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Gender Roles In The Fall Of The House Of Usher

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Aside from their constant tendency to fall ill and die, Poe’s upper class characters are united by their portrayal as flawed. Oftentimes, the characters who are identified as being rude, deranged, immoral, overconfident, idolaters, and even cruel, are the ones who belong to the upper class. For example, in “The Cask of Amontillado,” Montresor wishes to kill the wealthy Fortunato because of a thousand injuries and an insult. While neither the injuries nor the insult is mentioned, Fortunato is shown insulting the intelligence of his acquaintance, Luchresi, by calling him an, “ignoramus,” and saying that he, “‘cannot tell Amontillado from sherry.’” Fortunato also implies that he believes Montresor to be beneath him by saying that it is, “‘impossible’” for the latter to belong to the Freemasons, and that the mere claim is a “‘jest.’” In “The Fall of the House of Usher,” the Usher family is stated to have frequently participated in incestuous …show more content…

Aside from being considered highly immoral, incestuous relationships also tend to produce offspring that suffer from physical and mental disabilities. Because, “the stem of the Usher race, all time-honoured as it was, had put forth, at no period, any enduring branch,” its last descendants, Roderick and Madeline, are not only sickly, but deranged, as shown when Roderick knowingly admits to burying his sister alive. “The Masque of the Red Death” offers a thousand and one examples of wealthy and overconfident characters. Prince Prospero and his thousand “hale and light-hearted friends” believe that they can, “bid defiance to contagion,” by leaving their plague-torn country for one of Prospero’s, “castellated abbeys.” Thinking that the, “gates of iron,” could somehow keep out disease, the characters enjoy themselves and indulge in, “all the appliances of pleasure.” But, in the end, their overconfidence has fatal results. The Red Death (the plague that they tried to escape) finds its way inside and kills

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