Gender Evaluation

The Beauty Myth’s central argument is the growing standards of physical beauty of women as they grow stronger. This standard has affected women in many ways, such as in the workplace, culture, and religion. The standard has taken over the work of social harassment. The beauty myth expands the belief an unbiased measurement of beauty exists and that women want to express it and men would want that women. The author, Naomi Wolf, states that the beauty myth is not about women themselves, it is about the power of men and their society. The myth supplies power to multibillion dollar cosmetics industries and it keeps women from rising too high in the workplace. Within this book, Wolf shows how the beauty myth functions and affects women in the workplace, media, sex, religion, culture, violence against women by men, and by women themselves in the configuration of cosmetic surgery and eating disorders.

There is a cliché quote that people say, “Beauty is in the eye of beholder.” But in the essay “The Ugly Truth About Beauty” (1998) Dave Barry argues about how women who spend countless hours on their so called “beauty” whereas men seem not to care. Barry uses juxtaposition and exaggeration to poke fun at men and women behavior and shed light on the harm that the beauty industry is doing. When Barry argues his point of his essay he addresses both genders, but more specifically teenage to middle age men and women, but he writes about it in a humorous and light-hearted manner.

In the clip of Prime Suspect, gender is represented in many ways using mise en scene and camera movement.

Through visual anthropology, images, ads, and cartoons are constantly changing individual’s views and the world in which they live in. Images are not merely pictures to state the obvious, they are pictures that have a deeper meaning. Whether the meaning is shown or not shown, they convey representation of something more meaningful in the end. Stuart Hall

The 1982 film “Victor Victoria” is a very progressive film for the time that it was created. It touched on very controversial points like sexism, homosexuality, and the fluidity of gender and gender roles. There were many instances throughout the film where nonverbal cues were used to make certain characters seem very masculine or feminine. Of course, because of the nature of this film, many times the genders that the cues suggested did not match the biological sex of the characters.

One example of women being seen under the gaze of men in the tutorial is in the form of one of

In Robert Scholes essay, “On Reading a Video Text” Scholes asserts that modern visual media or “video texts” provide a powerful vehicle for “cultural literacy.” By making use of “visual fascination” in mass media and in particular, commercials, these “video texts” use this part to bring viewers out of boredom and pique their interest. Following this, “narrativity” comes into play not only giving viewers the story but providing them with the ignition for their on context using their own cultural knowledge and experience on the commercial. The final step in the process is the ideological confirmation that is “cultural reinforcement,” the securing of one’s place in a body or group. With “video texts” more widely seen than traditional forms of

Steve Craig, in his article Men’s Men and Women’s Women especially define how different sexes in advertisement can influence a particular audience towards a product; one stereotypical method he describes is “Men’s Women” (Craig).One such ad using sex appeal, and a basic structure of “Men’s Women” to bring in customer was made by BMW in 2008 to sell their used cars. BMW, which is a world-renowned company known for its performance heavy automobiles, targets a male audience by comparing a gorgeous woman to their cars.This ad by BMW, who no doubt make amazing cars, degrade women through its message, and it enforces Steve Craig’s “Men’s women” tactic, but this ad also goes a step further and displays the ever-present patriarchy in advertisement overtly.

In Stuart Ewen’s All Consuming Images, the preface “Introduction to the New Edition” opens by giving the audience varying progressing images, from break dance to Madonna to Windows 95. This demonstrates a fast change in society: what matters in the history may not be an important issue now. Ewen then questions how a book written earlier still remains important and deserves republication. The book is durable because of the fact that it was written when the idea “images are everywhere” begins to develop. From political stand point, all the images, or specifically propaganda, that people see are to manipulate people’s emotions. In economic sphere, due to the ubiquitous advertising, marketing

From consumer’s perspective, the motivation of their purchasing high-end products is complicated. According to the report of Mintel (Academic.mintel.com, 2013), which showed that the reason why a large number of customs have purchased luxury merchandise in UK. There were 44 percent of female interviewees and 48 percent of male interviewees bought high-end goods due to the good quality. In addition, 31 percent of men and 18 percent of women consider the sophisticated technique

People tend to views an image based on how society say it should be they tend to interpret the image on those assumption, but never their own assumptions. Susan Bordo and John Berger writes’ an argumentative essay in relation to how viewing images have an effect on the way we interpret images. Moreover, these arguments come into union to show what society plants into our minds acts itself out when viewing pictures. Both Susan Bordo and John Berger shows that based on assumptions this is what causes us to perceive an image in a certain way. Learning assumption plays into our everyday lives and both authors bring them into reality.

The control of the apple is very significant. The apple has always been a symbol of the basis for man's problems. The apple in Clifton's poem is a metaphor for feminine sensuality and alludes to the feminist power dynamic. The truth about the apple is revealed by Eve, who states,

The bases for this opinion, lies mostly in the placement and configuration of the models in the advertisement. The female model is placed in a sexually suggestive positon. on the other hand, the male models in the ad, are seen looming over the female mode; that suggests something menacing is taking place. The female model is dressed in minimal clothing, that resembles a sexy baby onesie, this is also evidence that the model is being sexualized. Although one can argue that since the men are shirtless, the model is not as objectified as the male models. The facial expression of the female mode does not depict fear, but it potrays a face that says, “I was expecting this”. This phrase can be concluding, because of how the model does not make eye contact with the males, but in a way doesn’t mind them taking advantage of her. The ad can also be viewed as a propmoter for the rape culture, that is highy prominent in Amerca today. This ad brings women one step backwards, and it shows them how the advertising industry has managed to glamorize the objectification of women. They have achieved this by, telling females that it is okay to be only perceived as a sexual object, whose sole job is to visually appeal to

In his essay The Rhetoric of The Image, Roland Barthes explores the relationship between image and meaning. He centres his discussion around the advertisement as advertising is a medium in which there is an intended message being sent to the viewer. Barthes puts forward that if an image contains signs, in advertising the signs are ‘full’, as these signs are formed with the viewer in mind so that the intended message is not missed.

Often times, women are pressured by the mainstream media to upkeep a stellar appearance. They are expected to measure up to high standards without question. Even before most girls reach puberty, commercials are bombarding them with small Barbie esque makeup kits filled with lip glosses and chalky eyeshadows. The impact it has on impressionable children, both girls and boys is something that will likely last a lifetime if unlearned. Cosmetic companies who are marketing to young ladies say they can simply improve their looks to gain acceptance from their peers if they use the products they are selling. The makeup industry is a multi million enterprise that makes a profit from women’s insecurities and amplified pressures from society as a common tactic many cosmetic campaigns use is to push women to embrace the ‘natural look’ by providing products that will make it appear as if the individual is not even wearing makeup. Companies will spout out that with these products, the end result will be ‘you, but better.’ It is somewhat of an underlying and slightly manipulating slogan, as if to say how a woman appears could be improved because it is lacking in the moment. This distorts how we all believe how a woman is suppose to look.