.In early rigid societies ‘gender role’ was labeled as masculine and feminine. However today the traditional notions about gender roles are undergoing transformation; changing roles in the social and economical spheres had led to the change in the gender roles as well.
Mahesh Dattani in the play “Dance Like a Man” portrays the patriarchal society of the 1970’s. It focuses on three generations –Amritlal Parekh ,Jairaj, his son, his wife Ratna , their daughter Lata and future son in law Viswas. Throughout the play the past, the present and the future are seamlessly connected in one story spanning three generations and the struggles of each generation against the expected gender roles of society till the future generation experiences the freedom
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He attempts to draw many of his characters from real life situations and they are remarkably realistic. Deepthi Agarwal speaks of the troubled relationships in the Mahesh Dattani’s play Dance like a Man. In her book The Plays of Mahesh Dattani, she says:
“A powerful drama directly hits out at torn relationships in a pseudo-sophisticated world……the plays tells the tale of human hearts, trapped in conflicting situations” (137)
The play “Dance like a Man” focuses on three generations –Amritlal Parekh ,Jairaj, his son, his wife Ratna , their daughter Lata and future son in law Viswas. It centers on an individual plight where a dying form of art serves as a backdrop. Amritlal is the autocratic father, a freedom fighter and reformist. He stands as a metaphor of the unwritten rules of authority that many come to accept as part of the Indian joint family. He is a representative of the society in the 1930’s and 1940’s. Though liberal in thoughts he curtails the freedom of his son who wants to become a Bharatanatayam dancer. Jairaj seems to be have a passion for dance which is accepted by the society of his
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He had converted the library into a practice hall for Jairaj. But he did not realize that his interest would turn into an obsession. He fails to find a suitable reason for Jairaj’s choice of career. He blames himself and his upbringing. Taking advantage of his financial dependency on him, the father altogether stops his son’s dancing classes. He tries to win his daughter- in- law Ratna over to his side and in the bargain wants her to discourage her husband from his passion.
Another aspect that Mahesh Dattani highlights in the play is the rigid notion regarding marriage of the Indian society in the 1930’s. Though Amritlal is considered to be a revolutionary reformer he feels Ratna is not a suitable wife for Jiaraj . He blames Ratna for influencing his son.
“Amritlal : Is it because of your wife? Is she forcing you to dance? She may be influencing you. May be it’s not you. That’s one thing I regret, consenting to your marriage.” (422)
Typical of the times, we see Amritlal fixed in the notions of gender roles acceptable in society. He feels that dance was the art of the devdasi’s and no one else should practice it. He is against his daughter in law pursuing dance and he tries to put an end to the practice session with the guruji . He does not want to be associated with the people related to dance- the musician as well as the guruji. He tells his
After giving a brief introduction to her subject, Desmond quickly begins her analysis on the piece Radha choreographed by Ruth St. Denis. She states that St. Denis was one of the mothers of modern dance in America despite how her works are not as well remembered as others including Martha Graham’s. She depicts Radha by describing the dancing quality, patterns in choreography, lighting, set, and costume in detail. Desmond also recounts the social issues that are reflected in the piece including gender roles and race. The author’s main point in writing “Dancing Out the Difference: Cultural Imperialism and Ruth St. Denis’s Radha of 1906” was to introduce St. Denis and share her detailed analysis of St. Denis’ Radha.
The poems of these 13th century times are relevant in today’s 21st century world, portraying a moral lesson that is taught over and over again throughout time. In the poem “Other Men Are Thorn” Mahadeviyakka talks about her marriage and how it destroyed her whole perspective on men. By saying all men are
In the play A Raisin in the Sun, three generations of women are represented. Lena is the default head of household after her husband passes away. She believes, like most women of her time, that men should make the important decisions. Ruth is somewhere in between the two, is usually outspoken, and vocalizes her frustrations, yet aims to please her husband. She is willing to do whatever it takes to better the life her family. Beneatha is a young feminist college student who is not at all tolerant of society's unequal treatment and expectations of women. This play demonstrates the importance of how women's ideas have changed over time through the eyes of three generations.
William Shakespeare is the world’s pre-eminent dramatist whose plays range from tragedies to tragic comedies, etc. His general style of writing is often comparable to several of his contemporaries, like Romeo and Juliet is based on Arthur Brooke’s narrative poem, “The tragical history of Romeo and Juliet”. But Shakespeare’s works express a different range of human experience where his characters command the sympathy of audiences and also are complex as well as human in nature. Shakespeare makes the protagonist’s character development central to the plot.
In the first section, Desmond focuses on “movement style and meaning” (pg. 31). She explains how movement is learned through our communities. In some locations, some dances may be seen as proper because that is what they learned in their community, but if performed in another community, those people may see their dance as “improper.” Desmond provides the example of how in the nineteenth century the waltz was seen as “too sexually dangerous” when introduced in North America and Europe. Their reasoning
Jesminder Bhamra, like the director, is British-Asian. Just like Director Chadha had refused to take traditional Punjabi dancing lessons and watch Bollywood films as a child, Jesminder unintentionally rebels when trying to integrate cultures. Jesminder’s traditional Sikh parents want her to be ‘good’ by completing university and marrying an Indian man. However, due to local
[…] I’ve been locked in this noxious embrace for the thirty-five years this waltz has lasted.” (Parker 50) Not only does the protagonist express her feelings towards the man but she also reveals what the waltz actually stands for in her narration. She feels to be trapped in her position as a wife and dancing partner. The man she dances with is her putative husband and the waltz they are dancing is a symbol for their marriage.
The theme of mateship is also explored fluently in the play, which contributes a big stage for each character for fully expended. We see the loyalties that each character
The story begins with Ashima, the wife of Ashoke, getting ready to have a baby in America. From the beginning, the struggle for this Bengali family to adjust to things in America is made apparent by Ashima’s insistence on counting her contractions in Bengali instead of English and her constant conversion
In Jane Austen's novel Pride and Prejudice, set in the Regency Period, dance performs several important functions. Dance patterns emulate courtship rituals, marking dance as a microcosm for courtship and marriage - two main themes of the novel. The Regency period propagated the belief that no ingredient was more essential to a courtship than dancing: "To be fond of dancing was a certain step towards falling in love..." (Austen 7). Therefore, knowledge of dance - dance steps as well as dance etiquette - was a crucial necessity and was often acquired through study and awareness of conduct codes. These crucial codes were disseminated through popular courtesy/conduct books, which
Due to cultural expectations he is made to believe that Indian women are incapable of following dreams that does not go in line with cultural views. After their many fights once he sees her ‘play ball’ he is able to appreciate her talent and is even motivated
Most of the characters in the play have a certain role and most of them have a special bond with another person and share one of the three types of love. Some characters share the love of
The river where the women did their laundry was simple but was amazing at the same time. The second part was when the protagonist was singing as the music in the background (there was a guy in the background pretending to play a guitar) playing to the tune of the music was an amazing. It set this atmosphere and it show how the she was feeling now. In this production, I can relate to the part that the protagonist is struggle with her marriage because her marriage was arrange and she was not in love with her husband. In the arrange marriage part I can related to the character since during my generation many of my families and friends were arrange with their spouse too. It is a struggle to love someone when the person had only been introduce once and maybe seen each other for only a couple of weeks then all suddenly had to be marry to that person. With all this confusion, the women had to honor her family by staying in a marriage that is fill with emptiness and unhappy if the women do not learn to love her husband. Which I have found that this play is very sad and tragic that during that time women had no saying in her happiness or the choice to choose
of the play. I will also explore the role the common man plays in the
The book mentions about the mental confusions, insecurities and the effort to understand their spouses. The writer has expressed simple and usual emotions of a womanhood, fidelity and family. A tint of Indian culture is reflected in each chapter indicating how a bridegroom and groom select each other, the nature of an Indian woman and how she takes up challenges in her life, reconciling the roles of a daughter, an ex-wife, a wife and a mother, the strength of the human spirit and their passion to survive and fight for a good life. It also features the distinctive qualities of Indian relatives highlighting their interest in an individual’s marital life and how offensive it is to the society to find a married woman talking to an unknown man. The book also focuses on the pain of a mother to see her unhealthy