Gender Role Content Analysis Essay

1. Why did Cato object to repealing the Oppian law? What was the basis of his objections?

Each video was watched twice, to ensure that no characteristics were missed. Videos were analyzed through the use of sexual characteristics and non-sexual characteristics tally sheets. When a specific characteristic was present it would only be marked down once per video. Because the focus of this research was on sexualization of women, only females were identified and coded.

The video material that I chose to view for this assignment were music videos, which was an unsurprisingly easy decision to make for writing about gender stereotypes. Music videos are watched by millions every day, and many of these provide misogynistic visual media that has been regulated and accepted by society. These negative connotations for women showing them in highly gendered roles mainly doing medial things such as dancing around in lingerie or fawning over a rich, famous, and/or successful man are dangerous towards equality for genders. Young girls and boys seeing this kind of harmful content could lead them to grow up believing they have to conform to these stereotypes and gender roles instead of living how they would prefer.

Then, I will present the results in graphs and tables and discuss them. I plan to split my discussion into two parts parallel to the survey’s parts. I predict that the participants would describe the women in the infantilized song lyrics and music videos as childlike and dependent. If my prediction was true, I would use the discussion parts to explain the powerfulness of music in shaping the perception of women in our society. In my discussion, I will incorporate the findings of Huot’s and Carlson’s research that go along with my predicted finding. I will also use the examples of the infantilization of women in pop culture that are shown in “The Codes of Gender;” a documentary film, written and directed by Sut Jhally, that focuses on the American’s pop culture role in shaping the stereotypical ideas about femininity and masculinity. Also in this section, I will discuss other effects that resulted from the infantilization of women in music. I will use Alanna Vagianos’s Huffington post article “Drake’s ‘Hotline Bling’ Just Got A Genius Feminist Makeover,” to help me provide an example. In this article, Vagianos presents the story of a 27-year-old woman named Javetta Laster who was affected by the infantilizing lyrics of the hit song “Hotline Bling,” and decided to rewrite the lyrics in a more accurate way. One example of Laster’s rewritten lyrics shows how the original one was presenting an infantilized look of women; the original lyric says: “Why you never alone? Why you always touching road? Used to stay at home, be a good girl. You was in the zone, yeah,” while Laster’s edited feminist version of the same lyric says: “You used to stay at home and be someone I saw fitting into the patriarchal expectations of women to be infantilized good ‘girls’ which is some bizarre father/daughter husband/wife dynamic left over from women being considered adult children & property.” Laster’s rewritten

In conclusion, the music industry is sexualising older teenage girls to a minor extent. According to the surveys, the older girls don’t feel that they have to display every inch of their body to be considered attractive, and most didn’t see having male attention as an important social standing to have. To the older teens in actuality, music videos are seen as false and a fake depiction of adolescent girls in reality. Lily Allen has made more or an impact on our

The Film Dreamworlds III examines the explicit nature and the objectification of women in music videos across music genres. A similar theme is presented throughout these various music videos as women are sexualized and exploited. In addition, many music videos display the domination and antoagonizing nature of a man controlling the numerous women submitting themselves to him. The portrayal of these images in music videos advertise and influence audiences to accept this behavior on screen, which in turn strengthens aggressive masculinity and the pornography of women.

This book’s major argument is how women are shown by contemporary media and popular culture in mixed messages. Douglas focuses on the ways women are portrayed in popular music, such as dancers wearing barely any clothes and doing inappropriate things in rap videos; to the empowered women warriors in television, such as Xena: Warrior Princess, Dark Angel and Buffy the Vampire Slayer; to the female players, such as Sarah Palin and Hilary Clinton. Her arguments and points are very valid, I personally think. “Since the 1990s the mass media has increasingly reported that women have “made it,” that they achieved gender equality. On television women occupy important jobs like doctors,

In this session, I will discuss the gender roles in my family. The definition of gender role is the degree to which a person adopts the gender-specific behaviors ascribed by his or her culture (Matsumoto, D. R., & Juang 2013, 156). For example, traditional gender roles recommend that males are aggressive, angry, and unemotional. It goes further and explains that the male should leave the home every day to make a living and be the main wage earner. The traditional gender role for the female purpose is to stay at home and care for the children. It explains that the female is to be nurturing, caring, and emotional (Matsumoto, D. R., & Juang 2013, 156). These traditional roles for female and male are the opposite of one another. It is believed that the culture is likely to influence our perception about gender role in a family. In my family, my parents utilize the traditional gender role. Growing up, my father went to work every day and my mother stayed home with me and my sister. I believe my parents were influence by their parents and their culture to be traditional gender role parents. My father explained to me that they chose traditional parenting role because both sides of the family utilized traditional parenting gender roles. I believe my parents felt pressure to obtain the gender roles of the mother staying home with the children while the father worked. However, when my younger sister was old enough to go to school, my mother started to work. It was believed that when

It is clear that hip-hop music and music videos objectify women; however, there have been feminist movements that have begun reducing this sexualization.

The development of visual media has introduced the concept of The Male Gaze Theory. The Male Gaze Theory is defined as how women are depicted in the media from a male perspective, such as presenting women as sexual objects for men’s pleasure (Loreck). The article, inexplicitly, talks about the male gaze: “Up to 81% of music videos contain sexual imagery, the majority of which sexually objectifies women by presenting them in revealing clothing, as decorative sexual objects, dancing sexually, or in ways that emphasize body parts or sexual readiness.” The article talks about how women are sexually presented in the media which is what the male gaze encompasses the “male gaze” is a harmful contribution to the sexualization of girls and is also seen throughout the music video. The beginning of the music video shows 50 Cent walking into a brothel-type mansion where the camera pans to focusing on the writhing, half-naked women in the foyer of the mansion. This scene is viewed from a male’s perspective because the camera focuses on their sensual movements and physical assets instead of their normal facial expressions or more appropriate places on their body. Also, since 50 Cent is the only male in the mansion, the camera is only coming from a male perspective because brothels are only truly for a male’s pleasure. The other women in the video are objectified from their revealing clothing

In 2014, the pop band, Maroon 5, released a video for their single “Animals”. In the video the lead singer, Adam Levine takes the role of a butcher who stalks one of the store’s female customers. Throughout, he goes to great lengths to obsessively observe the woman, even to the length of taking pictures of her sleep without her being knowledgeable of his presence. The video ends with a nude Adam Levine nakedly holding the woman while blood drops on them from above, followed by menacingly staring into the camera in the rain. Viewing this video one cannot help but see how it exemplifies how mainstream media promotes the objectification of women and sexual violence. This is especially apparent from around the marks of :21 and :26, where the video

This essay will argue that mainstream music reinforces the idea of women as sexual objects in the male gaze. Kitzinger has stated that “the sexual exploitation of women and children has played a key role in the history of the media” (2004) This essay will look at how this sexual exploitation is still relevant in modern mainstream music. This argument will be illustrated by drawing on the song/music video “Girls” by The 1975. (Powell, 2013). The band are of the alternative rock genre and use the video as a tool to emphasizes and critic how popular music portrays women. This will be highlighted by focusing on three main points. The parody to pop music videos; the use of costume and dance to sexualize and the focus on the youthful desire of sex

Real Lives of Most Men." He says to a friend of his "This must be a

Collins, R. L. (2011). Content Analysis of Gender Roles in Media: Where Are We Now and Where Should We Go? Sex Roles, 64(3-4), 290-298.

In music videos the dancing or portrayal of the people within these videos is often of a very sexual driven nature. This re-inforces the idea that women are sexual objects and the purpose of their being is to provide the male population with sexual satisfaction. Women portrayed are very thin and pretty, wearing heavy layers of make-up which portrays the idea that women need materialistic items such as mascara and lipstick