From a young age, princess culture has impacted the lives of numerous people. Some individuals may have spent their childhood in the attire of their favorite Disney princess while they put on their best rendition of the character they admired most. Other children went seemingly unfazed by the phenomenon, as their peers remained spellbound by the magical world of princesses. With Disney’s debut of Snow White and the Seven Dwarfs, princess movies provided the defining factor of the Disney entertainment empire for years to come. From this, fairy tales embarked into a territory that would touch the lives of many in a new way. However, since princess culture has considerably grown, opponents, such as Monika Bartyzel, question if princess …show more content…
By doing so, Disney princess culture increases gender roles and affects how young girls view themselves.
Bartyzel’s wide array of evidence to support her claim that princess culture narrowly defines what femininity means to young consumers makes her argument compelling. She used Disney’s unfitting princess makeover of the character Merida from Brave - who desperately fought against princess ideals in the movie - as an example of how Disney has a habit of backtracking their own progress. Bartyzel also provided accounts from mothers who support her claim by expressing that their daughters’ behavior had been shaped by princess culture. Additionally, Disney routinely overshadows the darkness of traditional fairy tales with overly idealistic narratives and has a history of depicting harmful racial stereotypes, problematic female characterizations, and unrealistic storylines (Bartyzel, 2015). Bartyzel examined these stereotypes and problematic characterizations with the design alterations made to Disney princesses; specifically, princesses of color. Finally, Bartyzel reinforced her argument by conveying that women are diverse and to overlook these differences affects how young girls view themselves. Bartyzel’s professional presentation, the various forms of evidence, her counter-arguments, and her examination of the different issues tied to princess culture helped convey a strong argument.
Bartyzel is not the only one who believes that Disney has a
“Little Girls or Little Women? The Disney Princess Effect” is an article by Stephanie Hanes which touches on the princess phenomenon many young girls are obsessed with. Stephanie Hanes concludes that the Disney Princess craze is linked to self-objectification and the growing sexualization of young girls. Although she provided numerous facts the argument was unsuccessful because it was weak and confusing. Her own personal opinion on why she blamed the Disney Empire for sexualization amongst young girls was rarely voiced. Lastly the main idea of the article gets masked by controversial expert claims that are not linked to the topic.
The next group of Disney Princesses start with The Princess and The Frog (2009) and go until the most recent princess film, Moana (2016). The other films that fall into this category are Tangled (2010), Brave (2012), and Frozen (2013). These princesses are described as “rebels who live on the edge, full-figured, well endowed, and sexually charged.” Tiana (The Princess and The Frog), Rapunzel (Tangled), and Anna (Frozen), still end up with a romance at the end of the film. Tiana is Disney’s first African American princess, which was important as up to this point many young girls did not have a princess that resembled them visually. Tiana exhibits both typical traits of princesses from the Classic Era, compassion and understanding, as well as traits typically viewed as masculine in the same films, enterprise, cleverness, and assertiveness. Although she finds love at the end of the film, it was due to chance and not from her actively looking for it. The film conveys an important message that wishing on a star is not going to accomplish anything, but hard work will. Tiana’s goal never changes throughout the film, even after meeting Prince Naveen and realizing she loves him, her sights always stay on owning a restaurant. Unlike the previous films that end the narrative with a wedding or presumed wedding, the narrative continues after Tiana and Naveen get married. The film ends with her working in the restaurant that she was finally able to open. Although released a year after
The purpose for my infographic is to categorize each Princess into their generation. The reason being that the princesses would demonstrate different gender roles because of the years the films were created. By classifying the princess and then breaking down the characteristics reveals that Disney has evolved the princesses. Additionally, the breakdown also reveals that many gender roles are still being portrayed. For my title, I decided to use a white simple font hoping that it would pop. Then I used a cursive pink font for “Disney Princesses” just because pink and the font is mostly associated with a feminine look that can be connected to the princesses. The castle is meant to draw the eye of the audience. A castle is a connection to the princesses. If the reader was to glance at the infographic he/she can get an idea that it is connected to princesses or a fairytale.
When the word princess is said I think everyone can come up with the same image in their head. A crown, beautiful gown and beautiful smile. In Rebecca Hain’s article “Brave Princess breaks Disney stereotypes. Or does she?” Hain’s addresses 2 critics of the movie Brave a new Disney princess film. First the unoriginality of the film and then the depiction of the main character Merida being a brat.
They see Disney Princess products in the grocery store where there are princess balloons and princess plates and napkins. Princesses are in the local Wal-Mart plastered on pajamas and lunchboxes. The Disney Princess line is all around them and so they easily subscribe to the culture and try to emulate these female characters through costumes and play.
Disney princess movies over time have followed roughly the same plot outline: the princess and her strife in finding her prince charming. However, in Disney’s latest princess movie “Moana”, the audience is exposed to a great example of leadership. Moana does not demonstrate her leadership role through defiance as seen in previous Disney movies such as the staring character Elsa in “Frozen” or Ariel in “The Little Mermaid”. Moana is driven by the desire to protect and serve her people. The movie illustrates Moana’s journey attempting to restore the ring island that her and her people inhabit. Taking matters into her one hands, Moana sets out to sea to restore the heart of the goddess Te Fiti, who reigns over the islands, and hopes to save her
For many years, Disney has been known for fairy tale films that are full of lovable characters that children cannot seem to get enough of. The traits of many of the characters are great models for children to watch. The problem is that adults tend to see a bit more than just the good qualities they embody, which leads to the realization that these films are far from perfect. Upon closer inspection, Disney films have been found to embrace patriarchal and sexist ideologies when it comes to their characters—something that Disney has been nearly successful in eradicating in their most recent films. From the earliest films to the most recent, it is clear that the portrayal of gender roles, of both the hero/heroine and the villain, has changed for the better.
Numerous parents would agree that Disney is the epitome of wholesome family entertainment and recall watching Disney movies growing up with fondness. However, parents have also begun to realize there is more to these movies they grew up on. With this realization has come an increase in the amount of criticism directed at Disney princess movies. Many of these critics worry how young girls are affected when their role models are helpless pushovers who are defined only by the fact that they are beautiful and helpless, left needing a man to come rescue them. Some critics like Best and Lowney (2009) believe, “Disney’s female characters are portrayed as relatively passive figures and… encourage girls to accept traditional gender roles.” This means that instead of teaching young girls to be powerful and independent we are teaching them to be docile housewives who have no voice (Ariel trading her voice for legs to be with a man just gained so much more meaning) and are showing them that their ideas and opinions don’t
Disney princesses are fun for all ages, but their target audience is young children and “as children grow and develop, they can be easily influenced by what they see and hear”. Therefore, what they see and hear in Disney movies leaves an impression on them. The first princess, Snow White, was created in a time where each gender and race had a specific role in society. Recently, many believe that Disney has come a long way in regards to gender and race since Snow White, as several multi-cultural protagonists have been introduced subsequently, and gender roles do not appear to be as stereotypical as they once were. However, many of the apparent innocent messages about race and gender in these movies, can be exposed as otherwise. Despite
Disney princess could be harmful to young girls who takes them as their role models. There are princesses better than others and some are awful role models. Some princesses instruct young girls that it’s fine to be unassertive, which is a bad thing to teach to young girls. Also, I find that some princesses modify themselves just to amuse a gentleman. Ariel the princess in “Little Mermaid” adjust each thing concerning herself for a man. She transferred up her intermediary to obtain limbs so that she could exist with a guy. As Bartzyel stated in line 468, “Taming her hair, and shrinking her breast. When a young a girl sees that they will think that’s it’s okay to give up certain things just to be with
Written by a collaboration of research authors, Pretty as a Princess: Longitudinal Effects of Engagement with Disney Princesses on Gender Stereotypes, Body Esteem, and Prosocial Behavior in Children was published in 2016. Sarah M. Coyne (Brigham Young University), Jennifer Ruh Linder (Linfield College), Eric E. Rasmussen (Texas Tech University), and David A. Nelson and Victoria Birkbeck (Brigham Young University) discuss in writing the connotative and denotative effects of a gender stereotyped society. They research the effects of Disney Princess culture and emphasize the characteristics developed within the minority of preschool and kindergarten age children, especially females, that potentially are exposed to the Disney Princess chain. The audience for the author’s message is a wide range of groups and individuals, but, at its widest scope, the research project is intended for multinational media corporations, specifically those of whom are based in the United States, target the control group (preschoolers and kindergarteners), and have the opportunity to incorporate gender stereotypical characters into their products.
As a child, I grew up with the Disney pop culture surrounding me. I constantly watched Disney movies, cartoons, and I even played with their toys like every other kid in America during the early 2000s. Not much has changed except the increase and growth of their industry. With the expanding $4 billion revenue (Hanes 510) flowing in each year, they have added more princesses along the way. While some girls are ecstatic over the new additions to the princess family, some adults are not. This is not a common opinion among many Disney fanatics to see, but the author of “Little Girls or Little Women? The Disney Princess Effect” Stephanie Hanes is one of the few that are not satisfied with the work of Walt, bringing an eccentric point of view to our attention. Parents, like Hanes, fear the psychological effect it can leave on their daughters and how it can potentially narrow their future goals. Hanes’s argument uses ethos, logos, and pathos to skillfully to argue the point of the Disney Princess effect on girls.
The gender role that is exemplified by Disney films is their portrayal of princesses as characters that need to be constantly saved. On this note, the producers of these films focus on showing that Princesses play the sole role of modeling their beauty and waiting for a man to rescue them. Notably, the women in the Disney films appear as queens who, though may seem not be princesses from birth, have great attributes such as strong will, skills and determination in life. At this point, it is worth noting that a princess is portrayed as a female heroine that children viewers can admire as their role models. Some of the examples
Her theory is that Disney has to keep up the reputation of the ideal princess “which is a representation of gender that young females should idolize” (Warner). She discovers a recurring theme within all the Disney princesses. First, Warner notices the new heroines appear more independent; however, they still represent elements that disempower women and still showcase the female image stereotypes. She argues that Disney’s main focus is on producing films that portray perfect women in a perfect world because women are the main viewers of Disney princess films. In addition, this causes women to live unhealthy lifestyles because of “body issues” and “low self-esteem” (Warner). Her article shows the reality behind society’s influences and how princesses, whether strong or weak, still have a large impact on how women should
Moral and valuable examples for both girls and boys can be difficult to find in society today. Amidst pop culture and societal views becoming increasingly worse, children more than ever need a respectable and moral individual to idolize and follow. In the world of Disney, princesses have become a closely enjoyed and respected view for what every girl should aspire to be. Each princess represents a different background, culture, and set of talents that express a type of woman that stands out in the world. Although many girls enjoy the princess culture and lifestyle, many parents feel this campaign is wrong for both their children and other girls. They believe the princess way of life is harmful towards girls’ images and their views towards the realistic events that accurately represent reality. Disney princesses are an encouraging example of an ethical and strong woman and, if desired, should be accepted and encouraged to follow despite views and beliefs that girls are stereotyped into gender cliques.