Gender In Orlando, By Virginia Woolf's Orlando

Gender can be defined as “sex roles” which are conditions that one considers to be for men or women. People tends to mistake it with sex or thinks that they are both the same. We discussed about the patterns of gender which how the authors of The Kaleidoscope of Gender describes it as “regularized, prepackaged ways of thinking, feeling, and acting” (Spade and Valentino,2017). It becomes an identity for us. We believe that there is and can only be two genders, being masculine for men and feminine for women. These roles has been forced onto us since birth: blue for boys, and pink for girls. You can see the roles being push onto a person throughout one’s life, but we don’t notice it since it’s “normal” to us.

The Modernist skepticism is vivid in Woolf's portrayal of a woman, Isabella, who has not conformed to society's accepted norms and would seem to be - at first glance - all the better for it.  But, upon closer inspection it is with a sigh of resignation that Virginia recognizes the illusion that her fanciful exploration created for her.  Isabella (possibly representative of Virginia herself or of womanhood in general) is elevated and

In our society today, there are many ways identity plays a role in how people live their lives, as well as how people are viewed or treated by others. A big part of a person’s identity comes from their gender. Men and women are raised differently, whether it be their beliefs and ways of thinking, how they view their future, or the actions they choose to take throughout their lifetime. In both Katha Pollitt and Silko’s essays, they discuss the differences in the lives of men and women and how these differences result from society’s expectations by using metaphors and life examples to explain their message to the reader, as well as allow the reader to connect to this message.

Gender, by definition, is the state of being male or female typically used with reference to social and cultural differences. Sex, by definition, is either male or female into which humans and many other living things are divided on the basis of their reproductive functions. However, society fails to separate the two. Judith Butler describes in “Phylosophe” that a young man who was murdered because he was dramatically feminine than he was “supposed” to be masculine. In the “Prelude: The Barbershop,” Ashanti Young details of his hardship of being denied from subcultural groups that he wants to identify with. Audre Lorde expresses her tyranny as a black, lesbian woman fighting through criticism and judgement and silence in “The Transformation

As Lorber explores in her essay “Night to His Day”: The Social Construction of Gender, “most people find it hard to believe that gender is constantly created and re-created out of human interaction, out of social life, and is the texture and order of that social life” (Lorber 1). This article was very intriguing because I thought of my gender as my sex but they are not the same. Lorber has tried to prove that gender has a different meaning that what is usually perceived of through ordinary connotation. Gender is the “role” we are given, or the role we give to ourselves. Throughout the article it is obvious that we are to act appropriately according to the norms and society has power over us to make us conform. As a member of a gender

What does it mean to be a woman or man? Whether we a man or a woman, in today’s society it is not determined just by our sex organs. Our gender includes a complex mix of beliefs, behaviors, and characteristics. How do you act, talk, and behave like a woman or man? Are you feminine or masculine, both, or neither? These are questions that help us get to the core of our gender and gender identity. Gender identity is how we feel about and express our gender and gender roles: clothing, behavior, and personal appearance. It is a feeling that we have as early as age two or three. In the article, “Becoming Members of Society: Learning the Social Meaning of Gender,” the author, Aaron Devor, is trying to persuade his readers that gender shapes how we behave because of the expectation from us and relate to one another. He does this by using an educational approach, describing gender stereotypes, and making cultural references. He gets readers to reflect on how “Children’s developing concepts of themselves as individuals are necessarily bound up …to understand the expectations of the society which they are a part of” (389). Growing up, from being a child to an adult is where most of us try to find ourselves. We tend to struggle during this transition period, people around us tell us what to be and not to be, Jamaica Kincaidt in her short story, “Girl” tells just that, the setting is presented as a set of life instructions to a girl by her mother to live properly. The mother soberly

Back in the day almost everyone viewed woman to be the person who cleans, cooks, has children, and obeys her husband. Even woman themselves had this view hammered into their minds at such a young age, the views that women are inferior to men. This stigma of woman can be found traced throughout Virginia Woolf’s essay of two meals, a meal for men and a meal for women at a college. She uses numerous composition techniques and effectively disperses them throughout her narrative. By doing so, she accurately demonstrates her views on society’s stigma of a woman's role in an eloquent manner.

In Lewis Carroll’s, Alice in Wonderland, traditional gender roles are reversed by portraying women with masculine behaviors and males with qualities generally attributed to women. Where aggressive and dominating behavior is seen as masculine, and sensitive and submissive acts are considered feminine, Carroll paints a picture of a society where these qualities are switched. For instance, the Queen of Hearts is a dominating and aggressive figure who terrorizes her meek husband. While some characters seem to possess qualities that Carroll's contemporaries would consider traditional, they are in the minority and they serve the purpose of teaching Alice something about the true meaning of gender. Alice has to navigate this bizarre world to discover

“In these two books, we have the story of a young man coming of age and finding success in the world and the story of a young woman coming of age and failing to do so. In either book, what gender roles prevailed?”

Milton was, by no means, a feminist, and was of quite a conventional outlook when it came to gender roles as is apparent in the fourth book of Paradise Lost, which has inevitably been scrutinized over and over again under the modern gendered eye. “Paradise Lost,” says Shannon Miller, “is Milton’s most sustained attempt to represent in poetry, gander roles, relations and hierarchy.”It is evident, she points out, in the course of his introduction of Adam and Eve in book IV, the stories of creation they relate there and in book VIII, and finally in the way Milton presents the consequences of the Fall. The reader observes the process by which gender is created as a cultural category.

In Virginia Woolf’s “Night and Day”, we, as the reader, can examine various feminist themes throughout the novel. Even though, “Night and Day” is one of her more conventional novels, many of the issues fly in the face of traditional values and capitalizes on the female oppression that was present in that time era. Even though, this was one of her earlier works, I believe that her conventional structure was an intentional creation, as she was trying to make a point on literary tradition and feminism. In contrast to many of her later novels, like “To The Lighthouse”, which had much anti-structure and stream of consciousness, “Night and Day”, is full of carefully written

When contemplating the topic of gender role and its impact on identity one cannot help but realise that these gender roles have a huge part to play on a person’s identity. As gender is a combination of male and female it gives way for a number of characteristics to accompany each sex making them different from each other. This has an important position to play on identity which Kath Woodward stated in her book “Questioning Identity: Gender, Class, Nation” where she said “Without difference there would not be such thing as identity”. (Woodward, 2000, pp.51) Unfortunately, however, with these differences there are inequalities. In this essay I would like to elaborate on this further by looking at the meaning of gender and how it impacts

Judith Butler questions the belief that behaviors of either sex are natural. She proposes a rather radical theory that gender is performative and that sex is constructed. When gender is being performed, it means that someone would take on a role, acting in such a way that gives society the idea of their gender and constructs part of their identity. To be performative means that we produce a series of effects.Gender is constructed and is not in any way connected ‘naturally’ to sex.

Throughout Mrs. Dalloway, Virginia Woolf uses the characters Clarissa and Lucrezia not only to further the plot of the story but to make a profound statement about the role of wives in both society and their marriages. While these women are subjected to differing experiences in their marriages, there is one common thread that unites each of their marriages: oppression. These women drive the story of Mrs. Dalloway and provide meaning and reason in the lives of the men in the story; however, these women are slowly but surely forced to forsake their own ambitions in order to act in accordance with the social standards set in place by marriage for women. For women outside of many modern cultures, marriage has been a necessity for a woman’s safety and security, and it required her to give up her freedom and passions and subjected her to an oppressed lifestyle. Ultimately, through the wives in Mrs. Dalloway, Woolf communicates that marriage is an institution where in women are forced to suppress their individual desires and passions in order to serve their husband and further his own ambitions as first priority.

Her essay deals with the conceptual presence of gender within society that functions as the primary element in expected behavioral roles. Drawing upon previous philosophic and psychoanalytic thought, Butler espouses a theory rooted in the concept of social agents that "constitute social reality through language, gesture, and all matter of symbolic social sign." (Butler 270) Butler asserts that gender is not based on an internal identity or self-definition, but rather on perceptory, reflective notions of performances. Gender itself, in its unstable temporality, is defined by Butler to be "an identity instituted through a stylized repetition of acts"--an ephemeral performance from which social constructs are formed. (Butler 270) In this analysis, Butler establishes the notion of gender as an abstracted, mass perception which is rendered concrete by the fact of its common acceptance. It is a shared reality of the public, it's existence is a consequence of society's mutual acknowledgment. In this light, Butler describes the concept as being purely temporal--the appearance and perception of gender constitutes its reality. As a result, the examination of gender construction is the examination of its performative, perception-based manifestation. Upon breaching the collective assumption of the actuality of gender, its mutual acceptability is undermined, rendered unstable, and therefore, non-existent.