Gender Roles In Barbot De Villeneuve's Beauty And The Beast

The fairytale “Beauty and the Beast” by Jeanne-Marie LePrince De Beaumont was produced in France in 1756. The story is about a wealthy merchant with six children, three boys and three girls. With the story’s primary focus on the girls, we learn that the youngest of the daughters, named Beauty, was admired for her kindness and well behaved manners. Due to Beauty being the town favorite, her sisters grew jealous and hated her. When Beauty’s father falls in debt with a Beast, her father sends her off to live with the Beast. In the end, Beauty gets to know the Beast and accepts to be his wife. Although, Beauty and the Beast have their ‘happily ever after’, social and economic complications hindered their relationship.

Andrea Dworkin explains women are characterized by beauty, passivity, and innocence. She argues that fairy tales creates stereotypic roles.

Original fairy tales restrict the opportunities of female protagonists, allowing their fate to be controlled by male characters and society’s restrictive expectations of women. Authors such as Perrault of ‘Little Red Riding Hood’ were quick to provide advice to their suggestible female readers in moral that girls should not try to drift from the path that society has laid out for them. Thus they became ‘parables of instruction’ (Carter) to indoctrinate the next generation in the values of a patriarchal society. Fairy tales of this time consistently remind us that those of the female sex will not prosper if they choose to ignore and defy the social constructs. Pre 1900s, the roles of women were entirely predetermined. A clear female dichotomy was established portraying them as either ‘the virgin’ or ‘the whore’. Stereotypical perceptions of women reduced them to biological functions and stated that they should acquire the role of wife and mother – objectified to such an extent where they were essentially their male counterpart’s possession. Both authors scorn the importance placed on domesticity and conformity, stressing the vital nature of being able to choose and uncover the consequences of societal ignorance. Carter highlights to her literary audience a passive generation of women who face the inability to vocalise their thoughts and opinions in the context of oppressive patriarchy. Within her work ‘The Company of Wolves’ “The

Lori Baker-Sperry and Liz Grauerholz discuss the concept of female empowerment through beauty in their article “The Pervasiveness and Persistence of the Feminine Beauty Ideal in Children’s Fairy Tale.” Baker-Sperry and Grauerholz state that, “women willingly engage in ‘beauty rituals’ and perceive being (or becoming) beautiful as empowering, not oppressive” (712). Baker-Sperry and Grauerholz argue that in children’s fairy tales, the female characters see their beauty as their most useful tool and would undergo “beauty rituals” to attain this beauty. By being beautiful, the Fairy Queen is able to win the attention and loyalty of Lanval. Not only does the Fairy Queen receive power in this bond, but also Lanval himself finds good fortune in the form of physical wealth. To further emphasize the Fairy Queen’s beauty and the power she holds over the court, France uses the series of girls prior to the Fairy Queen’s entrance. This builds a sense of suspense and the fact that the Fairy Queen easily trumps the girls in beauty further emphasizes her superiority. By emphasizing the Fairy Queen’s bodily beauty, France is able to show the power the Fairy Queen has over Lanval and the court.

Today's culture is one dominated by the media. People, especially young, impressionable females, are bombarded with images of “beautiful” and “desirable” women; these “sexy” women are lacking modest clothing, wearing copious amounts of make up, and are content to be viewed as objects, particularly by members of the opposite gender. In a society where the vision of true beauty has been distorted to such an extreme, fairytales serve as a reminder of the value of a beautiful

“Beauty and The Beast” is a classic well known romantic Disney movie that depicts the gender role of men and women in society. The film is based upon a smart young female protagonist named Belle who is imprisoned by a self-centered young prince after he has been turned into a beast. They both learn to love each other in the end and throughout the film there are several examples shown portraying the roles of gender. In the film the main characters Gaston and the Beast portray themselves as rude, conceited and more important than the woman even though the main character Belle is a woman whom is considered odd, yet smart, and unrelated to most women in society.

The women in these stories are propper up as main characters, yet it is unequivocal that the role in which they play as lead, is far different than if a man were in the same position. What the female character wants is often not taken into consideration unless it is compliant with another male character’s desires. Take for example, Little Red Riding Hood. Little Red Riding Hood, is a story about the titular main character, who goes off to see her ill grandmother. Along the way, she meets with a cunning wolf. And tragically, by the end of the story, her life is no more. Little Red Riding Hood is an interesting fairy tale to consider, in that unlike most other fairy tales, the character is a young girl whose story seems to be devoid of a male influence. Yet one must remember that the wolf, though he is not human, is still a male character and takes the form of mans’ more carnal desires. As the story begins we immediately come to know what the wolf wants, “As she was going through the wood, she met with Gaffer Wolf, who had a very great mind to eat her up, but he durst not, because of some faggot-makers hard by in the forest,” (Lang 51). The language presented in this short excerpt is proof enough that this wolf is male. He’s

At the beginning of the story, Beauty is defined through objectifying feminine attributes. In the first line, Beauty is looking “outside her kitchen window ”(Carter 137), her being in the kitchen represents conformity to feminine stereotypes. She is then described as being so pale that “you would have thought she was made of all snow” (carter 137). The whiteness of the snow symbolizes her purity. She represents a desire to conform to feminine sterotypes through her desire for the white rose Like Beauty, the beast is not free from conditional gender roles either. Being a lion-like animal, he is large and

In fairy tales, female characters are objects, and their value centers around their attractiveness to men. Since fairy tales rely on cultural values and societal norms to teach morals or lessons, it is evident that fairy tales define a woman’s value in a superficial way. Fairy tales teach that, typically, beauty equates to being valuable to men because of their fertility and purity; whereas, ugliness equates to being worthless and evil, including being ruined because of their lack of virginity. Descriptions readers see from fairy tales like “Rapunzel,” and “Little Snow-White” revolve around the women’s, or girl’s, physical appearance, and both stories play out to where the women remain in a state of objectification. In addition, they are damsels

Beauty’s role in beauty and the beast glorifies her as a sweet girl who can find light in any darkness. She prefers to move forward in life rather than sulk in misery. Being such a positive female character allows her to fall in love with a man who is not of the society standards of handsome, name Beast. She was more intent on focusing on what he had to offer as a person. Karen Rowe states in “Feminism and Fairy Tales” “such alluring fantasies gloss the heroine's inability to act self-assertively, total reliance on external rescues, willing bondage to father and prince, and her restriction to hearth and nursery” (Rowe). The heroine being beauty in this case, doesn't have opinions or rights because her character wasn't created to. Rowe believes that fairytales have paved the way for our expectations towards what women and men should be doing and what romance is. Rowe argues that “These "domestic fictions" reduce fairy tales to sentimental clichés, while they continue to glamorize a heroine's traditional yearning for romantic love which culminates in marriage” (Rowe). Beauty’s character found herself in these “sentimental cliches” with her

In a society unbridled with double standards and set views about women, one may wonder the origins of such beliefs. It might come as a surprise that these ideals and standards are embedded and have been for centuries in the beloved fairy tales we enjoyed reading as kids. In her analytical essay, “To Spin a Yarn: The Female Voice in Folklore and Fairy Tales”, Karen Rowe argues that fairy tales present “cultural norms which exalt passivity, dependency, and self-sacrifice as a female’s cardinal virtues.” Rowe presents an excellent point, which can be supported by versions of the cult classics, “Cinderella” and “Snow White”. Charles Perrault’s “ The Little Glass Slipper” and the Brothers Grimm’s “ Snow White” exemplify the beliefs that

Lyon”. Carter retells the well-known fairytale “Beauty and the Beast,” but her version is far from “classic.” It is a tale of self-discovery and rejection of female objectification. In the beginning of Carter’s retelling of the classic fairy tale “Beauty and the Beast,” Beauty is seen as a penniless, helpless girl, whom the rich, powerful and world-weary Beast forces to live in his house. When her father uses her as payment for his debt to the Beast she becomes an object. However, she rapidly becomes the more active, experienced, and adventurous character. Throughout the story, Beauty proves herself to be more than just a traditional fairy tale heroine, but in the beginning, she conforms to the paradigm. Just like many of Carter’s heroines, she must start within to be able to then break free from the restrictions and assumptions of patriarchal society. In the words of da Silva, “The daughter is conscious of her annihilation in the patriarchal society but she doesn’t have autonomy to overcome it.” Even though Beauty finds enjoyment in reading fairy tales while living with the Beast, it is as though despite living in a modern world with telephones and cars, Beauty wants to believe in the conventional “happily ever after.” By comparing Beauty to the immaculate snow upon which she gazes Carter emphasizes Beauty’s femininity, innocence, and virginity. By associating Beauty

When someone mentions the name “Cinderella”, the first thing that usually comes to our minds is the fairytale in which the fair maiden who works so hard yet it treated so poorly gains her “fairytale ending” with a wave of a magic wand. However, the fairytale of Cinderella written by the Grimm Brothers has multiple differences in plot from the fairytale we all usually think of. The plot of the Cinderella written by the Grimm Brothers, written in 1812, is that a young female’s mother passes away early in the story, departing with the message to Cinderella to remain “pious and good”. Cinderella remained true to this message given to her by her mother, and she showed this in her work ethic. Because Cinderella had remained pious and good, her mother, in return, watched over her in the form of the birds above her grave that gave Cinderella help and material things that she needed. In the end, Cinderella has her “happily ever after”, for when the prince held a festival to find a new bride, she was chosen due to her insurmountable beauty. The feminist lens critiques how females are commonly represented in texts, and how insufficient these representations are as a categorizing device. These representations of women often include them being passive and emotional—staying back while the men do the work. Cinderella relates to the feminist lens because she fits into the typical representations of women created by men. Feminist criticism is important to recognize because women are often falsely represented as helpless, thus needing a man to come to their rescue. It is common in literature to see helpless women, crying and begging for help instead of being able to work out their own problems and hardships. Others, however, may believe that it is still important to uphold the fundamentals of the feminist lens because it keeps the man in power, which they say is important in keeping the man the head of the household. Cinderella thoroughly represents the feminist lens because it shows how women in literature uphold the representations of passive and emotional, created by the man.

Once upon a time in a land not so far away, the society of man created the idea that it was a woman’s job to conform to the ideologies generated in fairy tales. From women depending on their prince charmings all the way to romanticized sexual abuse and lack of consent, stories like Cinderella and Snow White radiate sexism within an array of scenes of the stories and films. Not only does this affect the way that men view women, but it has had a relatively negative effect on the ways that many women view themselves. Many fairy tales have made their way into mainstream culture, and today many young girls and boys grow up hearing and seeing the subliminal messages in fairy tales. As more and more fairy tales make their way onto the big screen, it can be seen that all princesses seem to share a common feature other than their crowns and lack of self worth without a man by their side; their tiny waists. In recent years during the 21st century more and more people in the media have been calling out fairy tales for their anti-feminist attitudes with sexism, body standards as well as societal comments about women being dependent on men.

Children fairy tales are some of the first books we’re introduced to growing up. Typically, the princess is saved by the heroic prince and they lived “happily ever after”. Some may think our life should be like a fairy tales while others don’t. These tales created gender roles in which appeared to be very important. In the Grimm Brothers fairy tale, “Hansel and Gretel”, the parents leave the children in the forest to starve due to not having enough money to buy food in order to sustain life. The children later find a house deep in the woods where an old, evil witch lures them in and tried to eat Hansel and Gretel. They eventually kill the witch and find their way home to their father with no stepmother to be found as she has died while the children were away. In the fairy tale, “Hansel and Gretel” gender and feminist criticism are highlighted throughout the tale by defining characteristics, consequences from their actions, and societal roles and expectations that were both prominent in German history and modern society.