Gender Issues In The Merchant Of Venice

Throughout the education system, there seems to be an unofficial consensus that pieces of literature that are deemed “controversial” should not be taught in school. The Merchant of Venice falls into this category due to the Anti-Semitism which exists within the play making it “controversial” therefore, banned. On the contrary, this play should not be considered controversial and it should not be banned due to the learning experiences and knowledge that can be gained by reading this play. The contrastive style of literature will provide students and teachers alike who read this play the chance to expand their horizons when it comes to their English skills. With this in mind, The Merchant of Venice written by William

The play ‘The Merchant of Venice’ Shakespeare effectively engages the modern audience through the means of comedic conventions within themes and characters. Comedy conventions such as racial and cultural slurs don’t engage the audience as successfully as they did during the 16th century. Since then, our perceptions have changed because of the impacts of historic events. However, the use of double entendre and gender roles continue to amuse modern day audiences. The Merchant of Venice is classified as a problem play/comedy because it deals with contentious social issues between the characters on stage, who typically represent conflicting points of view within a realistic social context along with comedic conventions. Written by the illustrious William Shakespeare about a merchant of Venice who must default in a large loan provided by an abused Jewish moneylender. Shakespeare uses some of the fundamental aspects of society in conjunction with subtle comedic conventions in order to appeal to a modern audience.

The feminist critical perspective examines the roles that women play in literary works and their true significance to the text. Their roles are usually decided on by the society or time period in which the story is set. In "The Merchant of Venice," females were suppressed by the societal ideals of Shakespeare's Elizabethan era, which is portrayed through the characters of Portia and Jessica, who could not establish their own powerful identities because they were women. Portia and Jessica are the main female characters in the play. If they had been given a chance to show their skills, they undoubtedly would've been extremely strong women. However, they had to mask their abilities in order to appeal to their male counterparts. Their

Looking into Shakespeare’s work, the class and I got to view “The Merchant of Venice”. I

“There is no doubt that Shylock is a cunning and vengeful man, but nothing can justify the treatment he receives at the hands of the Christians.”

Stereotypes for every different religion, ethnicity, culture, and gender exist among the minds of the human race. These typecasts have ruled this world for as long as there has been diversity among people. In Shakespeare’s comedic tragedy, The Merchant of Venice, one prejudice is very central to the theme. The play is dominantly set in Venice, one of the most liberal cities of the Renaissance era. In this place and time period, anti-Semitism is very much in force. The Jewish people are discriminated against and treated terribly by the Christians living in Venice. Shylock, a wealthy Jew, is mercilessly spurned many times by men like Antonio, a Venetian merchant. In contrast to this blind hatred is the longing and lust associated with

The Merchant of Venice is a play set in a very male and Christian dominated society where other religions and women rights weren’t very well accepted by the community. However Portia, a rich woman who had previously been controlled by men, triumphs as she manipulates tricks and saves the lives of the men.

He declares, "I'm very glad of it. I'll plague him, I'll torture him, I am glad of it." (3, 1, 115-116) At the end of Act 3, scene 1, Shylock's true motive is revealed. Shylock says, "I will have the heart of him if he forfeit, for were he out of Venice I can make what merchandise I will." (3, 1, 125-127) All these comments clearly attempt to paint Shylock as a money-worshipping murderer and not as a person.

The Merchant of Venice by William Shakespeare portrays Shylock as a victim throughout the play, but as he seeks revenge towards the Christians and everyone who has done him wrong, Shylock defends himself with some villainous behaviour. To a modern audience, the discrimination and suffering Shylock experiences, place him as a victim. Throughout the play, Shylock, a Jewish money lender, is perceived as a greedy and miserly man due to his Jewish culture. In Shakespeare's time, exploitation of Jews was common; particularly in Venice as it was an anti-Semitic city. However, Jews thought of themselves as victims of harassment and oppression. Shylock has been discriminated against, but nevertheless seeks revenge on people who have done him wrong which displays another side to Shylock. Therefore, Shylock is viewed as a victim and a villain, but more of a victim because of the abuse he has suffered.

William Shakespeare’s The Merchant of Venice is a perplexing story of dark humor, race, religion, identity, love, and justice. Generally, most people understand The Merchant of Venice as a comedy about a bitter and outcasted Jewish moneylender named Shylock who seeks revenge against a Christian merchant who has failed to pay his loan back. However, there are many different perspectives on whether The Merchant of Venice is a comedy or a tragedy depending on one’s views on the difference between race and religion. If one views the story as a comedy, it is a dark comedy full of many problems, especially the controversial subject matter of anti-Semitic attitudes of its Christian characters. If one views it as a tragedy, it is a tragedy that concludes with majority of its characters in a “happy ending”—that is if one agrees that Jessica’s decision of love over betraying her father and giving up her Jewish identity is indeed a happy ending.

Shakespeare criticizes society’s output on Judaism through his play with the characters Shylock and Jessica. Shylock and Jessica are seen as outsiders in Venice and are discriminated by the Christian characters in the play for being Jewish. For instance, Gratiano describes Jessica, a former Jew, as an "infidel "(III.ii.223) despite converting and marrying a Christian. By calling Jessica an “infidel”, Gratiano is implying that she isn’t a true Christian and is still a Jew. Later in the play, Jessica is also told there’s "no mercy in heaven.."(III.v.31) because she was Jewish. This statement evokes the idea all Jews are sinful and can’t enter heaven. The two examples above show how Jews are seen as inferior to Christians in the play. Because of this bigotry, Shylock is vengeful toward Antonio with his bond. When he finds out about Antonio’s lost ships, he exclaims: I'll plague him, I'll torture him. I am glad of it." (III.i.115-116). This line demonstrates the stereotypical image of Jews that Christians see. What Shylock says relates to the 16th century where Christians often believed that Jews used their blood in religious ceremonies. By saying he’ll “torture” and “plague” Antonio, Shylock is conforming with the negative image society has of him. However, Shakespeare also paints Shylock as a human character treated unfairly by the Christians in Venice. After finding out that his daughter Jessica eloped to a Christian man, Shylock delivers a powerful speech about Jews being equals: “Hath not a Jew hands, organs, dimensions, senses, affections, passions? Fed with the same food, hurt with the same weapons, subject to the same diseases [...]as a Christian is?” (III.i.48-54). This speech presents to the audience that Shylock is human

Shylock finds joy when roles are reversed, causing people to beg for his mercy. Throughout the play, Christian characters were racist to him, they were constantly disrespecting him due to his Jewish background. However, in Act III Scene III, roles are reversed when their racist antics turn into mercy. The characters want to save Antonio from being harmed, and so they beg Shylock to change his mind:

   Though William Shakespeare accurately portrays both Christianity and Judaism in his play The Merchant of Venice, the characters in the play do not represent their religions well. A reader unfamiliar with these religions could easily misinterpret flaws in a character's nature as the teachings of his religion. After a preliminary glance at the play, one would assume that Shakespeare wrote unjustly of the two religions depicted therein. However, Shakespeare had to write the play to please his audience, so he added a twist. By making characters not wholly perfect in their faith, in compliance with reality, Shakespeare was able to add the insults and bigotry and anti-Semitic feelings

did this through Shylock. In Act 3 Scene 3, Shylock tells of how he is

The Merchant Of Venice is structured partly on the contrast between idealistic and realistic opinions about society and relationships. The play tells us mercy is preferable to revenge. Shylock chose revenge over mercy against Antonio and how his choices affected him. The Court of Venice begging mercy of Shylock. Finally, Portia forgiving Bassanio for giving away his wedding band.