Gender Differences: A Critical Analysis Of Mahesh Dattani

In Khaled Hosseini 's A Thousand Splendid Suns, Henrik Isben 's A Doll 's House, and Kamala Markandaya 's Nectar in a Sieve, women face obstacles that disempower and silence them due to Men 's treatment of women, the societal view of women, and the objectification of women. Within the literary works analyzed this semester, disempowerment is a persisting theme that roots from the various obstacles and hardships women encounter. The woman 's ability to overcome this disempowerment is particularly challenging due to being oppressed by their peers, specifically men. Women countlessly serve as victims of verbal and physical abuse under their husbands, thus contributing to the idea of female inferiority. There are various stereotypical roles challenged between men and women in society leading to discrimination of women. The preconceived notions of women 's roles in society arise from those within society. During this time era, most of society depicts women as uneducated, essentially lacking economical and social opportunities, making the female population highly vulnerable to all types of exploitation. Nonetheless, men in these literary works display objectifying and degrading attitudes towards those of the female gender. The objectification of women notably dehumanizes the female population. Within these literary works, the authors exemplify this reality of obstacles that disempower and silence women. Though these women fight for their liberation and equality, they are victims of

Being subjected through sets of dramatic circumstances, both Shukumar and Lee attempt to strive forward to keep what is left of their relationships close, yet their unforgiving fates drive their determination toward their very limits. Throughout my readings in “A temporary Matter” by Jhumpa Lahiri and “Coming Home Again” by Chang-Rae Lee, the authors of both novels foretell that unresolved conflicts and despondent settings are very detrimental to the development of human character.

Values are an important aspect of life. Having values is a representation of the individual of not only who they are but what they believe as well. Someone who does not have any values cannot have any respect for themselves These lack of family values are progressive, and have become a part of the postmodern. In both stories “Interpreter of Maladies” by Jhumpa Lahiri and” The Storm “by Kate Chopin, the plot sets upon the characters having a lack of values, and as a result may encounter negative consequences.

In Joan Scott’s article Gender: A Useful Category of Historical Analysis, she analyzes the root of gender and its relation to power. Gender is assumed to be directly linked with sex, but Scott asserts that sex and gender are quite distinct; while sex is a biological phenomenon, gender is a socially constructed power hierarchy and it is not biologically predetermined. Gender is used to create and enforce hierarchical relations of power between men and women, and as a result, women become subordinate to men. The hierarchies tend to be accepted as natural, but in actuality, they are socially determined relations that have no relation with sexuality. For Scott (1986), there are four important components of defining gender: 1) culturally common

The narrator grows up through the memory of a women named Mai Ling. In the excerpt “Kuraj” by Silvia Di Natale, Mai Ling to whom is noticed as a mother figure. The excerpt how the people from this environment admires and values the action of being protected; therefore, the narrator felt that Mai Ling was he/shes protector. “I know that I dreamed about her and it was Mai Ling with her almond eyes in her pale face.” The narrator describes the appearance of Mai Ling by using the literary devi

The movie gives the message that women must do acknowledge their responsibilities towards themselves, which can and should never be neglected or postponed for the sake of anyone or anything. Nothing in this world is worth sacrificing your own aspirations for. A person’s greatest assets are self-respect, dignity and individuality. Woman should safeguard her identity by not letting her individuality get submerged and by keeping her priorities intact all her life and creating a place for herself.

Juxtaposition is used to put two characters side by side and depict the similarities and the differences of them. Within the novel, Ethan Frome, Zeena and Mattie were two contextual characters whose individuality stood out. By studying Zeena’s and Mattie’s attitudes towards life, their roles as women in the late 19th century, their age, appearance, and their treatment of Ethan and each other throughout the novel, the reader can more deeply comprehend not only the similarities and differences of these two characters, but the function their differences serve as well. A person’s attitude towards life determines how successful they will be in life.

When Linda enters into society in Malpais, a “Savage Reservation” she is not used to the more traditional views on sexuality. She is shamed, beaten and exiled by the women of the city. Linda is lost in this new culture. She is unable to adapt and idealizes life in the New World. Linda secludes herself with her son. Linda is an outsider in ideology and habits in Malpais, but has nowhere else to go.

The way women have been treated varies throughout time, in some time periods women were oppressed and fighting for rights, in others they were queens. In the ancient societies of Egypt and India, women were treated differently than men, although in different ways. In Egypt, women were still treated with respect and dignity, while in India the roles of women were to be submissive and compliant.

Djinda didn’t think her mother needed her anymore, her feet tapped against the wooden floor and headed into the kitchen. Her mother had received all these old appliances from an aunt who had died when Djinda had barely been one; she hadn’t been in any contact with any other family members – only her father. Djinda didn’t know her mother’s father but her father often told her he was a bad man; he could hurt her given the chance.

Her bizarre behavior dehumanizes her and makes her a monument in the men’s eyes and a fascination among the women. Therefore, instead of her being an active participant in the community, her life becomes communal and

In ‘The Tribe’ Michael Mohammad Ahmad and Lucy Treloar in ‘Salt Creek’ show a major role in their lives through their perspective in recognising gender norms in The Tribe and historical narratives in Salt Creek. In contrast, the difference between gender norms and historical narratives is that gender norms are what men or women are determined to do because of their sex body parts. Gender norm contain a variety of behaviours, beliefs, values and traditions based on the knowledge of what men and women think they should do that are identified as women or men. Historical narrative is a theory that traditional or modern events are story-based written in historical form that is beyond the control of humans. Throughout, this essay states gender norms in The Tribe, which demonstrates violence against women when Bani and his male family members are physical towards women and women are obedience due to traditionalism. In Salt Creek, historical narratives is established through Papa’s movement to an agricultural area where land is owned by ‘no one’ and furthermore Hester’s historical romance with Charles. These two texts state the behaviour of men and the return of colonial settlers and independence.

In The Kite Runner men and women have roles to play in Afghan society. Men are universally portrayed as physically and emotionally strong. Women as submissive, dependent,and pure. This fits with stereotypes in the world because stereotypically men are viewed superior sex. Examples of characters who are positively shown for there gender specific roles are Baba and Soraya's mother Khala Jamila. Baba obviously is physically strong and does show few emotions his interest and bravery make him the epitome of the Afghan male. Khala Jamila is very submissive to the general and has even given up singing to appease her husband. Characters who don’t fit the mold like Amir and Soraya are in a negative light. Soraya has a rebellious spirit and has to keep

In this section of the paper I would like to examine character’s relation to and the ways in which they internalize the mythology of their culture. The book displays many elements of mythology which are quite removed from actual experience and yet become a part of characters’ identity and gain a certain power in their minds. The storyteller’s narrations are an obvious example of a sort of mythology. He voices a stream of rumors of the village garnished with religious invocations which lend his tales legitimacy. The love songs (as well as the cinema), which play a particularly key role in Um Saad’s narratives, are another imaginary depiction of a woman’s experience, which guide Um Saad to beliefs of what she may expect from life and love. The recurring

The two heroines share a harsh background; they both have had a rough childhood and are searching for a way out of their misery. Their lives are centered around the strategies that contribute to their rise. When writing this essay I was mainly interested in exploring how even the characters with smaller roles could affect the outcome, could shape the path the heroines followed towards their rise, but also wanted to analyze all the aspects through characters contributed to the liberation of the heroines.