to prove her point, describing one horrifying ad after another. Kilbourne speculates that these ads, as well as objectifying women, also promote rape culture, and the idea that women are responsible for their own assault. As though these messages were not enough, ads also sexualize children, and teach them that objectification of women is normal and accepted. Kilbourne addresses these issues in advertisements, stating that they are promoting the dangerous ideas that today’s culture already has. She connects female addiction to

Sexualizaton and objectification in the advertisements we see and the media we watch has become a very strong issue in our society. With the idea that “sex sells”, consumers don’t even realize that they’re not viewing the advertisements for what they are, but for the women (or men) that are being portrayed in a very erotic way, posed with whatever product they were hired to sell. Many articles have been written so far to challenge and assess this problem, but one written by Jean Kilbourne (1999), “”Two Ways a Woman Can Get Hurt”: Advertising and Violence” holds an extensive amount of authority. Using her personal experience with the subject, as well as studies she has conducted herself on the topic of sexualization, she talks about how the amount of sexualization in advertising affects how society views the culture and products consumers buy. She also notes that because of the quantity and prevalence of these ads, the rate of all forms of sexual assault, specifically rape (mostly towards women of all age), increase, as well as other forms of assault. It is important to examine Kilbourne’s use of rhetorical devices, such as ethos, pathos, and logos, and how effective these devices make her article. This way, it can be examined for its validity and her understanding of her own research. Kilbourne’s article is very effective through her uses of pathos and ethos, but at the same time, it loses its effectiveness through her absence of a counter-argument, as well as a lack

Throughout the years, advertisements have influenced and supported the cultural myth of gender roles to society. Advertisements that demonstrate men and women in their traditional roles can affect an individual’s perception. First, they might focus their products on individuals that still believe in traditional gender roles. Second, they might have society talking about the modern approach that the product is being advertised. Various cultures have made men and women believe what roles they should be doing. Unfortunately, many advertisements still show the idea that men are the providers and women are the housewives. However, since today we are gradually adapting and beginning to live in a modern world, the gender role myth is starting to slowly change in advertisements as men are beginning to take on traditional female roles that are considered less masculine and women have adopted male roles. The Le Creuset advertisement supports and rejects the traditional female gender role myth by demonstrating a father and a daughter both taking the position of a traditional female.

Last month, household goods company Unilever said it would “unstereotype” its adverts after research suggested that 2% of ads showed intelligent women” (Davies and Obordo 15). Advertisements that continue to show a lack of s“educated” women have the potential of instilling predetermined values within the minds of those in a society and raising younger generations to believe they cannot result to move. Along with supposedly “rectifying” a woman’s place in society, advertisements develop a sublime message which shows women as the inferior gender. In the 1980s, the Women’s Monitoring Networks started a project called ‘sexism in the media’. Over the course of a few days, they asked women in the UK to send in clippings of sexist advertisements. Of all the six they received, each one of them included themes of patriarchy (Blloshi 7). Blloshi further explains the themes of patriarchy that were included. For example, “…Courtney and Lockeretz (1971, p. 94) coded and grouped 729 advertisemts into the following stereotypes of women: ...“Women are dependent and need men’s protection”...(Blloshi 6-7). In this case, women are shown amount to nothing. This has a negative impact on a whole gender as well as individual woman themselves. Psychological damage is a possibility as well being caught in an abusive

Mass media plays a great part in our lives. Television, newspapers, magazines surround us everywhere every day of our lives. All of them are stuck with different kinds of ads. But how often do we pay attention to the real sense of those ads and the ways the advertisers try to sell various products to us? We see dissoluteness and challenging behavior every day in life and we got so used to it in, at first sight, such small pieces of film, and apparently of our day routine, as advertisement, that we hardly notice the big picture. For over twenty years, Jean Kilbourne has been writing, lecturing, and making films about how advertising affects women and girls. In her essay, "‘The Two Ways a Woman Can Get Hurt':

Everyday we expose ourselves to thousands of advertisements in a wide variety of environments where ever we go; yet, we fail to realize the influence of the implications being sold to us on these advertisements, particularly about women. Advertisements don’t just sell products; they sell this notion that women are less of humans and more of objects, particularly in the sexual sense. It is important to understand that the advertising worlds’ constant sexual objectification of women has led to a change in sexual pathology in our society, by creating a culture that strives to be the unobtainable image of beauty we see on the cover of magazines. Even more specifically it is important to study the multiple influences that advertisements have

The designation of a person’s gender seems to belong to society. Society has the ability to classify men and women as masculine or feminine as they “interact with others and media in their society” (Wood 20). It is not surprising then that society would want to portray its opinions of gender through media. This is done through the art of advertising. Advertising uses the internet, magazines, newspapers, music, and any other mediums that could possibly be utilized to transmit the ideas and sales pitches to its desired demographic. Such ideas are typically not offensive and are meant to strike a humorous tone with audiences. On the other hand these ideas can at times distort masculinity and femininity causing outrage in people. This paper will discuss portrayals and their influences on gender in advertising that are the sexual objectification of women, hyper masculinity of men, women’s dependence on men, men as aggressors, and lastly women’s incompetence and men’s authority.