Gender In Charlotte Bronte's The Awakening

Within ‘A Doll’s House’ Nora Helmer has a strong appetite for knowledge. This is particularly evident in her voracious longing for independence: “But it was great fun, though, sitting there working and earning money. It was almost like being a man”. This knowledge of “being a man”, and what that entails, would be unknown to many women during the Victorian era due to the fiercely patriarchal society that was perpetuated. The desire for knowledge and its inaccessible nature is particularly evident in the lack of further education for women. In fact, in the United Kingdom the first widespread report of female further education was the Edinburgh Seven in 1869. Whilst that instance of knowledge was not destructive, in the case of Nora and ‘A Doll’s House’ her appetite for knowledge is ultimately catastrophic for the Victorian female ideal due to the secrecy she creates around it: “My husband must never know of this”. As a result of this concealment and Nora’s appetite for knowledge, the Victorian ideal unravels and ultimately becomes destructive. Likewise, in Rossetti’s ‘Goblin Market’ an appetite for knowledge is ultimately destructive for the characters within the poem. After tasting the “fruit” of the “Goblin Men” and becoming knowledgeable of the taste and effects of it Laura “knew not was it night or day”. This confusion of time and geographical

In a harsh world, desire is something that can bring vulnerability to any person. Cristiana Rossetti’s “Goblin Market” is a riveting tale about two sisters who handle desire differently. One knows desire exists, but has the maturity and courage to not give in to her own yearnings, whereas the other cannot control her desires and pays dearly for them. Love is a strong theme in “Goblin Market” and is shown through the love that Lizzie has for her sister, Laura. Lizzie does not let her desire get the best of her when hearing the goblin men, she “thrust a dimpled finger / In each ear, shut her eyes and ran” (Rossetti 67-68). However, it is Laura that falls into a desire for the goblin men through curiosity: “Curious Laura chose to linger / Wondering at each merchant man” (Rossetti 69-70). The difference in the sisters understanding of desire cannot be better shown than in these lines.

  The Victorian era in England marked a period of unprecedented technological, scientific, political, and economic advancement.  By the 1840s, the English had witnessed remarkable industrial achievements including the advent of the railways and the photographic negative.  They had witnessed the expansion of the Empire, and, as a result, were living in a time of great economic stability.  Yet they had also seen thousands of people starving-and dying-due to the Irish potato famine and poor conditions and benefits in British factories and witnessed the entire order of society questioned as the working classes began to demand representation in Parliament.    The English also experienced biological

In both Goblin Market and “The Bloody Chamber”, women face objectification as pornographic objects whose solitary purpose is to be a man’s appealing possession. Evidently, the objectification of women impacted the way each author constructed their texts. Feminist movements aiming to undermine these rigid female and male roles are prominent in the time period of both literary works. Both Christina Rossetti and Angela Carter use strange worlds to differentiate from the typical fairy tale’s predictable conclusion and instead make a statement through the use of a female heroine. Both literary works contrast the archetypal idea that a man must always be the savior

Furthermore, the woman was never recognised as an equal in the world; with a “mane” for hair she is immediately relatable to an animal. When this connection is made, the woman is perceived as some strange creature; a mere mimicry of a real human. Harwood’s description of is a taste of how society views women; not quiet human. Now equipped with darker views of the flower filled day; the contemporary day reader is pondering to whether or not this vile practice is still belittling women of today.

Though it was uncommon during the 1800’s, some women didn’t want to assume the traditional role of a typical Victorian lady. Such is the case in Kate Chopin 's The Awakening; she introduces us to Edna Pontellier a mother and wife during the said era. Throughout the story, we follow Edna 's journey of self-discovery and self-expression through emotions, art, and sex thanks to the help of people she meets along the way. Chopin decides to end the book with Edna’s suicide in an attempt to convey a sense of liberation from her repressed life, but was the reasoning behind her suicide what everyone else thinks? Consequently, this said journey took me along for the ride, and I had no complaints. As Edna figured out who she was, I felt as if I was

The Victorian period marked the first traces of progress in the feminist movement, and poet Christina Rossetti embraced the advancement as her own long-established principles slowly became publicly acceptable. Her poem "Goblin Market" comments on the institutions in Victorian society that she and her feminist contemporaries wished to see altered, creating modern female heroines to carry out its messages. The goblins serve as malicious male figures to tempt the innocent heroines, sisters Laura and Lizzie, to corruption.

The Awakening is set in the late 1800s. In this era, society dictates people’s lifestyles. Divorce is nearly impossible, gender roles are strict, and conformation is more important than individuality. The multiple settings in The Awakening correlate to Edna’s emotions. There are two major locations in this story; the first sixteen chapters of The Awakening take place during the summer on Grande Isle, a high-class vacation resort off the coast of New Orleans.

There were two principle views concerning imagination, the Victorians and the Romantics, who didn’t accept each other’s ideas about imagination. But, despite their clashes on the status and views of imagination, the Romantics and Victorians share similar ideas through different angles of perspective, which we could assume are linked in part to their era. The long poem, named Goblin Market, written by Christina Rossetti shows the contrast between the ideas of Romanticism and the Victorian image of imagination while utilizing the same motifs. Goblin Market centralizes its theme on the Victorian approach towards Imagination as being a destructive, alien force that

Both Christina Rossetti’s Goblin Market and Augusta Webster’s A Castaway take on the theme of the fallen woman, but they do so in different ways. Rossetti narrates Laura’s fall from grace, penance and redeeming without truly giving Laura’s perspective while Webster’s castaway—presumably a prostitute—is given a direct voice and offers an account directly from the prostitute’s perspective. Aside from being fallen women, Laura and the prostitute share other similarities. They both lead or have lead pretty mundane lives with the prostitute going as far as questioning her train of thoughts when she reflects back on her diary, and they are also isolated from others once they are branded as fallen women. There is also, however, a striking difference between the two girls. Laura’s sister does not reject her after she sins and sets out to help her whereas the prostitute’s brother does not have any contact with her. Framed within the context of fallen women, both poems bring out several aspects of what being a fallen woman means by bringing forth the similarities between Laura and the prostitute as well as the difference between them.

A seemingly innocent poem about two sisters’ encounters with goblin men, Christina Rossetti’s “Goblin Market” is a tale of seduction and lust. Behind the lattice of the classic mortal entrapment and escapement from fairyland, “Goblin Market” explores Laura’s desire for heterosexual knowledge, the goblin men’s desire for mortal flesh, and Laura and Lizzie’s desire for homosexual eroticism.

In addition, the feminist view of sexuality is evident throughout Rossetti’s poem. Laura and Lizzie’s magical experience portrays the pursuit for sensual awareness while struggling between physical identity and spiritual salvation. Furthermore, “She clipped a precious golden lock, she dropped a tear more rare than pearl, then sucked their fruit globes fair or red, sweeter than honey from the rock” (ll. 126-29) and “sucked until her lips were sore” (l. 136). With blatant sexual undertones, this pivotal moment signifies the character’s transition from maiden to woman or innocence to experience. Additionally, this exchange could be a metaphor for Laura’s relinquishment of her sacred virginity. As Laura falls sicker and slowly begins to deteriorate, Rossetti illustrates the consequences of succumbing to the temptation of men’s deceit and the importance of remaining pure. With use of vivid imagery, Rossetti further emphasizes the animalistic and uncanny

Kate Chopin's novel The Awakening in the opening chapter provides the argument for women's entrapment in roles that society has forced upon them. Chopin was not just trying to write an entertaining story but trying to convey arguments against these social injustices. Women are like these birds trapped in these cages unable to free themselves from these imposed roles by society.

The short epic poem the Goblin Market by Christina Rossetti resembles a fairytale because of the goblins and the happy ending of the united sisters, however the metaphors and allegory of fruit is ambiguous for different interpretations of drugs, sexual pleasures, temptation to sin, etc. The poem is broken into four major sections- temptation, fall, redemption, and restoration. Many people had mixed feelings toward the poem; some were even shocked of the Goblin Market because of how dark it is since Rossetti is usually linked to children novels and nurseries. The target audiences is not children but adolescents, as this poem is a merely a stage to warn young women about temptation and desires.

In the novel The Awakening, by Kate Chopin the critical approach feminism is a major aspect of the novel. According to dictionary.reference.com the word feminism means, “The doctrine advocating social, political, and all other rights of women equal to those of men.” The Awakening takes place during the late eighteen hundreds to early nineteen hundreds, in New Orleans. The novel is about Edna Pontellier and her family on a summer vacation. Edna, who is a wife and mother, is inferior to her husband, Leonce, and must live by her husband’s desires. While on vacation Edna becomes close friends with Adele Ratignolle, who helps Edna discover she must be “awakened”. Adele is a character who represents the ideal woman. She is loving,