Gender Role Portrayal And The Disney Princesses Essay

Not only do Disney princesses result in bad self esteem, they also encourage passiveness and reliance on others. The feminine and vulnerable side of these princesses, reflect the reliance on their hero and true love. The Disney princess stereotype insinuates that girls should be sweet and submissive, and should fully rely on a male-counterpart. Conversely, new characters, such as Elsa (Frozen), Rapunzel (Tangled), and Merida (Brave), do not express this passive characteristic. At the same time, these princesses continue to need assistance to reach the desired solution. For instance, Princess Rapunzel still needed hero Flynn Rider, in order to navigate her to her parents throughout the movie. None of these princesses independently found a solution to the main conflict in any of these Disney films.

Media is a powerful agent in entertaining children. It also influences and teaches the youth of society the suitable and appropriate gender roles that they inevitably try to make sense of. The power of media is very influential especially in the minds of the youth. Disney movies target the youth and plant certain ideas and concepts about social culture into the vulnerable minds of children. Media uses gender to its advantage, just like Disney productions. Humorous caricatures reveal some harsh realities about the portrayal of Disney Princesses in many movies made by the Walt Disney Company. Disney mixes innocence with the ultimate form of fantasy to capture an audience. Predominantly, Disney helps highlight the gender roles by showing the

Because of Disney’s stereotyping of gender, that little girl grew up wanting to become a perfect princess. Princesses in Disney’s movies and films gives young girls unrealistic ideas of the real word. However, some may believe that Disney princesses are a good influence on young girls and are able to show a them how to act eloquently. Gender roles, eloquence, and the beauty of the princesses are all topics that influence young girls. Even though some might believe that princesses are good role models for their child, princesses show young girls how they should interact around boys and other girls never mind the girls own opinions. An article about Children’s Responses to Gender Roles in Fairy-Tales written by Ella Westland writes, “The girls

Disney princesses are fun for all ages, but their target audience is young children and “as children grow and develop, they can be easily influenced by what they see and hear”. Therefore, what they see and hear in Disney movies leaves an impression on them. The first princess, Snow White, was created in a time where each gender and race had a specific role in society. Recently, many believe that Disney has come a long way in regards to gender and race since Snow White, as several multi-cultural protagonists have been introduced subsequently, and gender roles do not appear to be as stereotypical as they once were. However, many of the apparent innocent messages about race and gender in these movies, can be exposed as otherwise. Despite

Just like what John Musker says, “We thought it would be very appealing to do a female empowerment story that didn’t center on any sort of romance” (Berman 2016). The hearts of their stories focused less on finding true love and more on journeys, selflessness, and self-discovery. The first thing to point is that nobody of these leads’ – except for naïve Anna – core story aims was to fall in love. Tiana (The Princess and the Frog 2009) driven hard to become an effective business holder, Rapunzel (Tangled 2010) desired to discover the outside world, Merida (Brave 2012) wished to evade being married off in the name of practice, and Anna and Elsa (Frozen 2013) were looking to save each other, reconstruct their relationship and keep their empire from being overhauled by an outside threat. This period in Disney cinematography also took the time to highpoint relations between women for the first time. Just like in Brave, the chief bond is revolving between daughter and mother. There are plenty Disney movies to have explored love, but this one stands out and is experienced by most teenagers – the altering scene of the mother–daughter bond. Similarly, Frozen mainly focuses on the sisterly bond between Anna and Elsa. Jennifer Lee states that “She wanted to create characters they both could relate to, and felt the bond between sisters would be more accessible to a young girl than the lure of romantic love” (The Columbian 2014). Again, Disney took steps to discover something foreign to its earlier movies. By representing firm women and the inner workings of their relations, the last few Disney animated films showed a more precise reflection of the world. Based on the past of Disney Princesses above, we are sighted stronger role models creating their way into children’s

Heroes are found everywhere when Disney is involved. From a prince or princess to secretive toys to the smallest forms of life on earth, a hero can be found in anyone. Being attached to one or a few is entirely common. These certain characters may be the ones they look up to. Young girls often choose to look up to a princess, although, they are not what they were over 50 years ago. The very first Disney princess, Snow White, is purely a damsel in distress. The same goes for Aurora who appeared in Sleeping Beauty years later. As the years have gone on, that weaker vision of a princess has faded. The modern day princesses are anything but damsels needing to be saved by a man. Rapunzel chooses to give up her freedom in order to save Flynn Rider’s life. Tiana works hard to provide for herself so she can chase her dream. Merida rejects what everyone else thinks she should be and is true to herself. Elsa only needs the love from her sister. This list will only get bigger as Disney continues to create these young female heroines. If anything, Disney is preaching to young girls everywhere to be strong in a world that may play on their faults or weaknesses. During a time strong feminist movements, Disney manages to satisfy demands by allowing the girl to be the hero. Though Snow White and Sleeping Beauty are still timeless classics, the princesses of today set a better example for young girls everywhere and that is why they seem to be more attractive than the originals.

Bartyzel’s wide array of evidence to support her claim that princess culture narrowly defines what femininity means to young consumers makes her argument compelling. She used Disney’s unfitting princess makeover of the character Merida from Brave - who desperately fought against princess ideals in the movie - as an example of how Disney has a habit of backtracking their own progress. Bartyzel also provided accounts from mothers who support her claim by expressing that their daughters’ behavior had been shaped by princess culture. Additionally, Disney routinely overshadows the darkness of traditional fairy tales with overly idealistic narratives and has a history of depicting harmful racial stereotypes, problematic female characterizations, and unrealistic storylines (Bartyzel, 2015). Bartyzel examined these stereotypes and problematic characterizations with the design alterations made to Disney princesses; specifically, princesses of color. Finally, Bartyzel reinforced her argument by conveying that women are diverse and to overlook these differences affects how young girls view themselves. Bartyzel’s professional presentation, the various forms of evidence, her counter-arguments, and her examination of the different issues tied to princess culture helped convey a strong argument.

Female Heroism in Disney Animation Analyzing “Disney Dolls,” Kathi Maio’s purpose in writing is to persuade her readers that all the young women in Disney are meant to be symbols and how the company’s target audiences want to portray women. She argues that films like Snow White and the Seven Dwarfs (1937), The Little Mermaid (1989), Beauty and the Beast (1991) and Mulan (1998) all have an implied message towards women. Maio achieves to persuade that typically women in Disney are portrayed as a princess, queen, or a homemaker. When Maio mentions Aladdin (1992), she writes that Princess Jasmine is the only significant female character, then talks about cultural assumptions and internalizing racism, which is not significant to the topic of female

The first Disney princess is Snow White. She is in the movie Snow White and the Seven Dwarfs; which aired in 1937. The Movie is about a Young beautiful princess who is sent in the forest to be killed, orders by her evil mother, the queen, because she is unhappy that she isn’t the “fairest in the land”. While wandering in the forest she finds the seven dwarfs’ home, after she is released from the huntsman who was sent to kill her. Once the dwarfs arrive home the realize that a stranger is in their home and find Snow White then she explains to them what has happened and they agree to let her stay under the condition of, “If you will keep house for us, and cook, make beds, wash, sew, and knit, and keep everything that you want,” they

This is demonstrated through the earlier works such as Snow White and the Seven Dwarfs, Cinderella, and Sleeping Beauty when the women find husbands through the ideas of love at first sight and love only due to physical attraction (Johnson). Snow White, Cinderella, and Aurora all marry their princes without knowing much about them. But, as the later works of Disney princesses were released, the princesses’ viewpoints of love evolved, showing that they are improving their standpoints and becoming more admirable for their ways in which they pursue love. In the modern works, the princesses learn that love takes time. Belle and the Beast do not initially get along, but instead, grow to understand each other. They learn from each other and show patience in developing the relationship leading up to their marriage (The Artifice). Conversely, Mulan does not even get married during her movie and chooses to fall in love with her suitor through a dating relationship first (Johnson). Ironically, the most current princess movie, Frozen, mentions this idea of love over time when Elsa advises her sister Ana that, “You can’t marry a man you just met” (Lueke). Not only do modern works show the evolution of the princesses learning to love over time, but they also show them as learning to love without sacrificing their dreams. “Belle, Jasmine, Meg, Tiana, and Pocahontas all reject,

Cassandra Stover explains in her Journal Damsels and Heroines: The Conundrum of the Post-Feminist Disney Princess, the dramatic shift with Disney princess at the peak of the late 1980s and early 1990s. She explains that the shift can derive from feminist movements and how the change can be directed to the third wave of feminism. She examines the original Disney princesses and decribes them to be more passively aggresive and unindependent, while the new princesses are more independent and brave. The author then explains if the shift from the old to new princesses are actually better, and not just different. Stover analysizes that Disney princesses evolve and are a part of the worlds change on feminism.

Walt Disney Animation Studios is a large part in America’s entertainment industry. Reaching children and adults through their many platforms, Disney has been influencing people for over 90 years. These films have played a huge role in the society displays of gender roles. This is seen in the representation in their characters, more importantly females. Culture has been going through changes in the past couple of decades and Disney reflects the changes in society through its characters. Popular culture rises with each of Disney’s films and become well known with their recognizable roles. The Disney Princess line up has been a rising influence since 1937 with Snow White and the Seven Dwarves, and continues to present with the current release of Moana, the most revolutionary Disney Princess as of yet.

What young girl does not dream of becoming a princess and living in a castle happily ever after? Virtually every young girl identifies with princesses and has watched at least one Disney Princess movie. From the first movies of Snow White and Cinderella, to the later movies of The Little Mermaid and Beauty and the Beast, to the most current movie Moana, Disney Princess movies permeate not only the movie theaters, but also our culture. In fact, “becoming a princess is as easy as purchasing a tiara and hosting a princess-themed birthday party or buying a Halloween costume and playing pretend” (Garabedian, 2014, p. 23). Nonetheless, as declared by Princess Merida in the movie Brave, “there comes a day when I don’t have to be a princess. No rules, no expectations. A day where anything can happen. A day where I can change my fate” (Andrews & Chapman, 2012). In other words, does the life of a princess measure up to the expectations of little girls everywhere? The Disney Princess brand has grown incredibly popular, especially with young girls. In spite of this, the franchise has also become extremely controversial due to potential gender stereotypes in the films. “Gender is one of the most discussed topics in today’s society…[it] represents and also reproduces certain attributes, expectations and roles which are associated with male and female…influencing the views and opinions of future generations” (Maity, 2014, p. 31). Yet, is the Disney Princess brand harmful to young children due to gender stereotypes? Two essays that contemplate the Disney Princess brand and gender stereotypes with opposite viewpoints on this controversial issue are “Girls on Film: The Real Problem with the Disney Princess Brand” by writer Monika Bartyzel and “In Defense of Princess Culture” by writer and mother Crystal Liechty. However, Liechty’s essay “In Defense of Princess Culture,” is the most effective article in convincing the audience of her point of view due to the claim, support, warrant, language, and vocabulary employed.

For most parents, it is important for their daughters to grow up with strong female

Growing up, all I ever did was watch Disney movies and the Disney channel. Now as I’m older, I can’t help but realize that all the movies are exactly the same. The princess is stuck in a dilemma and then a perfect prince comes along and saves her and then they marry in the end. Other than a similar plot, all the movies have very similar character traits. England, Descartes, and Collier-Meek in Gender Role Portrayal and the Disney Princesses explain the characters, “traditionally masculine (e.g., athletic, brave) and traditionally feminine (e.g., helpful, nurturing) characteristics exhibited by the prince and princess characters through