Identity and power is attached to one’s gender and gender roles they are expected to by society. In both the Shakespearean era and today’s society, there are two main gender roles, masculinity and femininity, with different expectations for both. The gender norms for these genders are vastly different.
Men are publicly powerful and while women do not have a lot of public influence, they privately influence their husbands or fathers, and this is where they have power in the relationship. These different expectations are set by the patriarchal society we live in. Women are treated as objects and property of men and they lose their agency as full human beings, especially in Shakespeare’s plays. They are no longer full human beings because they are being treated as objects. Society forces gender norms on both men and women, expecting men to have public power and influence. When
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This means Hermia is only a possession and she does not have the power to choose for herself. He manipulates her with the power society gives him and gives her the choice to die or marry Demetrius. She is expected to be docile and agree to her father’s wishes because society has implemented these gender norms. When these norms are followed, external validation is given because these norms are seen by society as a goal to be reached. The gender norm of following her father's wishes to marry who he wants is expected of her but this norm does not get fulfilled. By defying her father’s wishes and running away, she loses what little societal power she had when she was connected to her father. While running away, she gained a sense of power by rebelling against her father. By going against her father’s wishes she goes against gender norms and solidifies who her identity as a person and not as an object. She is no longer connected to her father and is not seen as a possession by
Throughout centuries men have been seen as the gender that have more rights than women. According to Diane Elizabeth Dreher’s 1986 book, Domination & Defiance: Fathers and Daughters in Shakespeare, she explains that a woman during renaissance England, “was to conform patiently and silently to the will of her father and, later, to that of her husband, accepting commands, correction, physical abuse, with sweetness and humility” (16). As a result of a renaissance society that promotes and even encourages this type of behavior, men believe that they have more power. When someone believes that they have more power than another person a pattern of disrespect, and in the most extreme cases, physical and emotional abuse are likely to follow. In Hamlet, Shakespeare contrasts two female leads of the play, Ophelia and Gertrude, through reduction to appearance, instrumentality, and silencing in order to show that during this time period, the objectification of women in the play was parallel to the objectification of women during renaissance England.
Hermia has been promised to Demetrius by her father; however she is unwilling to marry him as she is in love with Lysander. We are introduced to this theme when they visit Thesus, the figure of authority in the play, who makes it clear that women are not to have their own identity, but instead are
Although written long ago, Shakespeare’s The Tragedy of Macbeth still has themes relevant for contemporary society. Murderous ambition, political intrigue, crafty social alliances, the disintegration of marriage – these could be headlines from any daily news program. It comes as no surprise, then, that we also find a significant number of moments in the play where gender seems to be an issue. More specifically, we might say that Shakespeare's dramatic investigation into proper uses of power consists, in part, of a rigorous critique of the disparities between the respective roles assigned to men and women. Shakespeare seems especially interested in the moral and ethical implications of such
In a patriarchal society, women are expected to conform to social restrictions by demonstrating reverence and obedience to the males in their lives. Shakespeare's tragic play, Romeo and Juliet, explores the effects of patriarchal authority exerted over women and how the patriarchal structure left no escape from it, save death. Through Juliet, Lady Capulet, and the Nurse, Shakespeare establishes a common understanding of this type of society, but illuminates three different reactions to the social oppression by portraying the responses of a passionate lover, an idyllic housewife, and an attendant.
Historically, roles of men and women were established to ensure the power of the head of the household. In the early centuries, the head of the household was always male. Shakespeare reflects and at times supports the English Renaissance stereotypes of women and men and their various roles and responsibilities in society. In Macbeth, Shakespeare supports this idea by developing the constant theme of power through masculinity. The idealistic role of men in society goes along with the idea that significant power results in higher ranking in the social hierarchy of this time period.
When observing gender in our society, women and men are stereotyped with specific roles. Men have always been seen as the family’s main source of income whereas the women take care of their home and children. However, Shakespeare challenges these gender roles in his play with the three female characters Goneril, Regan, and Cordelia. While all three are independent, powerful women and even lead their armies into battle, the men seem to be foolish and weak such as King Lear and Albany. Furthermore, Mira cel Batran makes a point in her essay, “Feminist Reading of William Shakespeare’s King Lear”, that although women are regarded as dependent on men, Shakespeare explains that it can be the exact opposite. The men seem to depend on the women such as King Lear depending on Cordelia and Albany depending on Goneril. Shakespeare, in his play, King Lear, portrays women who are strong and intelligent and men who are weak or overpowered by female characters, challenging the societal belief that women are inherently less than or dependent on men.
All throughout history, males have always been the dominant gender. Men never let the females have certain rights and would consider the women to be objects or possessions. This sexism can be seen all around society and has established one of the most famous works of literature, A Midsummer Night’s Dream. In A Midsummer Night’s Dream, Shakespeare uses the contradicting settings of the woods and Athens to show how women try and break out of the role society has forced them to play. During the Elizabethan Era, the society was patriarchal.
A Midsummer Night’s Dream is assumed to be written between 1590-1597. This comedy well included satirical stories, reflecting the times and circumstances when it was created. Especially, it mirrored the recognition of gender based on male-domination society. This comedy starts with Egeus marching into Theseus’s court to discuss about her daughter Hermia’s marriage. But Hermia did not satisfy with the order of Theseus and plans to escape Athen with Lysander who she truly loves.
Shakespeare’s play, Macbeth, begins with the protagonist, Macbeth, being faced with a supernatural prophecy. The temptation of power further corrupts Macbeth as the play progresses, until his murders catch up to him. Despite the time in which a man lives, he is surrounded by opportunity and the constant battle between the loss and acquisition of power. For those deep in search for power often experience the blurring of the lines between right and wrong. In the 17th century, gender roles were strict and unmoving. Men symbolized the power and strength, while the women represented the caring and submissive traits of human nature. Shakespeare utilizes Macbeth and Lady Macbeth’s marriage to further toy with the audience’s minds and inverts the gender roles.Throughout the play, Macbeth and Lady Macbeth’s marriage demonstrates inverted gender roles; but as Lady Macbeth utilizes her influence over Macbeth, her driven attitude leads him down the path of corruption.
In the times of Shakespeare, gender roles were clearly defined and there were expectations to uphold those customs. Men were the ones who held the power, they spoke freely, they were expected to be strong, emotionally tough, intelligent and courageous. Women, on the other hand, were expected to be more passive
Shakespeare challenges the assumption that men hold more power than women do. He subtly hints that the power men posses is superficial when Jessica dresses like a boy, and later when Nerissa and Portia disguise themselves as men in The Merchant of Venice. Masculinity is merely a costume that can be donned or doffed at will; therefore its associated power can be removed and redistributed as well.
Shakespeare may be the most known playwright of all time, however, you may be surprised at how many unfair stereotypes this very famous writer incorporated into his plays. A Midsummer Night’s Dream is a comedy play written by William Shakespeare in the late 1500s that portrays events surrounding the marriage of Theseus, the Duke of Athens, to the extravagant Hippolyta, the former queen of the Amazons. Such events included Demetrius jilting Helena at the altar and falling in love with Helena’s rival instead, Hermia. However, Hermia is in love with Lysander, not a disdainful youth known as Demetrius. According to feminist theory, the theory that focuses on gender inequality. A Midsummer Night’s Dream would not be considered a feminist empowerment play because throughout the play Shakespeare portrays women as timid/easily frightened. He shows men having more power than women, and perpetuates the unfair stereotype that all women must act a certain way.
In Athens, women had very little rights. Womens fathers were the ones who got to choose whom they married, and that caused trouble for the lovers. Hermia’s father, Egeus, strongly believed in this rule. At the beginning, Egeus decides that he wants Hermia to marry Demetrius, which is good for Demetrius but bad for Hermia. Hermia, daringly refuses her father’s wishes, so they seek the help of Theseus, the Duke of Athens. Theseus listens to their situation, and being the authority in the situation, tells Hermia: “Either to die the death, or to abjure for the society of men. Therefore, fair Hermia,... if you yield not to your father’s choice, you can endure the livery of a nun...”(24). This shows how authority, in this case the law, gets in the way of “the course of true love…”(28). Egeus’s decision to have Hermia marry Demetrius does not only affect Hermia but also affects Helena. When Hermia’s father chooses Demetris to be her
Hermia is recognized as an inferior character due to her fathers commands-Egeus. Hermia endeavours to get Egeus to give permission for Lysander and herself to get married. However, he responds with a rational answer, giving her two choices: “Consent to marry with Demetrius…” “…or to her death, according to our laws…” (Shakespeare 1:1 40,44). This passage stats how Hermia is given the option to marry Demetrius or to be killed by her fathers request. Also, it describes that this act is legal and right in the laws of the Athenians as Egeus mentions. This means that women throughout the town are forced to do what their fathers say. Which proves that woman are powerless and males are given the role of superiority, this makes the society unjust. Hermia is shown as powerless towards what
Gender and sexuality is among the most exploited issues in the contemporary society since there is a lot of controversies and concerns arising from the same topic. Various works of literature have been written to explore the theme of gender and sexuality displaying how different groups of people exemplify the notion of masculinity and femininity and generally how men relate to women in the society. Shakespeare’s play examines the various issues that surrounded the sixteenth century and to some extent they still exist in the present world. This paper will mainly analyze how the play explores the theme of gender and sexuality and the paper will analyze the presentation of gender roles and especially how women act within or outside their roles and marriage.