Gender Discrimination : The Jade Peony

Through the personal stories of his hair, love life, and behavior, Liu is able to show the effects of his assimilation. The second section deals with Liu’s struggles to conform to white stereotypes as an Asian American. With his personal anecdotes, he establishes himself as a more credible source to speak on the subject of assimilation. The second section uses narration to provide evidence about Liu’s definition of assimilation.

In 1998, Eric Liu wrote a book about his struggle with acculturation titled “The Accidental Asian”. A chapter within the book called “Notes of a Native Speaker” depicts an essay written by Liu which fully describes his struggles with race and how he overcame them. Eric Liu is an American born Taiwanese Asian. His parents immigrated to the United States before he was born and in so, gave him a mixed cultural background. He started becoming a writer after attending Yale University and graduating from Harvard Law School. In his “Notes of a Native Speaker” author Eric Liu argues that as he was “becoming white” he was achieving, learning the ways of the upper

Amy Tan’s ,“Mother Tongue” and Maxine Kingston’s essay, “No Name Woman” represent a balance in cultures when obtaining an identity in American culture.  As first generation Chinese-Americans both Tan and Kingston faced many obstacles. Obstacles in language and appearance while balancing two cultures. Overcoming these obstacles that were faced and preserving heritage both women gained an identity as a successful American.

In Wayson Choy’s The Jade Peony, Poh-Poh is also a driving force of the narrative. The story is separated into three segments; each segment tells a story from the perspective of a different sibling. The siblings are Poh-Poh’s grandchildren. Poh-Poh is a crucial element of all three stories. She forms a bond with each child that helps them develop and she is a key

The tale “American Born Chinese” by Gene Luch Wang depicts the story of three characters, Monkey, Jin, and Danny. They all have the problem of fitting into their new environments. Jin Wang has to deal with Asian stereotypes. Danny has to deal with embarrassment of his cousin. Lastly, Monkey has to deal with the fact that there is no position for him in the heavenly ranks. However, over time, these characters have to come together to fit in. Yet the question remains: what exactly about fitting in is the problem? Although Jin Wang takes the form of Danny to reject his Chinese roots, the embarrassment of Chin-Knee shows he cannot hide behind a false American identity, thereby delineating that race is the source of his problem.

What is it like to be born in one country and then grow up in another where people speak a different language and follow different traditions? And is it easy to grow up in another country where members of the native country pressure one to be "one of their own"? If anyone wishes to find insightful and interesting answers to these questions, one should go no further than read Lac Su's I Love Yours Are for White People. In this book, Lac tells the story of his child- and adolescent-hood, growing up in "urban" Los Angeles as a Vietnamese living with a "traditional" Vietnamese family. As Lac demonstrates in the book, he once was between two worlds, sometimes unable to figure out who he was, and sometimes rejecting one or the other altogether. After going through difficult and painful experiences, Lac learns to embrace his ethnic identity. He realizes that he is a Vietnamese-American who belongs to both cultures. He learns to appreciate his Vietnamese background but also acknowledges that he is partly American because some Vietnamese habits are so uncommon for him.

Chinatown was my home, the place where I met all my friends, and the place where I'd

Unconsciously, we all speak different languages; we categorize the way we speak by the environment and people at which we are speaking too. Whenever a character enters an unfamiliar environment, they experiment with language to find themselves and understand reality. For immigrants, language is a means to retain one’s identity; however, as they become more assimilated in their new communities their language no longer reflects that of their identity but of their new cultural surroundings. When an immigrant, immigrates to a new country they become marginalized, they’re alienated from common cultural practices, social ritual, and scripted behavior. It’s not without intercultural communication and negotiation

Maxine Kingston's Making of More Americans like Amy Tan's Mother Tongue has been a controversial addition to Asian American literature. The writer has tried to answer the critical question of Chinese American identity and hence been criticized for adopting an orientalist framework to win approval of the west. Similarly Rendezvous by Frank Chin and Mother Tongue by Amy Tan also speak of a culture that neatly fits the description of the "Other" in the orientalist framework. It appears alien, remote and immensely degrading to women who were treated like non-human beings by Chinese chauvinistic society. However things changed for the generation of Chinese that grew up in the US or at least that is what authors wants us to believe.

Chang-Rae Lee’s Native Speaker expresses prominent themes of language and racial identity. Chang-Rae Lee focuses on the struggles that Asian Americans have to face and endure in American society. He illustrates and shows readers throughout the novel of what it really means to be native of America; that true nativity of a person does not simply entail the fact that they are from a certain place, but rather, the fluency of a language verifies one’s defense of where they are native. What is meant by possessing nativity of America would be one’s citizenship and legality of the country. Native Speaker suggests that if one looks different or has the slightest indication that one should have an accent, they will be viewed not as a native of

In the story “Two Kinds”, author Amy Tan, who is a Chinese-American, describes the conflicts in the relationship of a mother and daughter living in California. The protagonist in this story Jing-mei Woo’s mother is born and raised in China, and immigrates to the United States to escape from the Chinese Civil War. For many years she maintained complete Chinese traditional values, and has been abided by it deliberately. This kind of traditional Chinese culture has also affected her daughter profoundly. However, Jing-mei is born and raised in the United States. Despite she has a Chinese mother; she is unfamiliar and uncomfortable with Chinese

     The focus of our group project is on Chinese Americans. We studied various aspects of their lives and the preservation of their culture in America. The Chinese American population is continually growing. In fact, in 1990, they were the largest group of Asians in the United States (Min 58). But living in America and adjusting to a new way of life is not easy. Many Chinese Americans have faced and continue to face much conflict between their Chinese and American identities. But many times, as they adapt to this new life, they are also able to preserve their Chinese culture and identity through various ways. We studied these things through the viewing of a movie called Joy Luck Club,

Elizabeth Wong is a Chinese-American playwright who wrote “The Struggle to Be an All-American Girl”. In her essay, she describes her resentment of her Chinese roots and her protest against her parents who want her to learn and appreciate her heritage and culture. Her essay exposes the pressure that society places on immigrant children to fit into the dominant culture. The proposed solutions to fixing this problem is thinking and implementing long term plans. I make the argument that his ethical problem of society placing such a heavy burden on immigrant children to fit into the dominate culture can be solved with the implementation of multicultural classes, language classes, additional counselors and child psychologists in public schools.

Chinese women will take many precautions to protect their unborn and newborn babies from evil spirits. They will never attend a funeral and they will hang certain embellishments to ward of the spirits. A paper cut out of scissors is hung over the bed curtains of a pregnant woman and when a baby is born a special pendant is placed near the baby’s crib in hopes that any evil spirits would be more attracted to the pendant then the baby. Another example of keeping the spirits away is the parents of the child would make “arrows from wood of a peach tree and place near the cradle.” It is considered unlucky to name your child before they are born as well as to celebrate before the baby is born with a baby shower. This is normal for many cultures including some Native American cultures here is America. Though now it is more taboo and people are naming their babies as soon as they know the gender and having showers months before the baby is born to make sure that they are prepared when the baby arrives. When a baby is being born in China it is customary that the mother and mother-in-law of the mother to be, to be present during the delivery but not the father. It is considered terrible luck to be scared of labor as it is considered the woman’s job. After the baby is born the mother is in a “sitting period” for a month. This insures that the mother is completely healed and only has to focus on

In the personal essay “My Mothers Tongue” (1990), Amy Tan, widely known author explains her insights on language and culture identity using details and memories from her own life experiences. Tan conceals that the language in which her mother used with her “was the language that helped shape the way [she] saw things, expressed things, made sense of the world” (1208) and in the process it made her who she is today as an author. Tan illuminates the euro centricity of the Master Narrative by retelling stories of her mother being treated poorly because of her “broken” or “limited” English. She recalls many past experiences where her mother suffered from bad service and treatment from restaurants, stockbrokers, and even hospitals. Using examples from her personal life Tan gets her point across about language and culture characteristics in order to show how Chinese culture is affected by the master narrative and also encourages others to include a variety of cultures in order to overcome bias opinions. Tan’s apparent audience can be ranged from the child of an immigrant to a doctor and offers an authentic and rich portrayal of Chinese history through her conflicting experience of her Chinese and American cultures.