Gender Relationships In Herman Melville's 'Moby Dick'

Published in 1851, the story of Moby-Dick is not just the tale of one mans search for control over nature, but also the story of friendship, alienation, fate and religion that become intertwined amidst the tragedy that occurs upon the doomed Pequod. The crew itself are an amalgamation of cultures, from the cannibal Queequeg, to Starbuck, "a native of Nantucket." The Pequod can thus be seen as a microcosm for immigrants and whaling within America. In Moby-Dick Herman Melville examines both the exploitation of whaling and the reality of being born outside of America.

In her 1945 article, Woman in the Nineteenth Century, Margaret Fuller illustrates a world in which “there exists in the minds of men a tone of feeling toward women as toward slaves”, and where men hold “the belief that Woman was made for Man”. Two books, Herman Melville’s Moby Dick and Woman in the Nineteenth Century, provide male and female perspective in the 19th century. These separate texts exemplify two sides of the same coin. On the one hand, Woman in the Nineteenth Century provides perspective of the feminine experience in a male dominated world while Moby Dick portrays a society from a male point of view and experiences woman as subservient to himself.

Captain Ahab Had a Wife, by Lisa Norling, is a collection of ideas and information regarding women in the whaling industry in the seventeen and eighteen hundreds. Norling writes how women were affected by the whaling industry, they depended on society for stability, and often conformed to society 's rules. The book is written to portray women during this time as resilient and capable of living in a man driven world. By recovering the stories of real maritime women, it enables to push beyond the stereotypical characteristics and restore important dimensions of the social history of seafaring (Norling 2). Captain Ahab Had a Wife examines the gender dynamics in New England which dramatically illustrates the necessity, pervasiveness, and thus

Throughout his novel, Moby Dick, Herman Melville will often devote entire chapters to the thoughts and actions of specific characters. Two specific examples of this type of chapter are Chapter 36, The Quarter-Deck, and Chapter 42, The Whiteness of the Whale. The first of these chapters depicts Ahab addressing his crew for the first time in order to convince them to hunt down Moby Dick. The second offers insight to the fear that is brought upon by the mere mention of Moby Dick The significance and effectiveness of each of these chapters are enhanced by Melville’s use of rhetoric and style respectively.

Moby Dick, a book about the voyages and pursuance of a white whale, was imagined by an incredible man. Herman Melville was a talented writer who wrote many fantasies and adventures, including Moby Dick. He’s most infamous for his work about the tale of the white whale and known less for his works of Typee: A Peep at Polynesian Life and Omoo: A Narrative of Adventures in the South Seas. (“Herman

A vengeful man, a native, and a man seeking enlightenment board a whaling vessel; this isn’t a joke, this is the United States of America throughout history and the members of the Pequod. Moby Dick is not just a tale about a whaling venture gone awry, it is a metaphor for what America was and is. The Pequod represents the country and government, while the 30 crew members (Melville 430; ch. 126) represents the United State citizens. This would have not been possible to consider in Melville’s time, but it is a true testament to literature being a living text. Melville wasn’t only writing about America in the 1800’s, he was writing about the natures of humanity, and the future of our society.

Analysis: Returning to his theme of respecting, even revering whales, Melville gives an image of opulence when he references creamy milk and marble in connection with the white whale. The trunk was made of marble, not flesh or any less expensive stone. The imagery here is purposefully placed to make the reader see Moby Dick as more then just a whale or a monster. He wants to show the white whale as something great and almost beautiful. Ishmael’s image of the whale, in all of its glory, is shared with his audience. This helps readers to understand the greatness this whale in particular commands.

Herman Melville’s novels, with good reason, can be called masculine. Moby-Dick may, also with good reason, be called a man’s book and that Melville’s seafaring episode suggests a patriarchal, anti-feminine approach that adheres to the nineteenth century separation of genders. Value for masculinity in the nineteenth century America may have come from certain expected roles males were expected to fit in; I argue that its value comes from examining it not alone, but in relation to and in concomitance with femininity. As Richard H. Brodhead put it, Moby-Dick is “so outrageously masculine that we scarcely allow ourselves to do justice to the full scope of masculinism” (Brodhead 9). I concur with Brodhead in that remark, and that Melville’s

Moby-Dick is considered to be one of, if not the, best novels in American history. Harper & Brothers first published it in 1851 in New York. In England, it was published in the same year under the title, The Whale (“Moby Dick”). Melville explores topics and themes that were scarcely spoken of and never even seen in a novel. In the novel, the Pequod, which is the ship, is named after a Native American tribe that was exterminated when the white settlers arrived. It is a symbol of death and doom and foreshadows event that occur later in the novel. Melville brings some very controversial themes to light in the novel. Revenge is one of the main themes of Dark Romanticism and Melville uses it to drive every action taken by Ahab. This is seen early on in the novel as Ahab explains to the crew why he has a peg leg and that he wants to enact his revenge on Moby Dick (Melville 160-161). “Moby Dick is, fundamentally, a revenge tragedy. It’s about one man’s maniacal obsession with vengeance. It’s about finding an object on which to pin all you anger and fear and rage, not only about your own suffering, but also about the suffering of all mankind” (“Moby

His most famous book, Moby Dick, features the observant narrator, Ishmael, aboard the Pequot, a ship captained by the menacing one-legged Captain Ahab. Having lost his limb in a previous voyage to an enormous sperm whale named Moby Dick, Ahab scans the seven seas in manic search of revenge against the giant. Queequeg, Ishmael’s menacing best friend, and the rest of the crew are subjected to extreme jeopardy and later death due to Ahab’s monomaniacal disregard for bad omens and danger. The whale slices the boat clean in half and none survive to tells of its greatness except Ishmael.

Literally, Moby Dick is a men's club, with only a glimpse of a woman in the background, or reflected in the stories of the sailors. They seem to have no sexuality, nor any personality. The two full blooded, dialogue speaking characters in the novel are both servants. Mrs. Hussey ladles out ³Clam or Cod³ to Queequeg and Ishmael, bans harpoons from her house, and busies herself like some cosmic washerwoman. In the novel, she is a laughably comic figure

In the novel, A Moby Dick, Pip is a young African American boy, who has almost no power on the Pequod. Pip only makes a handful of appearances in the novel, which leads the reader to ask: why does Melville include him in this novel? Pip normally serves as an entertainer for the crew and cleans up the ship. However, after being left in the ocean for hours, he forms a special bond with Ahab. Through their time spent together Pip positively affects Captain Ahab, which is why he is included in the novel.

Melville believes that mankind are the only truly divine beings in the universe and that they must all look to each other, and not God, for comfort and support. Queequeg and Ishmael’s relationship is a significant point in the story because it is such an ironic and strange friendship between and cannibalistic savage that has a good heart, and a philosophical white man like Ishmael looking to find his own truth at sea. Their relationship is so strong that they are inseparable until death and they represent Melville’s first argument of the true nature of man. In the cook’s sermon to the sharks, if the sharks are taken as an analogy of mankind, he is saying humans’ hearts all have a shark nature within them but if one governs that nature, then that person will become an angel like and pure. The cook after being ordered by Stubb to tell the sharks to stop their racket says that he doesn’t “blame [them] so much for;

Many have the desire to control the uncontrollable, or change the unchangeable. This idea is shared through many novels and movies; one of those being Herman Melville’s Moby Dick-a narrated voyage of a whaling ship, the Pequod, and its captain, Ahab, whose one desire was to kill the great Sperm Whale, Moby Dick. As his whaling journey continued, still unsuccessful, Ahab’s character began to change. Many adjectives could be used to describe Ahab’s changing character, but three specific ones are as follows: obsessive, conceited, and manipulative. Ahab’s one desire changes him from an obedient captain to a madman.

Herman Melville, in his renowned novel Moby-Dick, presents the tale of the determined and insanely stubborn Captain Ahab as he leads his crew, the men of the Pequod, in revenge against the white whale. A crew mixed in age and origin, and a young, logical narrator named Ishmael sail with Ahab. Cut off from the rest of society, Ahab attempts to make justice for his personal loss of a leg to Moby Dick on a previous voyage, and fights against the injustice he perceived in the overwhelming forces that surround him. Melville uses a series of gams, social interactions or simple exchanges of information between whaling ships at sea, in order to more clearly present man’s situation as he faces an existence whose meaning he cannot fully grasp.