Gender Quotes In Medea

Both Fifth century B.C. playwright Euripides and Roman poet and dramatist Ovid tell the story of Jason ditching Medea for another woman; however, they do not always share a perspective on the female matron's traits, behavior, and purpose. Euripides portrays a woman who reacts to injustice by beginning a crusade to avenge all who harmed her which she is prepared to see through even if it means resorting to the most contemptible methods. Ovid, on the other hand, tells of a much less extreme figure whose humble goal is only to persuade Jason to return. Despite these differences, both Medeas create trouble by acting with emotions instead of with reason, and as a result, put

In Medea, a play by Euripides, Jason possesses many traits that lead to his downfall. After Medea assists Jason in his quest to get the Golden Fleece, killing her brother and disgracing her father and her native land in the process, Jason finds a new bride despite swearing an oath of fidelity to Medea. Medea is devastated when she finds out that Jason left her for another woman after two children and now wants to banish her. Medea plots revenge on Jason after he gives her one day to leave. Medea later acts peculiarly as a subservient woman to Jason who is oblivious to the evil that will be unleashed and lets the children remain in Corinth. The children later deliver a poisoned gown to Jason’s new bride that also kills the King of Corinth.

In the first conversation the reader sees between Medea and Jason, it is clear that Jason is not suffering from the situation at all and even goes to call Medea an idiot for speaking baldy of the king and his daughter, whom he is marrying. Jason claims that the reason he left Medea for the King’s daughter is because he is looking out for the best interest of Medea and their children. He even goes on to tell her, “However much you hate me, I could never wish you any harm.” Although his justification seems like a good excuse and a smart plan, it does not seem genuine seeing as to how quick he dismisses her and does not want to stick up for her by talking to the Creon about letting her stay and not exiling her and their

Medea’s strength is portrayed as her madness as she takes control and decides the fate of her enemies. She is a strong character and Euripides allows Medea to have a voice by allowing the audience to witness her break from the norm of what a woman of her time is expected to do. After giving up her family and former life to be with her husband, Jason, he decides to marry a younger princess while still married to Medea. Medea realizes that women are left to face the most miserable situations and says, “We women are the most unfortunate creatures” (229). Jason feels that Medea is to be grateful for what he is doing by marrying into royalty as it will afford all of them a better life. The representation of Medea by Euripides is powerful, manipulative, and extremely smart, yet because she is a woman she has limited social power.

From the beginning of the play the conflict between good and bad where Medea and Jason are concerned has been ambiguous. Both characters have done terrible things in order to attain what they want. Nothing could stand in the way of them including Medea’s father, whom Medea betrayed and to pile on the grieve she kills her brother and drops parts of him into the sea so as to delay her father thereby ensuring that Jason and his Argonauts could fulfil their quest to attain the Golden Fleece. When Jason betrays Medea and walks away from their marriage we immediately identify him as the villain, yet the reader fails to understand that during that time when this play was written it was still socially acceptable for the man to walk away from his marriage provided he gives back the dowry he attained from the wife’s father. In this case Medea did not bring any such items so it was even easier for him to leave her so as to empower himself. It was Medea’s role as a woman belonging to that age to accept Jason’s decision however she feels betrayed that he would break a vow made in front of the gods, and apparently she was not a regular woman even by the standards of that time as she had an intellect that could rival that of scholarly men. So to exact her revenge she destroys everything Jason loves leaving him to regret ever betraying the marriage.

Superficially, Medea is a critique of relations between men and women, the struggle between Jason and Medea; then the struggle between Creon and Medea. However at the deeper level, Medea is a critique of the quality and state of the contemporary culture of Euripides (Arrowsmith 361). The unique symbolism is that

Medea’s conflict with Jason proves to be the main conflict in the play, which really sheds light into the fact that Euripides created this play to challenge the notion of feminism. After Jason’s betrayal, Medea decides to take control. It is evident in the way she manipulates other characters within the play, and how she handles situations she is in, that she is quite intelligent. Her motivation and will to accomplish her own goals, portrays Medea as the complete opposite of a typical patriarchal woman who embodies the norms of patriarchy in Greek society. In the play, Jason says, “I married you, chose hatred and murder for my wife – no woman, but a tiger…” (1. 1343-44) This quote shows the misogyny with Jason, because he is saying that him and the society have made Medea this way. But maybe Medea started acting

Then she was transferred to the home of her husband where she was to fulfill her principal function, the bearing and rearing children. Medea shows the inequality of women in Greek society. The betrayal of Medea by Jason through his marriage to another woman enrages Medea. She begins to question the role and position of women in a patriarchal society. "Are we women not the wretchedness? We scratch and save a dowry to buy a man?Our lives depends on how his lordship feels. For better for worse we can?t divorce him."(p.8, Medea). However, "a husband tired of domesticity, Goes out sees friends and enjoys himself?."(p.8and 9, Medea). Medea compares the virtual slavery of women to the absolute freedom of men, showing the inequality and disempowerment of women in society at that time.

The play Medea uses the setting to help the audience better understand the meaning of the text. What is said depends greatly on who is around and where the character(s) are. For example, when Medea is by herself or with the chorus, she is speaking freely of her evil plans, however, when she was in the presences of Creon or Jason, she lied to their faces. The audience knows what her true thoughts and feelings are due to the setting. They are not tricked into thinking she has changed her mind but instead, they know when she is lying based on who she is around. After Medea devised a plan, she sent for Jason and pleades to him, “Jason, I ask you to forgive me for the things I said before. You’re used to putting up with my temper, since so many acts of love have passed between us…” (Medea, 870). This quote is a perfect example of how the setting changes the meaning of the words. This helps portray the overall them of identity. Medea is now full of rage and anger due to her husband leaving her for another woman. She has lost her sense of identity which was found in her husband. She is a refugee in Corinth and has no friends or family. She feels completely alone with nowhere else to turn but to anger and rage.

In the beginning of the play, the nurse discusses the horrible deeds Medea delivers to her own family in the following lines “my mistress Medea would not have sailed for the towers of the land of Iolcus, her heart on fire with passionate love for Jason; nor would she have persuaded the daughters of Pelias to kill their father, and now be living here in Corinth with her husband and children” (1). Ironically, before Jason leaves Medea, he needs her help in a great mission. By admitting that he needs her help, Jason falls short of the idea that a man is in control of the situation.

Medea is the tragic story of a woman desperate for revenge upon her husband, after he betrayed her for another woman’s bed. It was written by Euripides, a Greek playwright, in 431 B.C. Throughout the play each character shows us their inconsistent and contradicting personalities, in particular, Jason and Medea. The play opens with the Nurse expressing her anxiety about Jason betraying and leaving Medea for another, wealthier, woman. Our initial reaction is to feel empathetic towards Medea, who has been abandoned so conveniently. But towards the end of the play, when Medea takes revenge on

Medea accomplished that by giving birth to two children for Jason. As the play slowly unraveled, it plainly displayed that she was faithful towards her husband, but being an ideal Greek wife was not her factual nature. She was independent and her qualities made her different from the Corinth women. In the opening sequence, the nurse introduced Medea as a frightening woman when someone wronged her. “Her temperaments are dangerous and will not tolerate bad treatment. For she is fearsome. No one who joins in conflict with her will celebrate an easy victory”, the nurse presented (page 2, line). From this, the reader can envision how ordinary other Greek women were. How they didn’t have a mind of their own and were defenseless towards those shabby treatments from men. These women were submissive and didn’t have any control over their lives. However, the protagonist Medea did. She took matters in her own hands when her husband betrayed her.

In Euripides' play the title role and focus of the play is the foreign witch Medea. Treated differently through the play by different people and at different times, she adapts and changes her character, finally triumphing over her hated husband Jason. She can feasibly be seen as a mortal woman, Aristotle's tragic hero figure and even as an exulted goddess.

Moreover, Euripides incorporates Medea into the relationship to convey the idea that females also possess power in an alliance, but the form of their authority is different compared to that of a male’s. Medea elucidates that even in arduous times, she assists Jason and supports their marriage. In a direct conversation with Jason, she tells him, “…after I’ve done all this to help you, you brute, you betray me…” (27). She explains that although she took care of Jason and supported him whenever he needed her help, he disabuses his power to overpower her and abandon her. Even after Jason abandons Medea, she thinks day and night of him. Medea demonstrates that the power females possess is not physical and totalitarian like the males, but rather is emotional and mental. She tries to keep the family together and in trying to do so, she does whatever Jason asks her to do. She is the important woman behind every successful man. Without her command, Jason would not be the person he is. Therefore, she can destroy Jason whenever she desires with her power. She can be a femme fatale and reduce Jason’s life to rubbles. Similarly, after Medea finds out that she is being cheated on, she quickly creates a malicious plan to obliterate Jason. She assassinates his new wife and his heirs. Although her love is “greater than

In addition to the interactions between Medea and the Greek Chorus, it is important to explore the scenes preceding the tirade. The nurse’s opening monologue offers great insight into Medea’s state of characterization prior to her newfound interactions. The nurse anaphorically describes Medea’s actions towards Jason. The Nurse begins, “She wouldn’t have made the daughters of Pelias kill him, she wouldn’t have had to flee to Corinth here, she wouldn’t have done all that she did for Jason, She wouldn’t have been so darned complaisant to Jason” (311). Euripides’ use of anaphora creates emphasis on everything Medea has done for Jason. The Nurse believes that upon meeting Jason, “she wouldn’t have” fallen in love with Jason. Medea’s motivation was a clear passion to woo Jason. Formerly, Medea completes Jason’s task of achieving the Golden Fleece, originally a man’s task. With her cunningness, she uses her witch supremacies to her advantage, acting on her desire for Jason. Furthermore, the Nurse foreshadows Medea’s shift in characterization from anguish to dexterity in her