Gender Roles Of Femininity In Antigone

In the play Antigone, men view women as a threat to their masculinity and do whatever they have to in order to silence them. However, the women find ways to speak out anyway. Gender has profound affects on the meaning of Antigone's actions. Creon feels the need to defeat Antigone more so because she is a woman. Antigone's rebellion is especially threatening because it upsets gender roles and hierarchy. By refusing to be passive, she overturns one of the fundamental rules of her culture.

Antigone’s self-certainty is one of her mistakes that contribute to her tragic fate. She regards burying dead people as absolute just behavior under any circumstance. This rite is important in Ancient Greek culture, but weather or not gods desire appropriate arrangement of Polyneices’ body is under question. It is Zeus that brings death to Polyneices because

Gender and its roles are exposed in the story of Antigone as the central themes. Roles and rules are set and followed by several people in this era, this is appreciated in this text. Ideas of contradiction to these rules were not explored. In Greek mythology, several women held positions of power, but none of these women were human, making the idea of a powerful woman godlike and unattainable, as if to keep woman in their place, which of course, was always under the rule of the superior gender, the male. To challenge a patriarchy with feminism was dangerous, for both sexes were equally protective of it, leaving the challenger desolate in the battle against it. To rely on women to help other women rebel against this social norm was not probable, in the contrary, women held each other accountable for complying to these rules and punished those who didn’t. Women were their gender’s prevalent critics and suppressors, not only because they feared the repercussions, but since they didn’t have the means to rebel against it.

Misogyny pervades the picture Aeschylus, Aristophanes, and Sophocles paint of Athenian society. In their literature, however, female characters catalyze plot by challenging this picture. Such characters--from Sophocles’ Antigone to Aristophanes’ Lysistrata--face grim consequences for acting independently. Clytemnestra and Cassandra from Aeschylus’s Agamemnon exemplify this archetype of autonomy and destruction. When they confront injustice, male characters perceive them as vindictive and hysterical. This paper will compare the standards of justice Aeschylus’s society imposes on men and women. I will argue that Clytemnestra and Cassandra are protectors of divine justice who reject subservience and thereby transcend the sexism of their society.

In Sophocles’ Antigone, gender roles are a major conflicting theme throughout the entire play. The setting of the play was written during the Greek mythological days, around 442 B.C. During these days, men were dominant and held all of the power, so women were automatically treated as less. Antigone and Creon portray the conflicting sides between male and female, and Ismene and Haemon portray opposing sides to Antigone and Creon’s actions. Antigone, Ismene, Creon, and Haemon each show differences in behavior due to their sex versus the actions each character chooses to take. Antigone tells Ismene about her plans to bury their brother, Polynices, which is going against Creon’s orders. Antigone and Ismene, have contrasting perspectives on

In Sophocles’s Antigone, we can see that the deeply misogynistic society of ancient Greece has manifested itself into Creon, a despotic ruler, despising dissidents, traitors, and especially women. His hatred of women manifested into several examples of misogyny throughout the play: He assumed that the criminal who buried Polyneices was a man, he looks down on Antigone’s defiance as improper defiance of a mans order by a woman, and he virtually disowns his son Haemon for disagreeing with him and listening to a woman.

Antigone, however, decides she would rather please the gods than man and buries her brother against King Creon’s orders. She is fully aware of the consequences should she get caught, yet she openly disobeys, even against her sister’s warnings. She gives Creon no additional respect either as a male in a patriarchal society or as a king and ultimate authority figure. In fact, she calls him a fool! Antigone boldly states to Creon himself, “If my present actions strike you as foolish, let’s just say I’ve been accused of folly by a fool,” (Sophocles p.657). The strong will and defiance she exhibits are very characteristic of modern feminism.

To start, Antigone was written by Sophocles to make the people question their faith in both their religion and their government. Putting a young woman in a position in which she had to choose between staying loyal to her country and staying loyal to the gods, Sophocles showed the men of Athens in their comfortable lives that there wasn’t always a simple solution to all of life’s problems. It is important to note that it was only the men of Athens that were shown because they were the only ones that were able to see this remarkable play because of its depiction of women, specifically through Antigone. In a way, if women had been able to see this play, being

Before Antigone begins, the two brothers of Antigone are engaged in a battle no only of land, but of power. Their deep desires to rule Thebes and male dominating ego, only lead to their deaths; a tragedy that would affect more than just themselves. The battle of glory for men would not be the same for their sisters, but in 442 B.C. as Sophocles illustrates, the living women would have to deal with the tragedies of the dead; a task not easy to be burdened with as woman. Their uncle, Creon, dominates Antigone and her sister Ismene to the extent of mourning their own brother's death. Antigone has chosen a fate without glory: "I'll suffer nothing as great as death without glory," (Antigone line 112). Only a male in this time could die with honor and glory, and just as her uncle has forced a death without glory for her brother, although a glorious death is honorable, she has decided it a better life to die without glory than dishonor her blood and the gods. Ismene does not wish to go against the laws of her uncle, for "women were not born to contend with men," but between the bond of her and Antigone, she will defy the king(line 75). Ismene is just as horrified about the edict as Antigone is, but asks what they--weak women--can do. During this era the women had a specific role, and to defy that role would be horrific enough, despite

wife, and his will to live, but is doomed to live on in his pain. Antigone

The different portrayals of female characters Antigone and Lysistrata illustrate the fundamental nature of the proper Athenian woman. Sophocles' Antigone allows the reader to see that outrage over social injustices does not give women the excuse to rebel against authority, while Aristophanes' Lysistrata reveals that challenging authority in the polis becomes acceptable only when it's faced with destruction through war. Sophocles and Aristophanes use different means to illustrate the same idea; the ideal Athenian woman's ultimate loyalty lies with her polis. This Greek concept of the proper woman seems so vital when considering Athenian society because both a tragedy and comedy revolve around this concept. The differing roles accorded to

Although ancient Greece was a male-dominant society, Sophocles’ Antigone portrays women as being strong and capable of making wise decisions. Antigone, the tragic heroine, rejects the traditional role of women. As such, Sophocles punishes Ismene for embodying traditional attitude. Moreover, Creon is punished for misogyny. Sophocles, accordingly, uses characterization to promote feminist ideas.

For centuries men have been finding ways to gain control over everything and everyone. One group that has been oppressed by men throughout history are women. Men have placed rules and regulations upon women making them seen as unequal and inferior. Was it fear? Was it the hunger for power? Was is the highness of superiority? Whatever the reasons were, men had to be seen as the highest being next to whom they worshiped. In the play Antigone by Sophocles, the audience is exposed to the roles of men and women in an ancient Greece society known as Thebes. Although ancient Greece was a male-dominant society where women had as much freedom as a slave, Sophocles’ main character in the play, Antigone, is an example of a brave, strong-minded woman who goes against the limitations that were unfairly set upon women during that time to do what she believes is right. In this play, gender roles assists in the process of portraying the story since it affects some of the decisions of the characters and helps lead the story into the climax.

“No woman shall seduce us. If we must lose, Let's lose to a man, at least. Is a woman stronger than we?” (Sophocles.II.3.539-540) says Creon, King of Thebes and uncle to the disobeying but brave Antigone in Antigone by Sophocles. A patriarchal society is a community in which male domination over women, Sophocles explains the journey of Antigone in getting her brother buried and yielding against the laws of Thebes in a man dominated city. Antigone portrayed in the play is loyal and stubborn, she would do anything that feels ethical and honest to her even if that disregarding the laws created by men. She responds to the standards of King Creon by going against her own blood, not believing that women should subjected to the rule that they

Readers of the three Greek plays, Oedipus the King, Antigone, and Medea, can easily gather an abundance of information about the different cultural details within the Greek society at that time. One of the major cultural values that can be picked up from these three plays, is the roles of women in this society. The roles of women can be observed through a comparison between them and their male counterparts.